This button is from the Queen Mary Jazz Festival in Long Beach, California, in 1980. It is made of white paper with red ink covered with a clear film, on a two-piece metal button with a pin back. The button is printed:
UNITED JAZZ CLUBS OF SOUTHERN CALIFORNIA 1980 5TH ANNUAL QUEEN [crown] MARY JAZZ FESTIVAL SUN. NOV.30, 1980 TO HELP OURKIDS! $7.50 DONATION VARIETY CLUB OF SOUTHERN CALIFORNIA TENT 25
Floyd Levin (1922-2007) was a Los Angeles textile manufacturer who turned his passion for jazz into a second career as an influential jazz journalist and historian. His numerous reviews, profiles, and articles were published in magazines such as Down Beat, Jazz Journal International, Metronome, and American Rag. He also authored Classic Jazz: A Personal View of the Music and the Musicians. Items in this collection (2011.3086) were acquired from Levin’s attendance at Jazz Festivals, conferences, and other music events.
Inscriptions on the glass vial read in part “KAL-DERMIC / Skin Suture / Eight-0” and “852 Minor.” Davis & Geck, a surgical/medical device firm established by Charles T. Davis and Fred A. Geck in Brooklyn in 1909, filed for a trademark on the term KAL-DERMIC in 1931.
Gelatin silver print of Will Connell's photograph "So. Calif. Edison Plant, Long Beach, Calif." showing a number of steel power line towers rising out of a pool of water. The photograph emphasizes the beauty inherent in the shapes and lines of modern industry, according to Connell's 1949 book "About Photography," in which this photo appeared.
Description
Will Connell (1898-1961) was an influential photographer, teacher and author in Southern California known for his often-satirical “modern pictorialist” style, commercial photography work and mentorship of a generation of photographers. The National Museum of American History’s Photographic History collection received a donation of 11 prints of various subjects from Connell’s wife in 1963. This donation was followed by another, from Connell’s son, in 1977, comprised of the 49 prints published in In Pictures.
Connell was born in McPherson, Kansas, but moved to California soon after. As a young man in Los Angeles, Connell came into contact with the thriving California camera clubs of the 1910s and 1920s, and more importantly, the burgeoning Hollywood film industry. After a brief stint in the U.S. Army Signal Corps at the end of the first World War, Connell worked a variety of odd jobs while experimenting in amateur photography. Several motion picture studios hired Connell to photograph actors and actresses in the 1920s and 1930s, and he soon became a professional.
Connell’s glamour shots of stars such as Myrna Loy, as well as his growing body of art photography, reveal pictorialist influence, and his work was often exhibited at salons and exhibitions throughout the United States. In the 1930s, Connell began working as a photographer for magazines including the Saturday Evening Post, Colliers, Time and Vogue, started teaching photography at Art Center College and continued work at the Los Angeles studio he opened in 1925. Connell spent the rest of his life in Los Angeles, teaching, judging work, producing commercial work and writing, notably, his "Counsel by Connell" column in US Camera, which he authored for 15 years.
His first book, In Pictures, was published in 1937. Now considered a classic work of satire, the book featured montaged, often surreal images that mocked the Hollywood studio system and a public enamored with the motion picture industry. The photographs were published alongside a fictional account of a meeting of Hollywood moguls, written by several of Connell’s friends in the business. While the images appear to be a marked departure from Connell’s earlier soft-focus pictorialism, the sharp, poignant photographs nevertheless retain that movement’s emphasis on composition and communication of a message. In Pictures also pays homage to the film industry where the photographer cut his teeth – many of the images feature close-ups, characteristic stage lighting and influence of the glamour of Hollywood’s Golden Age.
Connell, in his work and teaching until his death in 1961, is cited as an influence on an entire generation of photographers, including Dr. Dain Tasker (COLL.PHOTOS.000031). His 1949 book About Photography outlined an artistic philosophy that stressed a straight-forward, communicative style of photography and expressed the author’s belief that even the most commercial work can have artistic merit. A 1963 monograph in US Camera featured fond remembrances from friends Ansel Adams and Dorothea Lange, among others, who praised Connell for his warm personality and unique work.
Related Collections:
Dain Tasker collection, Photographic History Collection, NMAH
Will Connell collection, California Museum of Photography, University of California, Riverside, California
Will Connell papers, University of California, Los Angeles, Los Angeles, California
Los Angeles County Museum of Art, Los Angeles, California
This button is from the Queen Mary Jazz Festival in Long Beach, California, in 1977. It is made of red paper with black ink covered with a clear film, on a two-piece metal button with a pin back. The button is printed:
UNITED JAZZ CLUBS OF SO. CALIF. 2nd ANNUAL JAZZ FESTIVAL ON THE QUEEN MARY OCT. 30, 1977
Floyd Levin (1922-2007) was a Los Angeles textile manufacturer who turned his passion for jazz into a second career as an influential jazz journalist and historian. His numerous reviews, profiles, and articles were published in magazines such as Down Beat, Jazz Journal International, Metronome, and American Rag. He also authored Classic Jazz: A Personal View of the Music and the Musicians. Items in this collection (2011.3086) were acquired from Levin’s attendance at Jazz Festivals, conferences, and other music events.
This button is from the Queen Mary Jazz Festival in Long Beach, California, in 1978. It is made of white paper with blue ink covered with a clear film, on a two-piece metal button with a pin back. The button is printed:
UNITED JAZZ CLUBS OF SOUTHERN CALIFORNIA 1978 3rd ANNUAL QUEEN MARY JAZZ FESTIVAL SUNDAY, OCT. 29th
Floyd Levin (1922-2007) was a Los Angeles textile manufacturer who turned his passion for jazz into a second career as an influential jazz journalist and historian. His numerous reviews, profiles, and articles were published in magazines such as Down Beat, Jazz Journal International, Metronome, and American Rag. He also authored Classic Jazz: A Personal View of the Music and the Musicians. Items in this collection (2011.3086) were acquired from Levin’s attendance at Jazz Festivals, conferences, and other music events.