The Lover's Walk

The Lover's Walk

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Sentimental genre prints documented the social image of Victorian virtue through domestic scenes of courtship, family, home life, and images of the “genteel female.” Children are depicted studying nature or caring for their obedient pets as they learn their place in the greater world. Romantic scenes picture devoted husbands with their contented, dutiful wives. In these prints, young women educated in reading, music, needlework, the arts, the language of flowers, basic math and science are subjugated to their family’s needs.
These prints became popular as lithography was introduced to 19th Century Americans. As a new art form, it was affordable for the masses and provided a means to share visual information by crossing the barriers of race, class and language. Sentimental prints encouraged the artistic endeavors of schoolgirls and promoted the ambitions of amateur artists, while serving as both moral instruction and home or business decoration. They are a pictorial record of our romanticized past.
This colored print is a full length portrait of man and woman standing together outdoors holding hands, and gazing intently at each other. The man is wearing a large hat with plume, long, flowing cape and bows at the bottom of his pants. The woman is wearing an ankle length dress with lace, ruffles and a bow.
John Cameron (ca1828-1876) was a lithographer and a colorist for Nathaniel Currier and Currier & Ives. He is most known for his horse prints. A very heavy drinker and workaholic, he was quite prolific. In addition to his work with Currier & Ives, he worked with Henry Lawrence for the firm Lawerence & Cameron. He also was a principal in the firm Cameron & Walsh.
Currently not on view
Object Name
Object Type
date made
J. Cameron and Company
graphic artist
Cameron, John
place made
United States: New York, New York City
Physical Description
paper (overall material)
ink (overall material)
image: 11 1/2 in x 8 1/2 in; 29.21 cm x 21.59 cm
ID Number
catalog number
accession number
Credit Line
Harry T. Peters "America on Stone" Lithography Collection
Courtship, love
See more items in
Cultural and Community Life: Domestic Life
Domestic Furnishings
Peters Prints
Data Source
National Museum of American History
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