The list of selected staff publications may be searched by keyword or author and can be sorted by year.
A discussion of the interrelationship of stereograph publisher Underwood & Underwood's European sales activities and its stereoscopic documentation of Europe for both the American and European markets.
A psychological and cultural meditation about the unique experience of photobooth photographs, with notes about the NMAH Hall of Photography’s photobooth.
A history of the Scurlock family studio and its significance for the African American community of Washington.
A description of the Archives Center's photographic collections, policies, and programs, with emphasis on major recent acquisitions, such as the Scurlock Studio Records.
A description of Barbara Beirne's aims in interviewing and photographing a number of energetic, courageous Appalachian women and how these documents highlight important aspects of Appalachian cultural, social, and economic history.
A summary of the history of the Scurlock Studio and a description of the the Museum's Scurlock collection, with remarks about conservation challenges, especially regarding deteriorating acetate negatives.
A critical appraisal of the influence of diarist and surrealist Anais Nin on the films of her husband Ian Hugo. Nin served as muse, model, actress, and collaborator in inspiring Hugo to become a creative artist.
The text of a paper delivered at a conference on tourism details the ways in which commercially published stereographs were used to simulate travel experiences, 1895-1921.
The text of a paper delivered at a conference on tourism analyzes the goals of tourists when visiting museums as part of a sight-seeing ritual.
This essay describes the influence of Hahn's graduate school photography professor, Henry Holmes Smith, on her early work, including her revival of "obsolete" photographic processes such as gum-bichromate. Her technical and aesthetic experiments are described.