Charcoal drawing on paper. A large chateau sits in the center of the sketch. There is a telegraph pole at the right edge of the drawing. From the catalog card: "'This Chateau was long used as a German Headquarters and when this drawing was made (Sept. 16th) it was the H.q. of our 29th Division.' (original label)" Although the catalog card says Sept. 16th, the artist's signature says "Aug 19 ; 18."
Charcoal and ink wash sketch on paper. The sketch depicts the edge of a wooded area, with timber fortifications in the center of the scene. Hills and small houses in the background. Belleau Wood was the scene of intense fighting between Allied soldiers and the German Army towards the end of the First World War.
Charcoal and ink wash drawing on paper. The drawing depicts the soldiers of the US Army 32nd Infantry Division gathered in the court of the Abbey Echternach, in German-occupied Luxembourg, during World War I. The work shows a square bordered by a large church and several other buildings. The church is the Abbey of Echternach, a Benedictine monastery in the city of Echternach, in eastern Luxembourg.
Charcoal and ink wash sketch on paper. A group of women, some standing on benches, are making camouflage nets at the Central Camouflage Depot in Dijon, France. These nets were made of pieces of painted burlap tied to wire and were used to disguise artillery positions.
Charcoal and crayon sketch on heavy textured cream wove paper. Several American soldiers eat out of tin cans, as seen through a shell-hole in a wall. A broken window shutter is in the foreground.
A pencil and watercolor sketch on paper of a shell torn church at Charteves. In the center of the sketch is a church which has been destroyed by shell fire.
Pencil sketch on paper. Underneath a stand of trees, a large band plays for a group of men assembled in a courtyard. In the center foreground, a man in a wheelchair listens to the concert. The sketch is attached to heavy card that has a label affixed at the bottom center that reads "AFTERNOON CONCERT IN THE COURTYARD/AT HOSPITAL AT LANGRES/BY E. PEIXOTTO/TRANSFERRED FROM THE WAR DEPARTMENT/2957."
Charcoal or crayon with gouache drawing on beige paper backed by card matte. The drawing depicts an American soldier, fully equipped, standing at the grave of his bunk mate or "bunkie." A wooden cross is at the head of the grave. Beside the cross are a helmet and what looks like a metal canister.
Graphite and gouache on paper mounted on heavy white card. The drawing shows a badly damaged church at Fossoy, France. There is a bare tree on the left.
Charcoal and ink wash sketch on blue-gray paper. The sketch is a view of the river and the steps leading down to it as seen between two buildings. Several dwellings in the background. Soldier mounting steps and two soldiers at the water. The sketch is mounted to a larger piece of heavy white cardboard. A label affixed to this cardboard mount reads: "11./AMERICAN SOLDIERS WASHING UP IN THE DOLLER RIVER IN AN TOWN IN GERMAN/ALSACE. (Massevaux)./Peixotto."
Charcoal and ink wash sketch on blue-gray paper. Women are making nets and camouflage material in a large tent-like structure in Dijon, France. The structure appears to be fortified with sand bags at one end. There is a label attached to the bottom center of the sketch that reads: "MAKING NETS AND CAMOUFLAGE MATERIAL/Central Camouflage Depot at Dijon/BY E. PEIXOTTO/TRANSFERRED FROM THE WAR DEPARTMENT/3004."
Pencil sketch with some ink wash. A road runs through the sketch; people, horses, vehicles, and a motorcycle occupy the road. Behind the road is a row of low buildings. At left is a blacksmith shop. In front of the shop are two soldiers shoeing a horse. Chickens and two children in foreground. Sketch is mounted to a larger piece of cardboard.
Charcoal sketch on board. Troops marching through a shell-torn village. In the foreground are several soldiers and a horse-drawn wagon; these are in shadow. The background of the picture is in light and includes more troops, trucks, buildings, and trees.
A charcoal and watercolor sketch on paper. The sketch depicts a small village in France where American soldiers were billeted during World War I. The Marne river, seen here in the right background, was
the line a German offensive in the spring and summer of 1918.
Pencil and watercolor sketch on paper. The work depicts the French city of Neufchâteau during World War I. The scene shows the city from an aerial perspective, with farms in the lower left portion of the sketch. A church steeple dominates the center of the sketch, with buildings surrounding the church on all sides.
Graphite sketch of the town of Angers. Tall buildings line a street where groups of people are passing through. Several people carry umbrellas. There is a cart in the center of the street, in front of one the buildings. People can be seen in several windows of the building on the right of the sketch. Sketch done on white paper mounted on beige card.
Charcoal sketch on paper showing a dugout in Belleau wood. Three sides of rectangular cell are depicted; a pallet appears on the right with other objects on the floor. A label attached to the cardboard mount reads: "A MAJOR'S DUGOUT IN BELLEAU WOOD/June, 1918/BY E. PEIXOTTO/TRANSFERRED FROM THE WAR DEPARTMENT/2954."
Pencil sketch on paper. This landscape depicts the village and surrounding countryside of Mezy, France during World War I. A body of water cuts through the center of the picture. A line of roughly sketched troops marches along a road outside of the village. An inscription on the drawing, below the artist's signature, reads "Battle Field of the Marne - July 15-16 - 1918 - Sector of the 38 Regiment."