The Development of the Velocipede

 

 

 

The origins of the bicycle are shrouded in mystery. It is not possible to attribute its invention to any single person. Still, what is clear is that the early ancestors of the modern bicycle were in use by the early 1800s.

The first known bicycle was shown by the Comte de Sivrac, who in 1791 was seen riding a two-wheel "wooden horse" in the gardens of the Palais Royal in Paris. Called a celerifere, the machine had two rigidly mounted wheels, so that it was incapable of being steered. To change direction, it was necessary to lift, drag, or jump the front wheel to one side. In 1793 the name was changed to velocifere, and, as these machines became increasingly popular among the sporting set of Paris, clubs were formed and races were run along the Champs Elysees.

Johnson's Pedestrian Hobby Horse Riding School, 1819

Johnson's Pedestrian Hobby Horse Riding School

Aquatint by H. Alken, London, 1819

In 1817, Charles, Baron von Drais, of Sauerbrun, devised a front wheel capable of being steered. He also gave it a padded saddle, and an armrest in front of his body, which assisted him in exerting force against the ground. Granted a patent in 1818, he took his Draisienne to Paris, where it was again patented and acquired the name vélocipède, a term that was to continue in use until about 1869 when the word “bicycle” came into use.

The velocipede gained rapid popularity in France, and almost immediately migrated to England. There, one of its chief exponents was the London coachmaker, Denis Johnson. Riding academies were established, and soon many riders were seen on the streets of London. But the pastime declined almost as rapidly as it had risen, and after the early 1820s, velocipedes were rarely seen.

In the United States, W. K. Clarkson, Jr. of New York, was granted a patent for a velocipede on 26 June 1819, but it is no longer known what this patent covered, for the records were destroyed in the Patent Office fire of 1836. There is no evidence that the sport gained much popularity in the U.S. at the time.

In 1863, in Paris, an important milepost in velocipede development occured when pedals were added to the front axle. This happened in the workshop of Pierre Michaux, but to this day is cannot certainly be said whether he or his employee Pierre Lallement is entitled to the credit. Lallement moved to the New Haven Connecticut, and in 1866 he was granted a patent for “improvements in velocipedes.” In 1868, the Hanlon brothers of New York, improved Lallement's vehicle.

Velocipede Riding School, 1869

Velocipede Riding School, 1869

The New York Coach-Maker's Magazine, Vol. 10, 1869

Americans began to show an immense enthusiasm for the velocipede in 1868. By early 1869, a number of carriage builders were making cycles. Numerous riding schools were established in many eastern cities, and the sport of riding became suddenly popular, especially among the students of Harvard and Yale Universities. The craze ended as suddenly as it began. By the end of May in 1869 the sport was dying. The reasons for the decline were that the cycles were heavy and cumbersome. There was no cushioning and the rider had to steer and pedal the same front wheel. Riding a velocipede took a great deal of strength and coordination. Cities also began to pass ordinances against riding on pedestrian sidewalks. Further use and development in the United States remained nearly at a standstill during the 1870s.

 

In 1817, Karl Drais, a young baron and inventor in Baden (Germany), designed and built a two-wheel, wooden vehicle that he straddled and propelled by walking swiftly.
Description
In 1817, Karl Drais, a young baron and inventor in Baden (Germany), designed and built a two-wheel, wooden vehicle that he straddled and propelled by walking swiftly. A forester for the Grand Duke of Baden, Drais used his "lauf-maschine" (running machine) to inspect the Duke's forests--he could make his rounds more quickly and efficiently on wheels than on foot. The lauf-maschine soon became a novelty among Europeans, who named it the "draisine." Copies were made in cities across the continent, and rentals, races, and public demonstrations became popular forms of recreation and entertainment. In England, men and women took pleasure rides on a lighter, simpler version called the hobby horse. By 1818 the draisine craze reached the United States. Charles Wilson Peale, a well known portrait artist, helped to popularize the draisine by displaying one in his museum in Philadelphia. Many American examples were made, and rentals and riding rinks became available in eastern cities. Riding downhill at high speed was a particularly enjoyable activity that compensated for the draisine's lack of a propulsion mechanism. On both continents, however, the draisine fad ended by 1820. The high cost of the vehicle, combined with its lack of practical value, limited its appeal and made it little more than an expensive toy. Rough roads and accidents discouraged many riders and caused conflicts with local citizens. The draisine is historically significant because it was the first widely available vehicle that was not animal-powered, and it intrigued many people with the possibility of moving about on a personal, mechanized vehicle. But the success of two-wheelers would not become sustained until pedals were added to the front wheel some fifty years later. The exact origin of this draisine is unknown; it is a typical example dating from the late 1810s.
Location
Currently not on view
Date made
ca 1818
ID Number
TR.325369
catalog number
325369
accession number
254379
catalog number
325369
This French-patterned velocipede was donated to the museum in 1907. The donor of this machine stated that it was made by either Sargent or French, carriage builders of Boston, Massachusetts, about1868, and that it sold for $160.
Description
This French-patterned velocipede was donated to the museum in 1907. The donor of this machine stated that it was made by either Sargent or French, carriage builders of Boston, Massachusetts, about
1868, and that it sold for $160. It seems likely it is from the period: an illustration of an almost identical machine is captioned "American velocipede of 1869" on page 22 of Charles Pratt's The American Bicycler (1880). Another similar machine, illustrated on page 28 of Harry Griffin's Cycles and Cycling (1890), is described as an "Improved Boneshaker of
1870," made by Charles Pomeroy Button, of 142 Cheapside, London.
The velocipede is made from a heavy forged bar with a fork at its lower end to hold the rear wheel. A vertical iron fork, topped by a horizontal
handlebar holds the front wheel. The wood-spoke wheels have 13/16 inch- wide iron tires. A forward projection of the frame carries a pair of footrests for use while coasting. Weighted bronze pedals hang from the cranks that are secured to the live front axle. Twisting the handlebars in the mounting brackets winds up a cord, which presses a brake shoe against the tire of the rear wheel. A padded, pigskin-covered metal saddle is mounted on a flat steel spring, on which it can be adjusted forward or backward to suit the length of the rider's legs.
Location
Currently not on view
date made
ca 1868
ID Number
TR.247884
catalog number
247884
accession number
47725
This velocipede was donated to the Museum in 1971. It is one of the few departures from conventional velocipede construction that achieved any appreciable popularity. The design was invented by Dr. William H. Laubach, of Philadelphia and assigned U.S.
Description
This velocipede was donated to the Museum in 1971. It is one of the few departures from conventional velocipede construction that achieved any appreciable popularity. The design was invented by Dr. William H. Laubach, of Philadelphia and assigned U.S. Patent 86,235 on 26 January 1869. Laubach's velocipede also came to be known as the Pearsall velocipede after Laubach sold his patent to the Pearsall brothers, who operated New York City's first and most successful velocipede school. The New York Coach-Maker's Magazine, the Coach-Makers' International Journal, and the Eclectic Medical Journal all were profuse in their praise of this "most scientific velocipede." The construction of this velocipede differs from the more common variety in that this one is articulated, being constructed of two separate frames, one for each wheel, pivoted together in the center. Among the claims made for it were the statements that both wheels were always in the same arc when turning and that, due to its peculiar construction, the rider's weight kept it running in a naturally straight line. The many favorable comments made of it seem unwarranted, however, for it proved to be far less manageable than velocipedes of the usual design.
Dr. Laubach is said to have traveled one hundred miles in five hours on one of these velocipedes, seemingly a rather unlikely feat. The Pearsalls were so impressed with the design that they reportedly formed a stock company with a capital of $300,000.00 to manufacture Laubach patent velocipedes, but it is not known to what extent they produced them, or used them in their riding school. Laubach velocipedes cost $125.00.
Location
Currently not on view
date made
1869
patent date
1869-01-26
maker
Laubach, W. H.
ID Number
TR.330734
catalog number
330734
accession number
299300
patent number
86235
Sylvester Roper, a machinist and inventor in Massachusetts, built this steam velocipede and demonstrated it at fairs and circuses. It is believed to be the oldest existing American motorcycle.
Description
Sylvester Roper, a machinist and inventor in Massachusetts, built this steam velocipede and demonstrated it at fairs and circuses. It is believed to be the oldest existing American motorcycle. With its forged iron frame and wooden wheels, it resembles a velocipede, a popular bicycle of the late 1860s. The saddle served as a water tank for the boiler, which was heated by a firebox that burned charcoal. Twisting the handlebar controlled the throttle and brakes. Roper built several other steam vehicles, including another motorcycle in 1895, but he died just before the motor vehicle manufacturing industry got underway.
Location
Currently not on view
date made
ca 1869
maker
Roper, Sylvester H.
ID Number
TR.314809
catalog number
314809
accession number
209499

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