Upholstered wing chair used by Archie Bunker (portrayed by Carroll O’Connor) in the television series All in the Family. The chair is upholstered in an orange-yellow woven fabric and has a wooden frame with wooden arms and legs. The chair was likely made in the 1940s, but its exact date of manufacture and maker are unknown; the chair was purchased for the show’s production from a thrift store in Southern California and used until the final season, when a reproduction was made after this chair was donated to the Smithsonian.
All in the Family was a sitcom that aired on the CBS television network from 1971-1979. The series, created and produced by Norman Lear and Alan David “Bud” Yorkin, was one of the most popular and influential television programs of the twentieth century. It was the top-rated show on American television for five of its nine seasons, earned 22 Emmy awards, produced five direct spinoff series, and became a cultural touchstone for an entire generation. Before the series' premiere, most sitcoms had only lightly discussed political issues and social change, focusing instead on family matters and character foibles. Lear and Yorkin thought television should do more, depicting "real people dealing with real issues," and developed All in the Family to explore how American families were experiencing and debating contemporary issues and events. The duo was inspired by the British series Till Death Do Us Part, which focused on a family grappling with the social changes and political tumult of the 1960s, representing the “generation gap” of values and viewpoints between the baby boomers and their parents.
Set in Queens, New York, All in the Family followed the working-class Bunker family: Archie (played by Carroll O'Connor), a blue-collar World War II veteran and outspoken conservative, kindhearted wife and mother Edith (played by Jean Stapleton), college-aged liberal feminist daughter Gloria (played by Sally Struthers), and her husband, progressive graduate student Michael "Meathead" Stivic (played by Rob Reiner). Archie frequently butted heads with Meathead and Gloria, demonstrating his intolerance and ignorance on issues of race, ethnicity, gender, sexuality, and civil, women’s, and LGBTQ rights. Supporting characters introduced as foils to Archie including black neighbors the Jeffersons (Sherman Hemsley and Isabel Sanford) and Edith’s cousin Maude (Bea Arthur) proved popular enough to warrant their own spinoff series. The show’s theme song, “Those Were the Days,” was a nostalgic pean to the 1930s and Lear had the show’s set designers dress the Bunker house set in drab, sepia-toned furniture, props, and textiles to make viewers feel as if they were looking at an old family photo album.
This beige upholstered chair with its deeply curved back was among the furnishings in the Duck Suite, the first-class luxury accommodations that included three upper-deck cabins aboard the ocean liner SS United States. Known as the most luxurious of the 14 first-class suites on the ship, these rooms were typically chosen by the United States’ most well-to-do passengers, from movie stars to British royalty. The Duke and Duchess of Windsor, regular passengers on the rival ship Queen Mary, switched their loyalties to the United States during the mid-1950s and booked the Duck Suite, which was their favorite lodging at sea for a time.
Like all of the furniture on this flagship of the United States Line, the chair had to be crafted of flame-resistant metal. Launched in 1952, the ship was filled with aluminum selected by the ship’s architect, William Francis Gibbs, who designed the vessel to be as fireproof as possible. And while the massive amounts of aluminum did make the United States one of the safest ships ever launched, the metallic, modern décor also gave it a special feel unlike any other ocean liner. The upholstered furniture and artwork throughout the ship added texture and color to interior spaces that epitomized 1950s and 1960s design: sleek, modern, and practical.
