Lithographic crayon sketch. A large tree dominates this scene. Troops are advancing down a road from the left foreground to the right background. A shell-torn building is in the left background; wagon, men, and horses are in its yard. Ruined clock tower on far left. A soldier mounted on a horse is in roughly the center of the scene. Beige textured wove paper. On the bottom edge of the mount is an inscription that reads: "Troops leisurely advancing in St. Mihiel drive by/the ruins of Sichprey [sic], Sept. 13/18."
Mixed media sketch on paper. The sixteenth-century Church of Saint-Medard rises above the small French village of Grandpré. Grandpré's structures were damaged during World War I, like much of rural Fance along the Western Front. Small, partially-destructed houses and figures crowd the foreground at the intersection of what is today Rue du Clos and Rue du Moulin.
Pencil with ink wash sketch on paper of a landscape of a town along the banks of a river. At center on the far bank is a large building, possibly a cathedral or castle, which has apparently been damaged by shell fire. To the right of this along the river are several other tall buildings, some with spires and towers. Below the town is a river wall and below that is a set of stairs leading to a walking path along the river. Indistinct figures can be seen along the river's edge. Signed at bottom left by the artist, "Peixotto, 1918".
Pencil and watercolor sketch on white paper, mounted on thick paper. Sketch shows a town, Langres, on a hilltop. The town spreads down the sides of the hill, where people have built houses. There is a church and several large buildings at the top of the hill. At the bottom of the hill, there are fields that go off into the distance.
Pencil sketch on paper. The sketch depicts part of an airfield in Issoudun, France. There are disassembled planes in the foreground and several more aircraft in a large hangar. Aviators and mechanics walk around the air field. The Third Aviation Instruction Center, the U.S. Air Service's largest training base in Europe during World War I, was located at Issoudun.
Mixed media sketch on paper. In the sketch, a column of troops advances down a road that runs from the left background to the right foreground. The landscape behind the troops shows the effects of the war. A piece of equipment appears to be stuck on the side of the road on the left side of the sketch.
Charcoal sketch on white paper of soldiers helping a wounded "tanker" or tank operator. Two American soldiers kneel on the group helping another wounded soldier, while a large tank behind them shields the soldiers from harm. Another soldier is looking out the window of the tank. In the background at right, another tank and a dark cloud of smoke are visible.
Andrew Jackson carried this sword and scabbard while commanding the American forces, which included Tennessee militia, U.S. regulars, and Cherokee, Choctaw, and Southern Creek Indians during the Creek War and in the War of 1812.
General History
The Creek War began on August 30, 1813, when a faction of Creek known as the Red Sticks attacked a contingent of 553 American settlers at Lake Tensaw, Alabama, north of Mobile. The British were believed to be a main ally of the Indians.
In response to the Alabama attack, Jackson led 5,000 militiamen in the destruction of two Creek villages, Tallasahatchee and Talladega. The fighting lasted into the next year, culminating in Jackson’s troops destroying the Creek defenses at the Battle of Horseshoe Bend. On March 27, 1814 the battle ended with 800 Creek warriors killed and 500 women and children captured.
On August 9, 1814, Major General Andrew Jackson signed the Treaty of Fort Jackson, ending the Creek War. The agreement provided for the surrender of twenty-three million acres of Creek land to the United States. This vast territory encompassed more than half of present-day Alabama and part of southern Georgia.
Mixed media drawing on paper. The focal point of this view of Chaumont, France is the castle of the Counts of Champagne, which looms over the town in the drawing. Chaumont was the location of the American Expeditionary Force's Headquarters during World War I.
Mixed media sketch (charcoal, pastel, and likely watercolor and/or gouache) on paper. In the center of the sketch is a stand of tall trees. Tents and other low structures form a line through the drawing. Several soldiers stand among the crop rows. There appear to be several telephone or telegraph poles in the background, behind the tents. These barracks were located at Gievres, France during World War I.
Colored sketch on white paper, mounted on thick paper. American soldiers march in a line off into the distance, while horses and wagons follow on a road parallel to them. Each roads are headed towards the direction of battle. There is a mountain range in the background on the left, and fields in the distance to the right. There are trenches in the foreground.
Crayon and charcoal sketch on heavy cream wove paper. This is a crowded scene of American and French troops in a small, dark wine cellar. On the left, the Americans and French are gathered around a table; their faces are illuminated by a light on the table. On the right is a French soldier reclining; two soldiers are beside him, one of whom is wearing a sling around his right arm.
Brush and ink wash sketch with touches of graphite. Sketch depicts a road leading through a village. A church with a large steeple dominates the scene. Troops with horses and a wagon are on the right, lined up against the building. Smaller buildings and a water trough are on the left. Down the road, a mounted soldier's horse rears in front of a man and small child. The sketch is executed on white wove paper mounted on beige card that has been ruled with decorative graphite lines.
Pencil and watercolor sketch on beige paper. The work depicts a cemetery with American graves at Ménil-la-Tour, France during World War I. There are several rows of graves, each marked with a cross. The graves have small mounds of earth in front of them and wreaths and American flags are sketched on most of the mounds. A barbed wire fence borders the cemetery in the left of the drawing.
Charcoal, wash, and gouache drawing on card. The work depicts a street scene in Neufchâteau, France. A woman carrying a basket walks down in the road, facing the viewer. A church's tower dominates the background.
A charcoal and watercolor color sketch on paper of Andilly, France. The sketch depicts a tree-lined canal and a few buildings lining the left side of the canal. A man in the center of the drawing is carrying a bucket in each hand.
Charcoal and ink wash sketch on white paper. The work depicts a damaged village in the aftermath of the Battle of Charteves. A shell-torn church and a number of smaller shell-torn buildings make up the village. A man, possibly a soldier, is in the street in the right foreground.