| National Museum of American History

"Quilt": A cover or garment made by putting wool, cotton or other substance between two cloths and sewing them together. An American Dictionary of the English Language, by Noah Webster, LL.D., New York 1828.

The National Quilt Collection incorporates quilts from various ethnic groups and social classes, for quilts are not the domain of a specific race or class, but can be a part of anyone’s heritage and treasured as such. Whether of rich or humble fabrics, large in size or small, expertly crafted or not, well-worn or pristine, quilts in the National Quilt Collection provide a textile narrative that contributes to America’s complex and diverse history. The variety and scope of the collection provides a rich resource for researchers, artists, quilt-makers and others.

Part of the Division of Home and Community Life textiles collection, the National Quilt Collection had its beginnings in the 1890s. Three quilts were included in a larger collection of 18th- and 19th-century household and costume items donated by John Brenton Copp of Stonington, Connecticut. From this early beginning, the collection has grown to more than 500 quilts and quilt-related items, mainly of American origin, with examples from many states, including Alaska and Hawaii. Most of the contributions have come to the Museum as gifts, and many of those are from the quilt-makers’ families. The collection illustrates needlework techniques, materials, fabric designs and processes, styles and patterns used for quilt-making in the past 250 years. The collection also documents the work of specific quilt-makers and commemorates events in American history.

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Lydia Pearl Finnell may have made this parlor throw for her trousseau. It exemplifies the fancy needlework techniques popular in the late 19th century. Motifs and designs that appear on the throw can be compared with patterns that appear in needlework manuals of the period.

Description: Lydia Pearl Finnell may have made this parlor throw for her trousseau. It exemplifies the fancy needlework techniques popular in the late 19th century. Motifs and designs that appear on the throw can be compared with patterns that appear in needlework manuals of the period. The patterns consisted of simple outline drawings, which allowed the user to enhance them to the best of their abilities. Lydia’s talents and schooling are reflected in her elaborate and well-executed interpretations. Highly decorated items, such as this, were often placed in the parlor to display the maker’s needlework skills.; Eighty-two patches of fabric make up this extensively adorned parlor throw. The central irregular patches are framed by an eight-pointed star made of 2-3/8" strips of black silk pile, giving it the name “Star Quilt.” Each patch is decorated with flora (e.g., pansies, sumac, thistle, etc.) or fauna (e.g., frogs, chicks, swans, owls, etc.) motifs. Ruching, and satin, French knot, plush and outline embroidery stitches are among those techniques used to embellish the parlor throw. The competent use of the plush stitch is evident on many of the motifs. This stitch produces loops that are later cut, combed, and sculpted with scissors to give a three dimensional effect to each motif. The lining is red wool embroidered with small daisy motifs. A braid attached to the 2-7/8” border of black silk pile completes the quilt.; Lydia Pearl Finnell was born March 3, 1867, to William and Sarah Irvine Finnell in Harrodsburg, Kentucky. At the age of three, she was sent to live with her Aunt Lize (Eliza Finnell Terhune) and Uncle Boley (William Terhune). They taught her the social graces as well as housekeeping skills, cooking, animal husbandry, and some rudimentary doctoring skills. At the age of 14 or 15 she attended Daughters College in Harrodsburg, where she received an excellent education for the time. This included plain and fancy needlework and the fine arts of canvas and china painting.; Lydia married Bushrod Allin (1871-1942) of Harrodsburg on November 8, 1899. Bushrod and Lydia did not have any children, but raised Mary Forsythe Finnell, the daughter of Lydia's brother Charles Handy Finnell. Lydia died March 31, 1949 and is buried in the Spring Hill Cemetery, Harrodsburg, Kentucky. Lydia’s “Star Quilt” is a unique example of extraordinary design and needlework skills, truly a “star” in the Collection.
Location: Currently not on view

date made: 1880-1899

maker: Finnell, Lydia Pearl

ID Number: 1996.0381.01
accession number: 1996.0381
catalog number: 1996.0381.01

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National Quilt Collection

1899 Lydia Finnell's "Star Quilt"