Map of New York State. Most counties and county seats named; rivers shown but not named; names of neighboring states given (Vermont, New Hampshire, Massachusetts, Connecticut, Pennsylvania); Erie Canal shown, but not named. Light gray guidelines under all embroidery; water damage prior to arrival at Smithsonian. Silk thread on wool ground. STITCHES: cross, crosslet, four-sided, Algerian eye, back, chain. THREAD COUNT: warp 44, weft 46/in.
Inscription:
"MAP of the STATE of NEW YORK"
Background:
Catalina Juliana was born on June 19, 1823, to Sidney and Maria Benito Dorado Mason, in St. Johns (San Juan), Puerto Rico. Catalina's father was American consul in St. Johns from 1829 to 1835. Desiring to educate his children in his native land, Mr. Mason brought his family to the United States in one of his own sailing vessels. After arrival in Baltimore, they were taken to Gloucester, Massachusetts. His wife soon succumbed to the rigors of the climate and died on September 14, 1835. On the death of his wife, Mr. Mason gave up all business interests and set forth on an extended tour of Europe. Before departing, he traveled to Puerto Rico one more time and took Catalina with him. When they returned, he placed Catalina at Miss Emma Willard's boarding school for girls in Troy, New York. Recalled from Europe by the death of his son on Dec 25, 1839, he took up residence in New York, and Catalina finished her school days with the Misses McClennachan. It is not known where she stitched her map sampler. She married Theodorus Bailey Myers in 1847, and they had two children, Theodorus Bailey and Cassie Mason. Catalina and her husband made many trips to Europe, and she is known to have paid a visit to the famous dressmaker, Worth. Her niece admired her hands, saying "They were not ornamental only, for they could sew and embroider beautifully, and do all sorts of fine worsted work." Catalina died on August 27, 1905. See Catalina Mason's other sampler.
In center, urn surrounded by wreath and flanked by words of inscription. Around center panel, on all four sides, eight geometric borders. Silk thread on cotton ground. STITCHES: -cross, satin, stem, herringbone, triple herringbone, fishbone, pulled thread, open chain variation. THREAD COUNT: warp 59 weft 47/in.
Inscription:
Over the urn in the center panel: "VIVA YSABEL ZA" flanking the urn and wreath in the center panel: "LO HIZO CATA- LINA MA- SON DIS- CIPULA D DA AM BROSIA MARTIN EZ EN LA ACADEMIA DE PUERTO RICO A 21 DE MA- YO DE 1836 Y SELO DEDY CA A SU PA- PA BALOR, CONSTAN SIA Y APLI- CACION CON LA ESPE RIENCIA H EGARA A CON" The translation of the inscription is "Long Live Isabel II. This was made by Catalina Mason student of Mrs. Ambrosia Martin in the year of 1836 in the academy of Puerto Rico on the 21st of May Dedicated to her father Courage, Perseverance, and Diligence with experience to arrive to know."
Background:
Catalina Juliana was born on June 19, 1823, to Sidney and Maria Benito Dorado Mason, in St. Johns (San Juan), Puerto Rico. Catalina's father was American consul in St. Johns from 1829 to 1835. Desiring to educate his children in his native land, Mr. Mason brought his family to the United States in one of his own sailing vessels. After arrival in Baltimore, they were taken to Gloucester, Massachusetts. His wife soon succumbed to the rigors of the climate and died on September 14, 1835. On the death of his wife, Mr. Mason gave up all business interests and set forth on an extended tour of Europe. Before departing, he traveled to Puerto Rico one more time and took Catalina with him. She stitched her sampler during this stay in Puerto Rico. When they returned, he placed Catalina at Miss Emma Willard's boarding school for girls in Troy, New York.
Recalled from Europe by the death of his son on Dec 25, 1839, he took up residence in New York, and Catalina finished her school days with the Misses McClennachan. She married Theodorus Bailey Myers in 1847, and they had two children, Theodorus Bailey and Cassie Mason. She and her husband made many trips to Europe, and she was known to have paid a visit to the famous dressmaker, Worth. Her niece admired her hands, saying "They were not ornamental only, for they could sew and embroider beautifully, and do all sorts of fine worsted work." Catalina died on August 27, 1905. See also Catalina Mason's map sampler.
Two block alphabets with no "J" or "U" with each letter in alphabets and each word in inscription different color. Ten narrow decorative crossbands, three wide crossbands, and narrow geometric crossbands separating these and lettered rows; last crossband has row of strawberry(?) motifs against background solidly filled with cross stitches and first nine letters of lower-case alphabet. All four edges hemstitched with yellow silk thread. Wool and silk embroidery thread on linen ground. STITCHES: cross, two-sided cross, eyelet, marking cross, gobelin, satin, tent (petit-point), hem. THREAD COUNT: warp 46, weft 43/in.
Inscription:
"LYDIA DIC KMaN IS MY NAMe AND ENGL AND IS MY NATION aND BOST ON IS MY DWeLLING PlaC aND CHRIST IS MY SALVATION DON e IN THIRTeeN YeAR OF MY age 1735"
Background:
Lydia was born about 1722, and married Francis Shaw of Boston, Massachusetts, on January 1, 1745. They had one son, Thomas, who was born December 11, 1745. Lydia died in Boston on December 26, 1746, just a year after the birth of her son.
Three block alphabets of 26 letters and numbers to 13; simple geometric crossbands separate these rows. Below verse, centered tree flanked by rose bushes and two framed texts. In verse, words colored alternately with name and date worked in black; in two framed texts, all lettering worked in black. Width of sampler full fabric width, selvedge to selvedge. Border of geometric strawberry-vine and cross-stitched zig-zag, with single rows of cross-stitch on all four sides. Silk embroidery thread on linen ground. STITCHES: cross, Algerian eye, long-armed cross, petit point, rice. THREAD COUNT: warp 28, weft 30/in.
Inscriptions:
"Let the f[s]weet work of prayer and praif[s]e employ my Youngef[s]t breath Thuf[s] im prepared for longer dayf[s] or Fit for earlier death Phebe Ef[s]ther Copp aged 8 1822
Better it is to be of an humble Spirit with the lowly than to divide the Spoil with the proud
This work I did To let you See What care my Parents took of me"
Background:
Phebe Esther was born on November 9, 1813, to Samuel and Phoebe Haight Theall Copp in Stonington, Connecticut. The design of this sampler, made in 1822, when Phebe Esther was eight years old, is obviously based on a similar sampler made fifty-seven years earlier by her great-aunt Esther Copp. Phebe never married and died on February 3, 1837, in New York City. See Esther Copp's sampler.
The entire text on this sampler is worked in black silk, using color only for the border and one crossband. The top center contains a 3 x 3 ½” space that is outlined with basting stitches in tan silk, but is completely empty. It probably was intended to contain a memorial monument or urn. Working the sampler in black indicated death and including a Bible passage on a sampler was common as most families owned that book. The sampler is stitched with silk embroidery thread on a linen ground with a thread count of warp 27, weft 28/in. The stitches used are cross and crosslet.
The sampler maker did not include her name, but was honoring a well respected minister. Samuel Hopkins was born on October 31, 1729, and married Sarah Porter on February 17, 1756. She was a widow with five children, and they had nine more children. After Sarah died, Samuel married Margaret Stoddard on October 16, 1776, and they had one child. He was ordained as the fourth minister of the church in Hadley, Massachusetts on February 26, 1755, and served until February of 1809, when he was struck with a paralysis which impaired his mental faculties. He died on March 8, 1811.
Three block alphabets; two alphabets colored in pairs, one all black; no "J"; numbers 1 through 0. Simple geometric crossbands framed by flowering vine and rose bushes. At base of sampler, centered tree flanked by two framed inscriptions, with tulips and strawberries. Single row of cross stitch forms border on all four sides. Silk embroidery thread on linen ground. STITCHES: cross, petit point, Algerian eye, rice, queen. THREAD COUNT: warp 34, weft 38/in.
Inscriptions:
"Better it is to be of an humble Spi rit with the low ly than to divide the Spoil with the proud"
"Esther Copp her Sampler made in the eleventh year of her age august AD 1765"
Background:
Jonathan Copp was born on June 12, 1694, and married Mrs. Sarah (Dennis) Hobart as his second wife on June 30, 1742, in Stonington, Connecticut. Their daughter Esther was born on October 23, 1754, in New London, Connecticut, and she never married. She died September 21, 1829. (See sampler by Phebe Esther Copp, her grandniece. A tree, rose bush, and one text are the same on both samplers.) Esther's sampler is part of an extensive collection of 18th- and 19th- century household textiles, costume items, furniture, and other pieces belonging to the Copps, a prosperous but frugal Connecticut family. The collection was donated to the United State National Museum in the 1890s by John Brenton Copp, offering the nation the opportunity to preserve and study the everyday possessions of a New England family.
This sampler features a monument, rendered in perspective, flanked by two small trees and a flowering plant. On the top of the sampler is the inscription:
“So fadef[s] the lovely blooming flower
Cut of in lifef[s] erlief[s]t hour.”
On the monument is the inscription:
“In Memory of Sarah Pervier who died 16th of April 1826 aged 8 monthf[s]”
The monument represents death and Lydia’s inscription on the top comes from two different sources. The first line is by Anne Steele (1716-1778) from a poem entitled “On the Death of a Child” and the second line is from a hymn that is part of the Catholic liturgy for the feast of Holy Innocents (December 28). The sampler is stitched with silk and cotton embroidery thread on a linen ground with a thread count of warp 44, weft 44/ in. The stitches used are cross, satin, chain, and detached chain.
Betsey’s sampler includes three distinguishing features of Rhode Island samplers; trumpeting angels with embroidered faces, queen stitch flowers, and a three-story house. Below the house, flanking flowers and birds is the verse:
“While hof[s]tile foes our coaf[s]ts Invade in all the pomp of war arrayd Ameri cans be not dismayd nor fear the f[s]word or GUn
While Innocence is all our pride and vir tue is our only Guide Women would f[s]corn to be defyd if led by WASHINGTON”
This verse on Betsy’s sampler offers a rare opportunity to discover the political thinking of a young girl during the Revolutionary War. She is showing a brave female defiance of Britain and an unwavering faith in George Washington, the commander of the Continental Army. Betsy undoubtedly was influenced by her father who was a privateer during the Revolutionary War. At the bottom of the sampler, flanked by queen stitch flowers, is a cartouche with the inscription:
“Betf[s]y Bucklin Her Work Septe mber 1781”
It is not known who the author of the inscriptions is. The sampler is stitched with silk embroidery thread on a linen ground with a thread count of warp 25, weft 23/in. The stitches used are cross, crosslet, queen, rice, straight, fly, stem, tent, and gobelin.
Betsy [Elizabeth] Bucklin was born on September 20, 1768, in Providence, Rhode Island to Capt. Daniel and Eliza Carpenter Bucklin. On November 11, 1792, Betsy married Samuel Eddy. They had three children - Martha, Jonathan, and Elizabeth. She died of consumption on October 27, 1799, in Providence, Rhode Island.
Large cornucopia of flowers and leaves above verse, with geometric carnation border. Flowers include morning glory, moss rose, sweet peas, and lily. Brown guidelines under cornucopia and flowers. Maker's age and date written in ink, probably added later. Silk embroidery thread on linen ground. STITCHES: Cross, crosslet, herringbone. THREAD COUNT: warp 30, weft 28/in.
Inscription:
"The star of Bethlehem Brighter than the rising day When the sun of glory shines; Brighter than the diamond's ray Sparkling in Golonda's [sic] mines Beaming through the clouds of wo Smiles in Mercy's diadem On the guilty world below The Star that rose in Bethlehem Elizabeth Orme Novr 9th" written in ink after the inscription is "1833 Age 9"
Background:
Elizabeth was born about 1825 to Sarah and Thomas Orme in Washington, D.C. She married James Hizer on September 6, 1854, but by the 1860 census, she was widowed and living with her mother and sister Anna, who was also a widow. Elizabeth died in 1892 of tuberculosis. See her mother's (Sarah Kurtz) sampler. Anna's daughter Mary donated her grandmother's and aunt's samplers.
Three block alphabets of 26 letters (one incomplete); one script alphabet to "V"; no "J"; numbers to 9. Alphabets and numbers colored in pairs or groups with all rows separated by simple geometric crossbands. At bottom of sampler, pair of birds on trees and pair of urns with flowers. Border of simple geometric meandering band on all four sides. Silk embroidery thread on dark green linsey-woolsey ground; warp is blue linen and weft is green wool. STITCHES: cross, satin, hem. THREAD COUNT: warp 24, weft 34/in.
Inscription:
"Anzolette Hussey Aged 9 Years Nov 7th 1821"
Background:
Anzolette was born on April 7, 1812, to Captain Andrew (1783–1861) and Mary Tredick Hussey in Portsmouth, New Hampshire. She married Ebenezer Knight on June 15, 1835, and they had five daughters—Mary, Ariadne, Hannah E., Sarah K., and Abby. Anzolette died on November 20, 1895, in Washington, D.C., but is buried in Portsmouth. This sampler is very different from her other one and was probably worked at a different school. In 1827, at the age of fourteen, she was a student in the First Female School of Portsmouth. Throughout her life she used two different spellings for her first name. See Annzalette Hussey for her other sampler.
Three block alphabets of 26 letters. Numbers to 9. Word "Marcellus" appears at end of one alphabet. Sampler worked in black silk with brown cotton used only for small period at ends of rows. Border of single row of long-armed cross at top, single row of herringbone on each side, single row of double cross at bottom. Silk thread on cotton ground. STITCHES: cross, long-armed cross, herringbone, eyelet, four-sided, crosslet, double cross. THREAD COUNT: warp 26, weft 26/in.
Inscriptions:
"With ink and pen. These marks will give. The lives of men. To all that live.
Worked by M Cook. August 1818."
Background:
Mary was born on February 22, 1806, to Daniel and Rebecca Pomeroy Cook in Skaneateles, New York. Daniel served in the Revolutionary War for three months at Saratoga in 1781, and died on August 3, 1806, in Marcellus, New York. Mary stitched her sampler while her family was living in Marcellus. She did not marry, and died on January 30, 1869. She is buried at Mount Hope Cemetery in Rochester, New York. The sampler descended in the family of her brother, Ira.
Four block alphabets of 26 letters. One script alphabet to "P"; no "J." Numbers to 4. Each row worked in one color, and all rows separated by simple geometric crossbands. Two strawberry plants to right of verse. No border. Silk embroidery thread on linen ground. STITCHES: cross, Algerian eye, four-sided, upright gobelin, satin, stem, hem. THREAD COUNT: warp 26, weft 28/in.
Inscriptions:
"Now mark the Sequel May Your mind In wiSdomS waYS true PleaSure find Grow StronG in virtu rich in truth And Year bY Year renew itS youth Till in the late triumphant hoUr The SPirit Shall the fleSh overPoWer ThiS from itS SUfferinGS Gain releaSe And that taKe WinG and Part in PeaCe
Sarah BaILIff'S SamPler done Nov 27 1839"
Background:
Sarah Bailiff gave her sampler to a member of Justice Alfred Moore's family at Moorefields, North Carolina, their summer home. It descended in that family until it was given to the Smithsonian. Sarah Bailiff's date of birth has not yet been identified.
Embroidered sampler worked in 1830 by 11-year old Mary Harrison of Alexandria, Virginia. In upper half of sampler, flanking verses, flowering plant with birds flying overhead, and lady and gentleman under tree. Man wears short flared coat and carries cane; lady wears elaborate hat, long-sleeved dress, and pantalettes, and carries small bag with long ribbon straps and what appears to be furled parasol. In lower half, large flat-roofed building with tall windows and columns. On flat roof recessed second story also flat-roofed but with large semicircular window. Building stands on lawn (or hill) flanked by trees, urns of flowers, and spotted dog. Border of geometric strawberry vine on all four sides. Silk embroidery thread on linen ground. STITCHES: cross, crosslet, queen, satin, double cross, four-sided, chain, stem. THREAD COUNT: warp 29, weft 31/in.
Inscriptions:
"What iS the blooming fair And tincture of the Skin to Peace of mind from care And harmony within Sickness and age will blaSt All outward charmeS away Virtue will Sooth at last in deathS tremendiouS day
See the Kind Shepherd JeSuS StandS with all engaging charmeS Hark how he calls his tender lambs And folds them in his arms
Mary Harrison Aged Eleven Years Alexandria July 1830"
Background:
Mary Harrison was born September 18, 1818, to John and Elizabeth Carlin Harrison of Alexandria, Virginia She married December 28, 1842, Isaac Kell (1814-1864). She died June 30, 1906.
One script and two block alphabets of all 26 letters; all these rows separated by simple crossbands. Numbers to 9 (below inscription). All letters and numbers worked in black. In lower register, hearts, flower-basket, flowering plants, birds. Inscription in solidly filled lozenge. Border of simple geometric band on all four sides. Silk embroidery thread on cotton canvas ground. STITCHES: cross, long-armed cross, herringbone, queen. THREAD COUNT: warp 23, weft 23/in.
Group of embroidery silks used for French sampler TE*T13676A. The sampler was found in a chateau near Lyon, France, with the silks with which it was embroidered. Embroidery silks are numbered .00B through .00U
Block upper-case alphabet; letters colored alternately; no "J" or "U." Numbers 1 to 0. These rows, together with rows containing verse, all separated by narrow crossbands, including sawtooth and dentil patterns. Below verse, three wide crossbands: one of flowering plants, birds, and sheep or goats, and two wide geometric bands in patterns that appear often on eastern Massachusetts samplers, especially in Boston area. At bottom of sampler spies, from Canaan, wearing knee-breeches and flared coats, identified by letters "Ja" and "Ca" and flanked by trees, flowering plants, and small birds. Below them, 1 5/8" strip with geometric strawberry vine solidly worked in cross-stitch. Border of geometric flowering vine on top and two sides. Silk embroidery thread on linen ground. STITCHES: cross, satin, Algerian eye. THREAD COUNT: warp 38, weft 42/in.
Inscriptions:
"When Stern Affliction Waves her Rod My heart Confids in the my God When Nature Shrinks Oppresd with woes E en then in thee She finds Repose Affliction flyes and hope returns Her Lamp with brighter Splendor burns Gay Love with all his Chearful Train And Joy And peace are here again
Molley Ruff[ss]ell Ad 12 1776"
Background:
Mary (Molly) was born on June 19, 1765, to Peter and Molly Russell of Bradford, Massachusetts. Her father was a distinguished shipbuilder. She married Ephraim Emery on September 17, 1785. He enlisted as a fifer on April 19, 1775, at the Lexington alarm, and entered the service in William Rogers's Company on April 27, 1775. Ephraim was in the assault on Stony Point and the battle of White Plains. After the war, in 1799, he was appointed captain in the United States Army, 14th Regiment, which was disbanded in 1800. He served successively as captain, brigade major, and inspector in the state militia. The couple had four children—Mary, John, Thomas, and Hannah.
Mary died on March 3, 1843, in Newbury, Massachusetts.
Three block alphabets. One script alphabet; no "J"; "V" and "U" reversed. Numbers to 9; all rows of alphabets, inscription, and verse separated by simple geometric crossbands. Two wider crossbands of birds, trees, plants, strawberries, flowers. Above alphabets, angular arcade with three angels (?). Lower third of sampler contains landscape with hillocks and strawberries, running stag and two dogs, shepherdess and sheep, three flowering trees, parrot and hummingbird. Border of free-style flowering vine across top and down both sides, with single row of marking cross along each side of border. Brown guidelines under free embroidery in landscape and border. Silk embroidery thread on linen ground. STITCHES: cross, marking cross, satin, French knot, tent, long-armed cross, outline, stem, chain, Roumanian, bullion. THREAD COUNT: warp 35, weft 38/in.
Inscription:
"ESTHer Tincom IS MY Name and England IS MY Nation Boston IS MY dwelling Place and Christ IS MY Salvation When I am dead and in my grave and all my bones are rotten When This You f[s]ee remember Me That I Mant be for 12 [gotten Do]ne in the 10 Year of MY age 3456789"
Background:
Information from the donor included the following: "brought from Boston, around the Horn in 1850 and William Patch saved the sampler from the San Francisco fire."
Two block alphabets. Upper-case alphabet has 26 letters; lower-case alphabet has no "J." One script alphabet with no "J" or "U." Numbers 1 through 14. Border of a vine with triangular flowers or leaves. Silk embroidery thread on linsey-woolsey; blue linen warp, tan wool weft. STITCHES: cross, Algerian eye, hem. THREAD COUNT: warp 27, weft 26/in.
Inscription:
"Embroidry [sic] decks The canvas round And yields a pleasing view So virtue tends to deck the mind and form its blisful [sic] state Mary W Tyler aged 12 years
Background:
This may have been made by Mary Welles Tyler, born on April 2, 1792, to Nathan and Nancy Tyler, or by Mary Whitwell Tyler, born on June 23, 1798, to Royall II and Mary Tyler.
Man in fawn-colored fall-front trousers, short blue jacket decorated with faceted gilt beads, and tall dark hat. On his arm, lady wearing long dress with wide white collar and blue bonnet tied with long bonnet-strings; she carries parasol and reticule and wears necklace or chain of gilt beads. To right of couple, blue-domed building (temple?) with tall columns on hill above pond, with two deer and flowering bush; to left of couple large tree and under it, sheep and dog. In each upper corner, bluebird under grapevine; children's names enclosed in panel outlined by wave band. Grapes on vines in upper corners worked by coiling purple thread and tacking down each coil in two or three places. Border on all four sides, straight vine bearing roses and rose buds. Silk embroidery thread on linen ground. STITCHES: cross, crosslet, chain, four-sided, French knot. THREAD COUNT: warp 28, weft 28/in.
Inscriptions:
"FAMILY RECORD
Mr Levi Ingersoll was born Dec 26th 1775 Miss Sarah Hubbard was born Jan 2nd 1779 They were united in marriage Jan 31 1802
THEIR DESCENDANTS
Hannah Ingersoll was born Jan 30th 1803 Eliza Ingersoll was born Oct 30th 1804 Ann Ingersoll was born Nov 1st 1806 Henry H Ingersoll was born Feb 25th 1809 Charles Ingersoll was born Jan 23rd 1811 Jane Ingersoll was born July 1st 1815 Mary Ingersoll was born Sept 27th 1819 [last 2 numbers replaced or filled in later] Sarah Ingersoll was born Feb 10th 1821 [last number replaced or filled in later]
By Miss Mary Ingersoll in the 9th year of her age New York 1830" [number 9 replaced or filled in later]
Background:
Mary was born on September 27, 1819, to Levi and Sarah Hubbard Ingersoll in Pound Ridge, New York. She died unmarried on April 18, 1889.
Three block alphabets. No "J"; numbers to 18 and to 9; alphabets and numbers colored in groups of two. Rows of lettering and numbers separated by geometric crossbands; also two wide crossbands; one geometric strawberry vine, and one geometric vine with free-style roses, with guide-lines drawn under roses. At bottom of sampler, stag and doe on hillocks, surrounded by birds, butterflies, trees, flowers, under angular garland; stag and doe have satin-stitched collars. Name and date appear in flower-shaped medallion hanging from garland. Border of band of sawtoothed satin stitch and geometric carnation vine on all four sides. Silk embroidery thread on linen ground. STITCHES: cross, crosslet, stem, satin, Algerian eye, straight, bullion. THREAD COUNT: warp 36, weft 29/in.
Inscriptions:
"See How The Lillief[s] Flour White And Fair See How the Ravenf[s] Fed From Heavenf[s] Air
Arif[s]e Thou King of Kingf[s] Arif[s]e And Reign Except Thy Worf[s]hip SprinG All Worf[s]hipf[s] Vain
Elizabeth Maf[s]On her WOrk Ma de in the 11 Year Of her ag 1783"
Background:
Elizabeth Mason was probably from the Philadelphia, Pennsylvania, area.