Crayon and charcoal sketch on heavy cream wove paper. This is a crowded scene of American and French troops in a small, dark wine cellar. On the left, the Americans and French are gathered around a table; their faces are illuminated by a light on the table. On the right is a French soldier reclining; two soldiers are beside him, one of whom is wearing a sling around his right arm.
Brush and ink wash sketch with touches of graphite. Sketch depicts a road leading through a village. A church with a large steeple dominates the scene. Troops with horses and a wagon are on the right, lined up against the building. Smaller buildings and a water trough are on the left. Down the road, a mounted soldier's horse rears in front of a man and small child. The sketch is executed on white wove paper mounted on beige card that has been ruled with decorative graphite lines.
Graphite, black crayon, sanguine crayon, and white gouache sketch. Village scene with traditional houses around a road. Several children, a woman, and a dog are in the road, along with two American soldiers and a horse. On the far right of the sketch, several men are sitting together next to a fence. The sketch is done on dark gray wove paper and mounted on tan card ruled with decorative lines. Written beneath the sketch, on the tan card, is the following inscription: "An invaded village in Germany-/Zone of the American Army of Occupation".
Pencil and watercolor sketch on beige paper. The work depicts a cemetery with American graves at Ménil-la-Tour, France during World War I. There are several rows of graves, each marked with a cross. The graves have small mounds of earth in front of them and wreaths and American flags are sketched on most of the mounds. A barbed wire fence borders the cemetery in the left of the drawing.
Charcoal, wash, and gouache drawing on card. The work depicts a street scene in Neufchâteau, France. A woman carrying a basket walks down in the road, facing the viewer. A church's tower dominates the background.
A charcoal and watercolor color sketch on paper of Andilly, France. The sketch depicts a tree-lined canal and a few buildings lining the left side of the canal. A man in the center of the drawing is carrying a bucket in each hand.
Charcoal and ink wash sketch on white paper. The work depicts a damaged village in the aftermath of the Battle of Charteves. A shell-torn church and a number of smaller shell-torn buildings make up the village. A man, possibly a soldier, is in the street in the right foreground.
A pencil sketch on paper of German dugouts on the slope of Hill 204 located near Chateau-Thierry, France. This hill was the scene of fighting between Allied (French and American) and German soldiers during July of 1918. The Allies prevailed. The scene is in a forest where the Germans took shelter in dugouts on the slope of the hill. Abandoned supplies litter the ground around the dugouts; these include Stielhandgranates (stick grenades). American soldiers stand on the top part of the sketch in a clearing.
Black ink and charcoal drawing of mounted troops in a large basin/pond of water. Immediately behind them is a group of badly damaged buildings. Church spire in the center background. Birds in sky. The sketch is done on beige wove paper mounted on brown (formerly beige) card, with decorative lines around the border ruled in graphite.
Pencil and crayon sketch on paper. The work depicts an airplane which has crashed on a sand beach while making a forced landing during World War I. The airplane is virtually upright, resting on its engine housing and wings with its tail sticking into the air. Three people are gathered to the immediate right of the airplane with a fourth person running toward them.
Charcoal and ink wash sketch on paper. The work depicts a street leading through the town of Cohcem, Germany at the end of World War I. Soldiers are lined up in the street outside of the Commissary. A tall building with a spire is visible in the background.
Charcoal sketch on blue-gray paper. The work depicts a group of soldiers billeted in a cell of the old Monastery of Rangeval near Boucq, France. A drawing on the wall above the sleeping pallets shows France (the woman) killing "the German monster." Soldiers are lounging on cots beneath the drawing. A line of drying laundry hangs on the left side of the sketch.
Charcoal and crayon sketch on paper. The work depicts a dispatch carrier on a motor cycle near a fortified hill. The hill, with structures on the side (possibly dugouts) dominates the background of the work. On the left are several soldiers pushing a piece of heavy artillery. A low building is visible behind the dispatch carrier.
Charcoal sketch on heavy white card stock. The work depicts a chateau in the area of Grandpré, France. The entrance is a large archway surmounted by a hipped roof with dormers.
Pencil and ink wash sketch on paper. The drawing is a view of the River Marne near Jaulgonne, France during World War I. Men are working on a hydraulic mill in the foreground of the work. Several buildings with shell damage are shown in the background on the banks of the river.
Charcoal and pastel drawing on heavy beige textured laid paper. The subject of the drawing is a tank attack during World War I. In the foreground is a tank, most likely a Renault FT; in front of the tank are barbed-wire entanglements. Three more tanks are visible in the background. A man walks along the road. Smoke rises on the horizon.
Charcoal and watercolor sketch on paper. A large group of people, many of whom are soldiers, are gathered around a statue of Joan of Arc in the town of Neufchateau, France. The two people closest to the viewer appear to be an American soldier (in brown) and a French soldier (in blue). The band mentioned in the title of the work is obscured by the crowd.
A charcoal, pastel, and watercolor sketch on paper of American troops at a church at Badonviller, France. The church is most likely the Eglise Saint-Martin. Five American soldiers are standing in what used to be the interior of the church. The church has been damaged; battered wrought iron and other debris are lying exposed in the former aisle of the church. An inscription on the drawing reads "The church at Badonviller is situated on a rise of ground and on that edge of the village that is nearest the German lines. It has suffered from bombardment perhaps more than any other structure in the village. This drawing was made from the chancel and looking along the line of the main aisle and through the archway to the front entrance. The building is hopelessly beyond repair."