Publications

The list of selected staff publications may be searched by keyword or author and can be sorted by year.

A Historical Guide to the United States, editor and contributor. (New York: W.W. Norton and Company, 1986).
“September 11 and the Mourning After: Reflections on Collecting and Interpreting the History of Tragedy," with Sarah M. Henry. The Public Historian 24 (Summer 2002): 37–52.
Public History: Essays from the Field, e.d., with Peter S. LaPaglia. (Malabar, FL: Krieger Publishing Company, 2004).
Facts About Museums: An Assessment of Data on the Museum Community (Washington, D.C.: Institute of Museum and Library Services, 1998).
Why Donald Trump’s Election Observers Are a Bad Idea New York Times, August 24, 2016.
The Saloon, America’s Forgotten Democratic Institution New York Times, November 26, 2016.
American Holiday Postcards, 1905-1915: Imagery and Context. McFarland Press, 2013.

Examines deep divides at the height of the Progressive Era as expressed through holidays and holiday imagery.

“Were Christmas Cards America’s First Social Media?” Zócalo Public Square “What it Means to be American” series, December 2014.
“Star-Spangled Turkeys: Patriotism in Thanksgiving Postcards.” The Ephemera Journal. Vol. 17, No. 1, September 2014.
“Rural Americans, Postcards, and the Fiscal Transformation of the Post Office Department, 1909-1911.” The Winton M. Blount Postal History Symposia: Selected papers, 2010-2011. Smithsonian Institution Scholarly Press, 2012.
“Star-Spangled Turkeys: Patriotism in the Visual Culture of Thanksgiving, 1863-1913.” Mid-Atlantic Almanack. Vol. 16, 2007.
Migrant Musicians: Filipino Entertainers and the Work of Music Making. With R. Zamora Linmark, Karen Tongson, and Sarita Echavez See. Center for Art and Thought, 2013.
The Day the Dancers Stayed: Performing in the Filipino/American Diaspora. Temple University Press, 2009.
Filipinos in Hawai'i. With Roderick N. Labrador. Arcadia Publishing, 2011.
Carlos Villa and the Integrity of Spaces. Meritage Press, 2012.
Stage Presence: Conversations with Filipino American Performing Artists. Meritage Press, 2007.
First Ladies: Political Role and Public Image, co-authored with Edith P. Mayo, Scala Publishers Ltd., 2004
"Youth Employment and Education: Possible Federal Approaches," with Josh Green, Budget Issue Paper, Congressional Budget Office, July 1980.
"Young People with High School Problems: Dropouts and Low Achievers," Staff Draft Analysis, Congressional Budget Office, March 1980.
"The Federal Effort for High Schools." Staff Draft Analysis, Congressional Budget Office, January 1980.
"Federal Compensation of Federal Lands: The Estimated Cost of Tax Equivalency," Staff Draft Analysis, Congressional Budget Office, September 1979.
"Rosebuds of the Plateau: Frank Matsura and the Fainting Couch Aesthetic," in Lucy Lippard, ed. Partial Recall: Photographs of Native North Americans. New York: New Press, 1992; reprinted in Dark Night, 2000.

A piece of creative nonfiction that comments on historical photography of Indians and reimagines the history of the two Northwest Coast women in a turn-of-the-century photograph by Frank Matsura, a Japanese photographer in Washington State.

"Repatriating Images: Indians and Photography." Rendezvous 28. Nos. 1 and 2 (Spring/Fall, 1993). (Appeared, July, 1994): 151–158.

An article that explores the movement among contemporary Native photographers to comment on and redeem Native identities from the misrepresentations in photography of the past.

"Folk Is A Four-Letter Word: Dealing With Traditional **** in Fieldwork, Analysis and Presentation" in Richard M. Dorson, ed. The Handbook of American Folklore. Bloomington, In.: Indiana University Press, 1981.

An article which attempts to set some guidelines for scholarly fieldwork, analysis and presentation of bawdy or obscene materials.

Women in American Indian Society, Chelsea House Publishers, New York, 1991.

Used as a textbook in many colleges; an introduction to the histories and cultures of Native women in North America. Illustrated with art, photography and material culture.

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