Meissen cup and saucer

Description:

TITLE: Meissen cup and saucer

MAKER: Meissen Manufactory

PHYSICAL DESCRIPTION: ceramic, porcelain (overall material)

MEASUREMENTS: Cup: H.2⅝" 6.7cm; Saucer: D. 5¼" 13.3cm

OBJECT NAME: Cup and saucer

PLACE MADE: Meissen, Saxony, Germany

DATE MADE: 1745-1750

SUBJECT:

Art

Domestic Furnishing

Industry and Manufacturing

CREDIT LINE: Hans C. Syz Collection

ID NUMBER: 1987.0896.27 a,b

COLLECTOR/ DONOR: 1179 a,b

ACCESSION NUMBER:

(DATA SOURCE: National Museum of American History, Kenneth E. Behring Center)

MARKS: Crossed swords in underglaze blue; “36” in gold; “64” impressed on saucer.

PURCHASED FROM: The Art Exchange, New York, 1961.

This cup and saucer is from the Smithsonian’s Hans Syz Collection of Meissen Porcelain. Dr. Syz (1894-1991) began his collection in the early years of World War II, when he purchased eighteenth-century Meissen table wares from the Art Exchange run by the New York dealer Adolf Beckhardt (1889-1962). Dr. Syz, a Swiss immigrant to the United States, collected Meissen porcelain while engaged in a professional career in psychiatry and the research of human behavior. He believed that cultural artifacts have an important role to play in enhancing our awareness and understanding of human creativity and its communication among peoples. His collection grew to represent this conviction.

The invention of Meissen porcelain, declared over three hundred years ago early in 1709, was a collective achievement that represents an early modern precursor to industrial chemistry and materials science. The porcelains we see in our museum collections, made in the small town of Meissen in the German States, were the result of an intense period of empirical research. Generally associated with artistic achievement of a high order, Meissen porcelain was also a technological achievement in the development of inorganic, non-metallic materials.

The cup and saucer have purple ground color on their exterior surfaces with so-called “Watteau scenes” painted in the exterior of the cup and interior of the saucer depicting elegant figures in pastoral settings.

In the work of French artist Jean Antoine Watteau (1684-1721) we see the development of the fêtes galantes based on the outdoor entertainments in private and public pleasure parks that represent youthful elite society removed from the conventions of court protocol. Watteau’s works depicted conversational, theatrical, and amorous encounters set in idealized pastoral surroundings where the fleeting nature of temporal pleasures hangs over the delicately poised gatherings, and they struck a chord with living protagonists.

In the early 1740s Meissen began to acquire a collection of copperplate engravings on which the painters based their “Watteauszenen” (Watteau scenes), and they became so much in demand that eleven painters were appointed to specialize in work on this theme.

The Meissen manufactory operated under a system of division of labor. Enamel painters specializing in landscapes and subjects with figures were paid more than those who painted flowers, fruits and underglaze blue patterns. Most painters received pay by the piece rather than a regular wage.

Ornamental gold painting was the work of another specialist in the painting division.

On Antoine Watteau see Thomas Crow, 1985, Painters and Public Life in Eighteenth-Century Paris, chapter II, ‘Fêtes Galantes and Fêtes Publiques’, pp. 55-75. See also Sheriff, M. D., (ed.) 2006, Antoine Watteau: Perspectives on the Artist and the Culture of His Time.

On graphic sources for Meissen’s painters see Möller, K. A., “’…fine copper pieces for the factory…’ Meissen Pieces Based on graphic originals” in Pietsch, U., Banz, C., 2010, Triumph of the Blue Swords: Meissen Porcelain for Aristocracy and Bourgoisie 1710-1815, pp. 84-93. On the painting division at Meissen see Rückert, R., 1990, Biographische Daten der Meissener Manufakturisten des 18. Jahrhunderts, pp. 134-136.

Hans Syz, J. Jefferson Miller II, Rainer Rückert, 1979, Catalogue of the Hans Syz Collection: Meissen Porcelain and Hausmalerei, pp. 340-341.

Date Made: ca 1745-17501745-1750

Maker: Meissen Manufactory

Location: Currently not on view

Place Made: Germany: Saxony, Meissen

Subject: Manufacturing

Subject:

See more items in: Home and Community Life: Ceramics and Glass, The Hans C. Syz Collection, Meissen Porcelain: The Hans Syz Collection, Art, Domestic Furnishings

Exhibition:

Exhibition Location:

Data Source: National Museum of American History

Id Number: 1987.0896.27abCatalog Number: 1987.0896.27abAccession Number: 1987.0896Collector/Donor Number: 1179

Object Name: cupsaucer

Physical Description: hard-paste porcelain (overall material)polychrome enamel and gold (overall color)Watteau scenes (overall style)Measurements: cup: 2 5/8 in; 6.6675 cmsaucer: 5 1/4 in; 13.335 cmoverall cup: 2 5/8 in x 3 7/8 in x 2 13/16 in; 6.6675 cm x 9.8425 cm x 7.14375 cmoverall saucer: 1 1/8 in x 5 1/4 in; 2.8575 cm x 13.335 cm

Guid: http://n2t.net/ark:/65665/ng49ca746ad-8c84-704b-e053-15f76fa0b4fa

Record Id: nmah_1415557

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