Beginning in the late 17th century, English insurance companies maintained private fire brigades that were paid to respond to fires at properties they insured. Properties were identified by leaden badges (fire marks) bearing a insurance company’s emblem and often stamped with the customer’s policy number.
The Birmingham Fire Office Company of Birmingham, England issued this copper fire mark between 1805 and 1867. The circular mark features a raised image of a fireman alongside a hand pumped fire engine. Underneath the image is raised text that reads “Birmingham.” The company was founded in 1805 and operated until 1867, when it was taken over by the Lancashire Insurance Company.
Beginning in the 1750s, some American insurance companies issued metal fire marks to policyholders to signify that their property was insured against fire damage. The fire marks bore the name and/or symbol of the insurer, and some included the customer’s policy number. The company or agent would then affix the mark to the policyholder’s home or business. For owners the mark served as proof of insurance and a deterrent against arson. For insurance companies the mark served as a form of advertising, and alerted volunteer firefighters that the property was insured.
The Kentucky and Louisville Mutual Insurance Company of Louisville, Kentucky issued this tinned sheet iron fire mark in 1840. The oval mark has “KY” inscribed in the center.
In 1857, Nathaniel Currier and James Merritt Ives became business partners and set out to produce popular, affordable decorative prints for American consumers. In the 1880s, Currier & Ives produced the "Darktown Comics" series of color lithographs, which would become one of their best-selling lines. Each of these depicted African Americans as racist caricatures and ugly stereotypes, and presented scenes where the humor, such as it was, derived from their buffoonish antics and "putting on airs.” These color lithographs were primarily created by John Cameron (1828-1906) and Thomas Worth (1834-1917), two artists employed by Currier & Ives. They drew on a broad visual vocabulary of anti-black racist tropes that had developed over the 19th century, derogatory signifiers that would have been understood and shared by their popular audience, who created a demand for similar imagery in numerous other commercial and decorative objects of the time. Cameron and Worth often set hapless black figures in traditionally white roles, such as firefighting, and the ridiculous failures they depicted helped to reinforce entrenched racial and social hierarchies, as well as to perpetuate the notions of heroism and leadership as white male prerogatives in the period after Reconstruction. When Currier & Ives shut down operations in 1907, New York City printer Joseph Koehler purchased the lithographic stones of the "Darktown Comics" series from the firm and produced restrikes under his own name for several more years.
This color lithograph – “Hook and Ladder Gymnastics” – depicts a ladder company attempting to rescue people from a burning house. Firefighters point hoses at the fire, but their streams fall short. A ladder topples with a woman holding on to the top. This version is an original lithograph produced by Currier & Ives.
Beginning in the 1750s, some American insurance companies issued metal fire marks to policyholders to signify that their property was insured against fire damage. The fire marks bore the name and/or symbol of the insurer, and some included the customer’s policy number. The company or agent would then affix the mark to the policyholder’s home or business. For owners the mark served as proof of insurance and a deterrent against arson. For insurance companies the mark served as a form of advertising, and alerted volunteer firefighters that the property was insured.
The Lexington Fire, Life and Marine Insurance Company issued this zinc fire mark around 1836. Cast in the shape of an eagle, the mark is similar to the one that was used by the Insurance Company of North America. The Lexington Fire, Life and Marine Insurance Company operated from 1836 until around 1872.
At the core of any fire company is the apparatus used to fight fires and protect lives. This was particularly true of for the volunteer fire fighters in 19th century America. Often purchased with their own funds, their fire engines were the focus of their pride and affection, as well as their identities as fire fighters. Engine plates, often made of brass, would be prominently affixed to engines and inscribed with the company name, number, and founding date. Engine plates could pass from old engine to new, or be kept in the firehouse as a memorial to a departed apparatus.
This arched brass engine plate is engraved with the text “VALLEY FORGE” that is filled with black enamel. A foliate design is engraved and enameled between “Valley” and “Forge.” There are 10 holes that run along the plate’s base and sides that allowed it to be attached to the engine. This plate may have belonged to the Valley Forge Hose Company No. 46 in New York City.
Beginning in the 1750s, some American insurance companies issued metal fire marks to policyholders to signify that their property was insured against fire damage. The fire marks bore the name and/or symbol of the insurer, and some included the customer’s policy number. The company or agent would then affix the mark to the policyholder’s home or business. For owners the mark served as proof of insurance and a deterrent against arson. For insurance companies the mark served as a form of advertising, and alerted volunteer firefighters that the property was insured.
The Mutual Insurance Company of Washington County of Hagerstown, Maryland issued this fire mark around 1847. There is a raised image of two clasped hands in the center of the mark, with upper text that reads “M.I.CO O.W.C.” and a lower text that reads “A.D. 1846.” The Mutual Insurance Company of Washington County operated from 1846 until 1935 in Hagerstown, Maryland.
Beginning in the 1750s, some American insurance companies issued metal fire marks to policyholders to signify that their property was insured against fire damage. The fire marks bore the name and/or symbol of the insurer, and some included the customer’s policy number. The company or agent would then affix the mark to the policyholder’s home or business. For owners the mark served as proof of insurance and a deterrent against arson. For insurance companies the mark served as a form of advertising, and alerted volunteer firefighters that the property was insured.
The Pittsburgh Navigation and Fire Insurance Company of Pittsburgh, Pennsylvania issued this cast iron fire mark in 1832. The oval mark has raised text around the rim that reads “PITTSBURGH. NAV. &. FIRE/INSURANCE. CO.” and “INSURED” in the center. The Pittsburgh Navigation and Fire Insurance Company operated from 1832 until 1845 when losses suffered in the Great Fire of Pittsburgh forced it to merge with the Western Insurance Company.