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Portrait of Abraham Lincoln

Portrait of Abraham Lincoln

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Description
Late in 1862, the Union League of Philadelphia commissioned Edward Dalton Marchant to paint Lincoln's portrait for exhibition in Independence Hall as a gesture of support for the president and the Union. Marchant engaged Philadelphia artist John Sartain to engrave the portrait, and mezzotint prints were published by Bradley and Company in 1864 to meet popular demand for the image. The original painting is part of the Union League’s collection, and the Museum owns two copies of the mezzotint print, one an early proof and this one from the standard edition.
The half-length portrait depicts Lincoln seated at a table, holding a quill. A document beneath his arm reads: “Abraham Lincoln, Jan’y 1st, 1863, Will. H. Seward.” It references the signing of the Emancipation Proclamation, which took effect on that date. Part of a large statue is shown at the upper right, a classical figure of Liberty with a broken chain at her feet, another reference to the emancipation of the slaves.
Location
Currently not on view
Object Name
print
Object Type
Mezzotint
date made
1864
depicted
Lincoln, Abraham
original artist
Marchant, Edward Dalton
graphic artist
Sartain, John
Physical Description
paper (overall material)
ink (overall material)
Measurements
overall: 43.5 cm x 34 cm; 17 1/8 in x 13 3/8 in
image: 33 cm x 25.5 cm; 13 in x 10 1/16 in
ID Number
1986.1013.01
catalog number
1986.1013.01
accession number
1986.1013
Credit Line
Robert L. and Wilma W. Bidwell
subject
Slavery
Politics
See more items in
Work and Industry: Graphic Arts
Communications
Art
Abraham Lincoln
Data Source
National Museum of American History
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Comments

We have a copy of the Sartain print that has been in the family over 90 years. How many Sartain's were made of this painting?
I have a copy of this print that I inherited from E. Wallace Chadwick, a former member of the U. S. House of Representatives. We always assumed it was an authentic Lincoln signature because the signature is the only thing in the writing on the print that is not centered. But ours is signed exactly where these are signed, so it's clearly a facsimile.
"Dear R A Rowland,We wish we knew how many prints were made of this image--and many others. It was not the practice to limit editions or include an edition statement on prints at this time. The concept of the "limited edition " is a more modern idea and generally relates to original fine art prints. John Sartain was a popular and prolific engraver whose work was widely appreciated over his long life. "

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