Circular urn-shape teapot with incurved neck and double-flared hinged lid topped by an urn finial on a flared, circular pedestal with stepped, domed foot; engraved in script on one side of body "Mrs. Joanna L. Howard / From a Friend / Oct. 27\th 1858." Greek key band at shoulder and beading at neck, shoulder, top of pedestal and edge of foot. Sprigged S-curve spout with scalloped base. Sprigged and tapered S-curve handle with raised bands at ends, the lower end attached to body by a stepped oval plate. Body perforated at spout. No marks.
Part of a six-piece coffee and tea service, 2013.0193.01-.06, given to Joanna Louise (Turpin) Howard (1825-1872) of Boston. The Howards were among several socially prominent free black families living in the city's affluent West End in the 1850s. Although the reasons for this splendid gift from a mystery “Friend” are unknown, Mrs. Howard and her husband, Edward Frederick Howard (1813-1893), were active in the antislavery movement and fought to end segregation of Massachusetts public schools in 1855. Their two daughters, Adeline (b. 1845) and Joan Imogene (b. 1850), became distinguished educators, while their son, Edwin Clarence (1846-1912), was the first African-American graduate of Harvard Medical School.
William Dougal (1822–1895) of Washington, D.C. engraved this print of a fish species after an original sketch by John H. Richard (c.1807–1881) of Philadelphia. The engraving was printed as Plate 1 in “Ichthyology of the Boundary” by Charles Girard (1822-1895), published in Volume 2, Part 2 of the Report on the United States and Mexican Boundary Survey. The volume was printed in 1859 by Cornelius Wendell of Washington, D.C. Species represented in the engraving include:
William Dougal (1822–1895) of Washington, D.C. engraved this print of “Caragnus esculentus [Grd], Doliodon carolinus [Grd], Chorinemus lanceolatus [Grd], Chloroscombrus carribeaus [Grd], Argyreiosis capillaris [De Kay], and Vomer setapinnis [Grd]; now "Oligoplites saurus" (Leatherjacket), "Trachinotus carolinus" (Florida pompano), "Oligoplites saurus" (Leatherjacket), "Chloroscombrus carribaeus" (Atlantic bumper), and "Selene setapinnis" (Atlantic moonfish or horsefish); from an original sketch by John H. Richard (c.1807–1881) of Philadelphia. The illustration was printed as Plate 11 in the “Fishes” section of the second part of volume II of the Report on the United States and Mexican Boundary Survey, written by Charles Girard (1822–1895). The volume was printed in 1859 by Cornelius Wendell of Washington, D.C.
Inspired by patriotic interest in the construction of the Washington Monument, Englishman James Crutchett produced souvenir George Washington keepsakes in his “Mount Vernon Factory.” In 1852 Crutchett contracted with John Augustine Washington to harvest wood from Mount Vernon for the purpose of making souvenirs. Crutchett’s souvenirs came with a certificate of authenticity issued under the authority of Crutchett; the Mayor of Washington, D.C.; and John Augustine Washington.
The Gunboat Philadelphia, which was sunk by the British during the Battle of Lake Champlain in October 1776, was raised by Colonel Lorenzo Hagglund in 1935. It was exhibited in subsequent years at various points around Lake Champlain. In Hagglund's will, the boat was left to the Smithsonian, and installed in the soon to be opened Museum of History and Technology in 1964. Interesting note: the boat was installed on the east side of the third floor of the museum, before the exterior wall was put in place.
Benjamin Hartford and William B. Tilton of Enfield, New Hampshire
Hartford and Tilton improved upon the construction of heddles (the mechanisms that raise and lower warp threads) by using strips of rolled flat metal with an eye punched through the middle of each strip to allow for the passage of warp yarns. Heddles were commonly constructed of cord. The replacement of metal for cord produced a more durable heddle. These one-piece metallic strips and the construction of the heddle frame were the basis of their patent. The heddles slid on two rods and were attached to adjustable clasps, permitting the heddles to correspond to the part of the reed (a comb-like device used to space the warp yarns evenly) that was in operation.
For Bigelow’s invention of a “Loom for Weaving Piled Fabrics,” he received one of his many patents, which included patents for his celebrated looms for weaving Brussels, or looped, carpets.
Temples are attachments on looms designed to keep the cloth at a uniform width during weaving. Self-acting temples required no adjustment as the cloth was woven, for they automatically adjusted their position. The greater speed obtained with power weaving made the use of self-acting temples a necessity.
The basic construction of Mason’s temples was similar to others of the period. The patented feature of his temple concerned the arrangement of the parts by which the jaws or forceps were forced open and released their hold on the cloth.
Mason patented other useful textile machinery. Notable were an 1830 speeder for roving cotton (a speeder is a machine used in cotton yarn spinning that inserts a twist to the yarn and winds it on the bobbin) and a cotton whipper (a machine that separates clumps of cotton) in 1834. James Montgomery, in his 1840 edition of “Cotton manufacture of the United States Contrasted with that of Great Britain,” wrote that he considered the whipper the best, cheapest, and simplest that he had seen in factory use over a span of thirty years.
Map of New York State. Most counties and county seats named; rivers shown but not named; names of neighboring states given (Vermont, New Hampshire, Massachusetts, Connecticut, Pennsylvania); Erie Canal shown, but not named. Light gray guidelines under all embroidery; water damage prior to arrival at Smithsonian. Silk thread on wool ground. STITCHES: cross, crosslet, four-sided, Algerian eye, back, chain. THREAD COUNT: warp 44, weft 46/in.
Inscription:
"MAP of the STATE of NEW YORK"
Background:
Catalina Juliana was born on June 19, 1823, to Sidney and Maria Benito Dorado Mason, in St. Johns (San Juan), Puerto Rico. Catalina's father was American consul in St. Johns from 1829 to 1835. Desiring to educate his children in his native land, Mr. Mason brought his family to the United States in one of his own sailing vessels. After arrival in Baltimore, they were taken to Gloucester, Massachusetts. His wife soon succumbed to the rigors of the climate and died on September 14, 1835. On the death of his wife, Mr. Mason gave up all business interests and set forth on an extended tour of Europe. Before departing, he traveled to Puerto Rico one more time and took Catalina with him. When they returned, he placed Catalina at Miss Emma Willard's boarding school for girls in Troy, New York. Recalled from Europe by the death of his son on Dec 25, 1839, he took up residence in New York, and Catalina finished her school days with the Misses McClennachan. It is not known where she stitched her map sampler. She married Theodorus Bailey Myers in 1847, and they had two children, Theodorus Bailey and Cassie Mason. Catalina and her husband made many trips to Europe, and she is known to have paid a visit to the famous dressmaker, Worth. Her niece admired her hands, saying "They were not ornamental only, for they could sew and embroider beautifully, and do all sorts of fine worsted work." Catalina died on August 27, 1905. See Catalina Mason's other sampler.
Walter Hunt was born in rural Martinsburg, New York, on July 29, 1796. The nearby town of Lowville was the site of a textile mill where Hunt’s family worked. Hunt, adept at providing mechanical solutions to difficult problems, worked with the mill owner, Willis Hoskins, inventing and patenting improvements to the flax spinner in 1826. He traveled to New York City to raise capital for manufacturing the device.
Hunt supported his family in New York by speculating in real estate, but his love of creativity was paramount. From 1829 to 1853 his inventions and patents included a knife sharpener; a rope making machine; a heating stove; a wood saw; a flexible spring; several machines for making nails; inkwells; a fountain pen; a bottle stopper; firearms; and a safety pin.
In 1833, Hunt invented a sewing machine that used a lockstitch, but failed to patent it. The lockstitch used two threads, one passing through a loop in the other and then both interlocking. This was the first time an inventor had not mimicked a hand stitch. As Joseph N. Kane writes in Necessity’s Child: The Story of Walter Hunt, America’s Forgotten Inventor, “With nothing to serve as a basis or model, with no other machine from which parts could be obtained, he evolved a plan for mechanical sewing which was so revolutionary that had he even dared to suggest it before completion of his model he would have been scoffed at and regarded as insane.”
Ten years later, manufacturers searched for ways to mechanize sewing, and inventors turned their energies to patenting improvements to sewing machines. On May 27, 1846, Elias Howe Jr. received Patent No. 4,750 for improvements to the sewing machine, claiming to have created the first machine to sew a lockstitch using two threads. When Howe began to sue manufacturers for royalties, Hunt’s previous work emerged as attorneys argued that Hunt’s invention preceded Howe’s and therefore Howe’s patent claims were invalid.
On April 2, 1853, Hunt submitted his application for his 1834 sewing machine, as his invention preceded Howe’s machine. The Patent Office recognized Hunt’s precedence but it did not grant a patent to Hunt because he had not applied for one prior to Howe’s application. Hunt received public credit for his invention, but Howe’s patent remained valid because of a technicality.
Later, Hunt was granted a patent for other improvements on the sewing machine. In Hunt’s patent specification for Patent No. 11,161, issued on June 27, 1854, he claimed: “Said improvements consist in the manner of feeding in of the cloth and regulating the length of the stitch solely by the vibrating motion of the needle; in a rotary table or platform, upon which the cloth is placed for sewing; in guides and gages for controlling the line of the seam.”
Hunt noted that other sewing machines would jam because the material had to be pushed through the vibrating needle. He created a round rotating top that allowed the cloth to be fed through the needle at an even rate, eliminating the problem of jamming. As in the past, Hunt simply sold off the rights to the machine to others and did not capitalize on it, but he did prove that he had the mechanical ability and the creativity to improve upon the sewing machine.
Hunt continued to invent and patent devices until his death in 1859. Several were patented: shirt collars, a reversible metallic heel for shoes, lamp improvements, and a new method for manufacturing shirt fronts, collars, and cuffs. Walter Hunt’s inventive nature was captured in the New York Tribune, which wrote at his death, “For more than forty years, he has been known as an experimenter in the arts. Whether in mechanical movements, chemistry, electricity or metallic compositions, he was always at home: and, probably in all, he has tried more experiments than any other inventor.”
In 1837, William Mason, who was employed by Crocker and Richmond, developed a speeder (a machine used in cotton yarn spinning) to replace the one that had been invented by George Danforth in 1824.
Mason’s patent consisted of two parts: the method of removing the full spindle and the centrifugal levers. In 1839, the editor of the Journal of the Franklin Institute stated of the first that it was “ingenious, and manifestly good.” Of the second part, he explained that “by their weight at their outer ends, these levers expanded by the centrifugal force, with a power proportioned to their velocity, causing their inner ends to press upon the spools, and laying the yarn hard and compact upon them; and consequently, admitting of a very high degree of speed.” Although Mason was granted Patent No. 724 for his improvements, it proved difficult to thread and to remove the bobbins.
Earlier in his career, Mason had devised a loom for weaving diaper cloth and another loom for weaving damask tablecloths. In 1833, he succeeded in perfecting John Thorp’s ring frame to the point where it was later used extensively in the textile industry. He also invented a self-acting cotton spinning machine (Patent No. 1,801, issued October 8, 1840), which for that period was a successful alternative to the contemporary ring spinning machine.
Mason, with the financial backing of Boston merchant James Kellog Mills, established a machine shop in 1842 called William Mason and Company. Business prospered and in 1845 new buildings were constructed. At that time, Mason’s Taunton shop was considered the largest machine shop in the United States. The shop was particularly successful in manufacturing cotton machinery, as well as machine tools, cupola furnaces, blowers, rifles, Campbell printing presses, gears, and shafts.
Mason found new fame in 1852 when he began building locomotives, the first of which was finished in 1853. His locomotives found wide acceptance for the beauty of design and technical excellence. Mason was a pioneer inventor and manufacturer whose ideas, manufacturing methods, and products had a profound influence on American technology.
This electrically activated tuning fork, with three-legged stand, is marked “C to G” and “Standard Scientific Company, New York.” That firm began in business in 1913.