Curtain, lace (part of set 60.400a-60.402d). Net curtains with bobbinet lace. The curtain is worked overall with small flowers, leaves, and dots. The leaves and flowers work themselves into chateau-style crests. The bottom and right side of the curtain are filled with larger crests and leaves. The net of the interior of the leaves and the structure of the crests is removed and the center is held together with ladder work. The upper left side has no crests, instead it has a loose floral pattern. The edges of the curtains are scalloped with small flowers along the edge. The right side has circular flowers and below is a pattern of decorated arches and circles along the right side. The left side has flowers and leaves worked in arches along the scallops. The top of the curtain is sewn into a channel for a curtain rod. There is a row of pins along the seam. The curtain has substantial staining. The overall color has become a grey/brown. The top of the curtain is a lighter grey, which become a deep brown by the center, and lightens again at the very bottom. There are large patches of dark brown staining on the surface of the curtain, and black spots stain parts of the center.
This curtain (part of set 60.400a-60.402d) was donated by Charles Holten as part of a gift containing a bedroom and suite from the home of Richard Kennerdell, an American manufacturer from Pennsylvania. Kennerdell opened a wool, iron, saw, and grist mill in Venango County in western Pennsylvania during the 1850s (page 54 of scanned accession file). The mill grew, and Richard Kennerdell built the town of Kennerdell, Pennsylvania around his mill. The objects in the set came from his grand mansion in his town. Sadly, the house has since been destroyed. The damask fabric of the blue draperies corresponds to blue damask panels in the bedframe and the towel rack from the grand bedroom. According to the family, the objects in the set were bought at the Centennial Exhibition in Philadelphia in 1876 (page 56 of scanned accession file). The furnishings are most likely manufactured by Allen and Brother of Philadelphia, notable furniture makers in this time. The wooden furniture contains the markings of the company, and the set matches examples from their published book of object displayed at the Exhibition. The draperies and bedroom set are examples of Victorian furniture in the French style inspired by Louse XIV. The rich damask valances evoke luxury and splendor.