Expresso cup and saucer

Description:

China painting swept across America in the late nineteenth century as one of the most prevalent decorative pottery techniques, especially among young women. Considered a respectable form of work and creative outlet for women, china painting incorporated the element of hand craft that helped elevate standards of design during a period of mass production and industrialism. The technique of china painting could be done conveniently at home or in large pottery settings. Also known as “mineral painting,” after its materials, a china painter used enamels, low firing colors produced from various mineral-oxides, as a “painting” medium on pre-fired porcelain white porcelain, also known as blanks. These blank porcelain pieces were often imported from European countries, France and Germany in particular, and came in a variety of dinner ware forms and vases. The china painting technique of decorating porcelain was popularized in America by the highly influential Englishman, Edward Lycett. Trained as a potter in the English tradition at Spode pottery in Staffordshire, England, Lycett moved to America in 1861, where he almost immediately gained prestigious commissions for the White House and Tiffany & Co. His devotion to experimenting with materials and teaching pottery techniques across the country established Edward Lycett as the “pioneer of china painting in America” during his own lifetime. Ultimately, the creativity fostered by the china painting movement and the influence of Edward Lycett launched the American ceramic industry towards new and exciting avenues of decorative pottery.

In 1890, at the age of 57, Edward Lycett left Faience Manufacturing when it was sold as an agent to a French porcelain company. This, however, was not a setback in Lycett’s ceramic venture. Although retired, Edward Lycett continued to follow his passion for new ceramic inventions. He soon moved to Atlanta, Georgia to work in his son’s studio where he and continued to experiment with clay and glaze materials as well as different firing techniques with William until he died in 1910 at the age of 77.

In 1890, at the age of 57, Edward Lycett left Faience Manufacturing when it was sold as an agent to a French porcelain company. This, however, was not a setback in Lycett’s ceramic venture. Although retired, Edward Lycett continued to follow his passion for new ceramic inventions. He soon moved to Atlanta, Georgia to work in his son’s studio where he and continued to experiment with clay and glaze materials as well as different firing techniques with William. These two espresso cups with saucers were products of endless experimentation with materials such as burnished gold.

Date Made: c. 1890-1909c. 1890

Maker: Lycett, Edward

Location: Currently not on view

Place Made: United States: Georgia, Atlanta

See more items in: Home and Community Life: Ceramics and Glass, Art, Domestic Furnishings

Exhibition:

Exhibition Location:

Credit Line: Gift of William Lycett

Data Source: National Museum of American History

Id Number: CE.96407abAccession Number: 30423Catalog Number: 96407a

Object Name: Cup and Saucercup, espressosaucer

Physical Description: ceramic; porcelain (overall material)gilding (outside material)blue (cup color)dots (joint piece description of decoration)dots (overall description of decoration)ceramic, porcelain, hard-paste (cup material)ceramic, porcelain, hard-paste (saucer material)gilt (overall production method/technique)Measurements: overall: 2 in x 2 in; 5.08 cm x 5.08 cmoverall: 3/4 in x 4 5/8 in; 1.905 cm x 11.7475 cmoverall cup: 2 in x 2 13/16 in x 2 in; 5.08 cm x 7.14375 cm x 5.08 cmoverall saucer: 3/4 in x 4 5/8 in; 1.905 cm x 11.7475 cm

Guid: http://n2t.net/ark:/65665/ng49ca746ad-58a3-704b-e053-15f76fa0b4fa

Record Id: nmah_1405201

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