High Heron and Has-No-Horses, Sioux Indians

High Heron and Has-No-Horses, Sioux Indians

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Description
In 1898 New York photographer Gertrude Käsebier (1852-1934) embarked on a deeply personal project, creating a set of prints that rank among the most compelling of her celebrated body of work. Käsebier was on the threshold of a career that would establish her as both the leading portraitist of her time and an extraordinary art photographer. Her new undertaking was inspired by viewing the grand parade of Buffalo Bill's Wild West troupe en route to Madison Square Garden for several weeks of performances.
Käsebier had spent her childhood on the Great Plains, and retained many vivid, happy memories of playing with nearby Native American children. She quickly sent a letter to William "Buffalo Bill" Cody (1846-1917), requesting permission to photograph Sioux Indians traveling with the show in her studio. Within weeks, Käsebier began a unique and special project photographing the Indian men, women, and children formally and informally. Friendships developed, and her photography of these Native Americans continued for more than a decade.
Käsebier poses High Heron and Has No Horses (standing) together, similarly dressed and displaying strong composure. Has No Horses grips his blanket wrap with one hand and lightly touches his chin with the other, suggesting vulnerability. The intricate white beadwork of his vest and blanket highlight the otherwise dark portrait.
Location
Currently not on view
Object Name
platinum print
Date made
ca 1898
maker
Kasebier, Gertrude
Physical Description
platinum print (overall production method/technique)
paper (overall material)
Measurements
image: 19 cm x 15.3 cm; 7 1/2 in x 6 in
ID Number
PG.69.236.031
accession number
287543
catalog number
69.236.031
Credit Line
Mina Turner
subject
Native Americans
See more items in
Work and Industry: Photographic History
Gertrude Kasebier
Photography
Data Source
National Museum of American History
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