Charcoal sketch on paper. The sketch depicts an empty city street. Flags fly from several of the buildings, while cannon occupy the far end of the street.
A catalog card indicates that an original label on the drawing read: "Drawing made the day before the French troops entered the city. The flags at the windows and the abandoned cannons are placed for this event [liberation of the city]. The nearer of the large buildings was a Soldatenheim [soldier's home] and the farther, the officers' club."
Charcoal sketch on white paper. Sketch shows the ruins of a village on a hill. Smith calls this village "No Man's Land." There are two soldiers at the top of the hill. The street has multiple holes from shell fire. The buildings have all been destroyed and are now without roofs and walls. Telephone pole at left.
Pencil and watercolor sketch on white paper, mounted on thick paper. The sketch shows a telephone station trench-like structure in the foreground. There is an American soldier standing right outside of the station. Behind them, there are barbed wire fences, and more American soldiers (one of which is one a horse). In the distant background, destroyed structures and fields are visible. Two barrage balloons and two clouds of smoke are floating in the sky above the scene.
Charcoal sketch on paper. The focal point of this street scene is a large pile of debris in front of what appears to be a ruined church. Soldiers marching through the road.
Charcoal sketch on light green paper. The sketch shows a German outpost at Montfaucon, France during World War I. The outpost consists of a large trench with walls reinforced by wooden posts. The upper left corner of an entryway, perhaps to an underground shelter, is just visible in the trench. Glued to the card underneath the sketch is a label that reads "GERMAN OUTPOST, MONFAUCON/Looking toward Hill 204/BY E. PEIXOTTO/TRANSFERRED FROM THE WAR DEPARTMENT/2990."
A charcoal, pastel and watercolor drawing on beige textured paper. Depicted is an American soldier in oliver drab uniform firing his M1903 Springfield rifle with a trail of yellow fire coming out of the gun barrel. To the left of the soldier is the body of another American soldier lying face down on the street, presumably dead. Surrounding the soldiers are piles of debris from destroyed buildings. Part of a wall has collapsed behind the firing soldier, and a pile of red, white, and blue cloth can be seen among the rubble. Signed by the artist at bottom right, "Harvey Dunn, AEF"
Charcoal and watercolor sketch on white paper, mounted on thick paper. Sketch shows shell torn buildings and trees on the right, and a church in the background on the left. The buildings have damaged roofs, and the trees look like they're dead. The church seems unharmed by shelling. There are fields in the distance.
Ink wash and charcoal sketch on paper. The work depicts the Château de Sedan, a castle in Sedan, France, while it was used as a German military hospital during World War I. The foreground of the drawing is dominated by a large cross in a circle which appears to have been cut in to the grass on the ground. The castle is shown behind the cross, with a flag, likely a hospital flag, flying on one of its peaked roofs.
Charcoal sketch on paper. The work depicts a ruined church spire atop a hill in Flirey, France. Troops and army trucks are in the road near the remains of a communicating trench in the foreground.
Charcoal on white paper. Sketch showing a devastated shell torn village. There is a demolished bridge in the foreground and two destroyed buildings in the background. Cracked wooden beams, chunks of concrete, and other debris are scattered throughout the sketch.
Pencil and watercolor sketch on paper. The work depicts an aviation field near Toul, France during World War I. A line of low buildings and an expansive sky are the subjects of this drawing.
A charcoal and watercolor painting on paper of the harvest moon shining over a field of dead German soldiers. At center are the bodies of three soldiers in uniform lying next to a helmet and a rifle (Gewehr 98) with a bayonet affixed. A large hole, probably from an exploded shell, is in the foreground. The bodies of eight more dead German soldiers can be seen in the middle ground in a field of yellow grass. There is a shell-torn village in the background. Above it all, a large yellow harvest moon is visible above the horizon. Signed by the artist at bottom left, "Harvey Dunn, AEF"
Pen and ink with touches of graphite. Horizontal landscape format; village scene. Church tower and hills in background. Vehicles and a line of horses in foreground. Several soldiers moving about. Sketch done on white wove paper that is mounted on tan card with decorative ruled graphite lines.
A charcoal sketch on paper of a war-torn area in the St. Mihiel Sector of combat during World War I. Several bare trees dominate the scene. Two American soldiers are resting by the tree on the right. In the foreground, there is a trench with a wooden plank crossing on the right side. Several crosses, presumably marking graves, are in the background on the left.
A pencil and watercolor sketch on paper. The sketch is of a room in the bishop's palace at Verdun, France during World War I. The focal point is a broken window in the center of the sketch. The rest of the room is also in disrepair. Through the window is a view of the village of Verdun.
Charcoal sketch on textured, off-white paper. The work depicts the interior of what was the dugout of a German commanding officer near Montsec, France during World War I. A wounded American soldier reads while sitting in a chair, with one leg raised and resting on a bench. Crutches lean against the bench. There are two labels on the cardboard under the sketch. The first is printed and reads: "GERMAN DUGOUTS, MONTSEC/BY E. PEIXOTTO/TRANSFERRED FROM THE WAR DEPARTMENT/2989". The second is typed and reads: "This was the dugout of the commanding officer. The walls were covered with burlap and the furniture was carefully made of twisted boughs. The wouded [sic] officer belonged to the 1st Division, which took Montsec."