photo album with soiled, cream colored leather cover with "Photo Album" on front and a sticker that reads "Holidays 1939-1949'; black paper pages; photographs and postcards, most adhered to page using black photo corners; travel to florida, new york; beach; Belonged to Patricia Anne Cohen, formerly actor Patricia English
photograph album with green, leather cover with gold writing that reads "Family Album 1949-1956" on the front cover and spine; black, paper pages; mostly black and white photographs, some in color; Belonged to Patricia Anne Cohen, formerly actor Patricia English
Glass plate negative made by Walter J. Hussey, 1885-1910. Washington DC as seen from the top of the Washington Monument.
A view from the observation deck at the top of the Washington Monument looking east down the north side of the future National Mall. The enormous Central Market on B Street, NW (renamed Constitution Avenue in 1931) covering two blocks between 7th and 9th Streets, NW and the large Baltimore and Potomac Railroad Station17 at 6th and B Streets, NW are visible in this image, as is the large white Patent Building (now the Donald W. Reynolds Center for American Art and Portraiture) and the Pension Building (now the National Building Museum). Taken in December 1889.
The collection in the Photographic History Collection consists of over two hundred glass plate negatives made by Walter J. Hussey (1865-1959). These glass plate negatives consist of daily life in and around Mount Pleasant, Ohio, Mr. Hussey's friends and family, studio portraits, his trips to the Washington, D.C. area, and Florida.
Glass plate negative made by Walter J. Hussey, 1885-1910. The United States Capitol building in the snow, east front, Washington DC.. Taken in December 1889.
The collection in the Photographic History Collection consists of over two hundred glass plate negatives made by Walter J. Hussey (1865-1959). These glass plate negatives consist of daily life in and around Mount Pleasant, Ohio, Mr. Hussey's friends and family, studio portraits, his trips to the Washington, D.C. area, and Florida.
black bound photograph album with gold embellishment on cover; back cover has separated from remainder of album; plastic covered pages with color photographs; map of Epcot Center at Walt Disney World loose in album; brochure for Universal Studios loose in album; map of Sea World loose in album; Belonged to Patricia Anne Cohen, formerly actor Patricia English
green bound album with gold writing on front cover and spine that reads "Family Album 1910-1948"; black paper pages; photograph album containing photos of kids, kids with toys, kids on bicycles, families on vacation, kids in a classroom, automobiles; Belonged to Patricia Anne Cohen, formerly actor Patricia English
light green bound photograph album with black paper pages; "Photographs" printed in dark green on front cover and "Holidays 1954-1955" written on a sticker on front of spine; black and white photographs and postcards from travels around United States, Canada and Europe; four blank pages at end of album; Belonged to Patricia Anne Cohen, formerly actor Patricia English
blue satin cloth bound album with gold embellishments; "Holidays 1950-1953" handwritten on sticket on front of spine; bound with a single black string; black paper pages; one blank page at end of album; Belonged to Patricia Anne Cohen, formerly actor Patricia English
With her camera, Lisa Law documented history in the heart of the counterculture revolution of the 1960s as she lived it, as a participant, an agent of change and a member of the broader culture. She recorded this unconventional time of Anti-War demonstrations in California, communes, Love-Ins, peace marches and concerts, as well as her family life as she became a wife and mother. The photographs were collected by William Yeingst and Shannon Perich in a cross-unit collecting collaboration. Together they selected over two hundred photographs relevant to photographic history, cultural history, domestic life and social history.
Law’s portraiture and concert photographs include Bob Dylan, The Beatles, Lovin Spoonful and Peter, Paul and Mary. She also took several of Janis Joplin and her band Big Brother and the Holding Company, including the photograph used to create the poster included in the Smithsonian’s American Art Museum’s exhibition 1001 Days and Nights in American Art. Law and other members of the Hog Farm were involved in the logistics of setting up the well-known musical extravaganza, Woodstock. Her photographs include the teepee poles going into the hold of the plane, a few concert scenes and amenities like the kitchen and medical tent. Other photographs include peace rallies and concerts in Haight-Ashbury, Coretta Scott King speaking at an Anti-War protest and portraits of Allen Ginsburg and Timothy Leary. From her life in New Mexico the photographs include yoga sessions with Yogi Bhajan, bus races, parades and other public events. From life on the New Buffalo Commune, there are many pictures of her family and friends taken during meal preparation and eating, farming, building, playing, giving birth and caring for children.
Ms. Law did not realize how important her photographs were while she was taking them. It was not until after she divorced her husband, left the farm for Santa Fe and began a career as a photographer that she realized the depth of history she recorded. Today, she spends her time writing books, showing her photographs in museums all over the United States and making documentaries. In 1990, her video documentary, “Flashing on the Sixties,” won several awards.
A selection of photographs was featured in the exhibition A Visual Journey: Photographs by Lisa Law, 1964–1971, at the National Museum of American History October 1998-April 1999.
Henry Horenstein's photographs of fans swarming Ernest Tubb (1914-1984) was a familiar scene. Fans had many opportunities to see, hear, and hug Tubb. Between the early 1960s and 1982, he worked 150 to 200 shows each year.
With her camera, Lisa Law documented history in the heart of the counterculture revolution of the 1960s as she lived it, as a participant, an agent of change and a member of the broader culture. She recorded this unconventional time of Anti-War demonstrations in California, communes, Love-Ins, peace marches and concerts, as well as her family life as she became a wife and mother. The photographs were collected by William Yeingst and Shannon Perich in a cross-unit collecting collaboration. Together they selected over two hundred photographs relevant to photographic history, cultural history, domestic life and social history.
Law’s portraiture and concert photographs include Bob Dylan, The Beatles, Lovin Spoonful and Peter, Paul and Mary. She also took several of Janis Joplin and her band Big Brother and the Holding Company, including the photograph used to create the poster included in the Smithsonian’s American Art Museum’s exhibition 1001 Days and Nights in American Art. Law and other members of the Hog Farm were involved in the logistics of setting up the well-known musical extravaganza, Woodstock. Her photographs include the teepee poles going into the hold of the plane, a few concert scenes and amenities like the kitchen and medical tent. Other photographs include peace rallies and concerts in Haight-Ashbury, Coretta Scott King speaking at an Anti-War protest and portraits of Allen Ginsburg and Timothy Leary. From her life in New Mexico the photographs include yoga sessions with Yogi Bhajan, bus races, parades and other public events. From life on the New Buffalo Commune, there are many pictures of her family and friends taken during meal preparation and eating, farming, building, playing, giving birth and caring for children.
Ms. Law did not realize how important her photographs were while she was taking them. It was not until after she divorced her husband, left the farm for Santa Fe and began a career as a photographer that she realized the depth of history she recorded. Today, she spends her time writing books, showing her photographs in museums all over the United States and making documentaries. In 1990, her video documentary, “Flashing on the Sixties,” won several awards.
A selection of photographs was featured in the exhibition A Visual Journey: Photographs by Lisa Law, 1964–1971, at the National Museum of American History October 1998-April 1999.