Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat dates to the first half of the 19th century. Though soiled and discolored, the hat is painted red overall and bears a central image of William Rush’s “Nymph and Bittern” statue painted in an oval frame that is flanked by aqua-colored banners with the text “Fair Mount” painted in gold on the banner. Rush’s “Nymph and Bittern” statue was part of a fountain made to commemorate the completion of the Centre Square Water Works in the early 1820s, providing Philadelphia with public waters which was an aid to the city’s fire fighters. The crown of the fire hat bears the faded initials “P.S.” The Fairmount Fire Engine Company No.32 was established in Philadelphia in February 22, 1823 as a hand engine company. It acquired a steam fire engine in 1860 and operated as a steam fire engine company until 1871 when Philadelphia’s paid firefighting department was established.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat was used in Philadelphia, Pennsylvania during the first half of the 19th century. The hat is painted dark green overall, and the front bears a painted image of a spread-winged eagle, grasping an olive branch in one talon and three arrows in the other, with a golden harp hanging from a chain in its beak. There is a red banner on top of the image with the text “HIBERNIA” in gold. The image is reminiscent of the bald eagle on the seal of the United States, but the harp as a symbol of Ireland replaces the U.S. shield. The imagery points to the Hibernia Fire Company blending its Irish heritage with American patriotic ideals. The back of the hat has the date “1752” painted in gold. An encircled number one painted in gold is located on the crown of the hat. The Hibernia Fire Engine Company No. 1 was founded in 1752 in Philadelphia, Pennsylvania as a hand engine company. It acquired a steam fire engine in 1858 and operated as a steam fire engine company until 1871 when Philadelphia’s paid firefighting department was established.
This hat was used in Philadelphia, Pennsylvania during the first half of the 19th century. The hat has been painted red with a portrait of Commodore Stephen Decatur framed in gold. American flags and black banners with gold trim surround the portrait. The banners bear the gold text “DECATUR/F.E. CO.” The back of the hat features a gold painted image of an early fire hydrant with gushing hose attached, flanked by the letters “FA”. This was the logo of the Fire Association of Philadelphia, an insurance company founded by a group of eleven volunteer engine companies and five volunteer hose companies in 1817. The top of the hat bears the owner’s initials “N.C.” painted in gold. The Decatur Fire Engine Company No. 21 was founded in 1803 in the Frankford neighborhood of Philadelphia as a hand engine company. It acquired a steam fire engine in 1859 and operated as a steam fire engine company until 1871 when Philadelphia’s paid firefighting department was established. Originally known as Good Will Frankford Fire Company No. 2, the company renamed itself in 1842 after Stephen Decatur, the famous naval officer and hero of the War of 1812, whose father had resided in Frankford.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This pressed felt fire hat was used in the eastern United States during the first half of the 19th century. The hat is painted black overall with the text “HARMONY/FIRE CO.” painted in gold with red shadowing on the front. The date “1849” is painted in gold with red shadowing on the back of the hat. The Harmony Fire Company of Trenton, New Jersey was formed on May 9th 1849.
Pocahontas was built by the Houghton Brothers in 1855. The ship was constructed in Bath, Maine and measured 193.6 feet long and 1196 tons. Pocahontas was engaged in the trade of cotton and manufactured goods between New Orleans and Liverpool. The Houghton Brothers operated one of the largest and most successful fleets of Bath deep-sea full-rigged ships. The Houghton Brothers designed many deep-sea cargo carriers; Pocahontas was one of their few vessels that sacrificed cargo space for speed. Though the ship was still designed as a Down Easter, it was nicknamed "a clipper" because of its speed.
The painting is a portside view of Pocahontas. The ship is shown sailing up St. George's Channel just outside Liverpool. There are several other vessels sailing about. Artist William Howard Yorke was born in Saint John, New Brunswick and moved to Liverpool as a child. Yorke's father William Gay Yorke was also a painter. William Howard Yorke's earliest known painting was done in 1858 and his latest done in 1913.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This pressed felt fire hat was used in the eastern United States during the first half of the 19th century. The hat is painted black overall, with the text “Eagle Fire/Co.” in gold paint with red shadowing on the front. The back of the hat features a yellow image of a wooden fire hydrant flanked by the date “1821.” The crown of the hat has a shield with red and white stripes and the initials “A.C.” This hat likely belonged to a member of the Eagle Fire Company of Trenton, New Jersey that was founded in 1821.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat was used in Reading, Pennsylvania during the first half of the 19th century. The hat is painted red overall, with the “JUNIOR/1813” painted in gold on the front of the hat, and a golden number “2” painted on the back of the hat. The crown of the hat has the word “CAMEL.” painted in gold surrounded by two geometric sunburst patterns. This hat was likely used by a member of the Junior Fire Company that was founded on December 2, 1813 in Reading, Pennsylvania.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat was used in Baltimore, Maryland during the early-to-mid 19th century. The hat is painted green overall, with a single eye inside a golden sunburst painted on the front of the hat. This is the Eye of Providence, or the All-Seeing Eye, which represents an omnipresent gaze, a suitable icon for a company that called itself Vigilant. The other side of the hat has the golden text “VIGILANT” painted on a black background in a golden frame. The crown of the hat has the owner’s initials “J.R.” painted in gold. The Vigilant Fire Company was founded in Baltimore on January 18th, 1804 and operated until the introduction of the paid fire department in 1859.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat was used in the eastern United States during the first half of the 19th century. The hat is painted black overall, with the text “Hand in Hand/Fire/Co” painted in gold on the front of the hat, and the image of two clasped hands shaking in gold on the back of the hat. The “hand in hand” name and clasped hand symbol were popular among volunteer fire fighting companies and fire insurance companies during this period. It symbolized the mutual assistance needed to combat fires and the fraternal ties of fire companies prevalent in early American communities.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat was used in the eastern United States during the first half of the 19th century. The hat is painted black overall, with the text “HARMONY” arching over the image of a speaking trumpet, all painted in gold on the hat’s front. The painting on the back of the hat has deteriorated, but there are traces of a fire hydrant painted in gold with the text “WE [illegible] TO SERVE” arching above. The owner’s initials “C.P.S.” are painted in gold on the crown of the hat. A speaking trumpet, as seen on this hat, was a necessary tool to shout commands over the noise and disorder of a fire scene. The trumpets became well known as a symbol of authority, and continue to serve as rank insignia in fire departments. The fire hydrant, which is the symbol of the Fire Association of Philadelphia, suggests that the hat may have belonged to a member of the Harmony Engine Company No. 6. Founded in 1784, it operated as a hand engine company until 1855, when it refused to join the newly organized Philadelphia Fire Department, which, although volunteer, was under the administrative and financial control of the city. In 1867 the Franklin Hose Company No. 28 purchased its charter and operated as the Harmony Steam Fire Engine Company No. 6 until 1871 when Philadelphia’s paid firefighting department was established.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat was used by a member of the Neptune Hose Company of Philadelphia, Pennsylvania during the first half of the 19th century. The hat is painted brown overall, with painted golden text on the front that reads “NEUPTUNE/HOSE.” The back of the hat has the date “1805” painted in gold, and the owner’s initials “J.R.F.” in gold on the crown of the hat. The Neptune Hose Company was founded on August 6th, 1805 in Philadelphia, Pennsylvania.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat was used by a member of the Schuylkill Hose Company of Philadelphia, Pennsylvania, organized in 1833 and operated until 1871 when Philadelphia’s paid firefighting department was established. The hat is painted blue overall, and the front of the hat has two red banners above and below a yellow circle with the text painted in gold on them that reads “SCHUYLKILL / HOSE / COMPANY”. The back of the hat has the number “24” painted in gold framed in a cartouche. The crown of the hat has the company’s initials “S.H.C.” painted in gold.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
Fire companies could not choose a better figure to represent their patriotism and self-sacrifice than George Washington. He was the most well-known figure of the Early Republic and was associated with all the positive qualities of the young country. Since so many companies chose to honor Washington in their imagery, it is difficult to know which company produced this fire hat. It is a particularly elaborate hat with Washington's image, with flags and banners flanking the portrait, and a drum and cannon included at the base. The back of the hat features a painted image of wooden fire hydrant in gold flanked by the initials “FA". This was the logo of the Fire Association of Philadelphia, founded by a group of eleven volunteer engine companies and five volunteer hose companies in 1817. Washington Fire Company No. 1 of the Frankford section of Philadelphia was a member of the Fire Association, so it is possible the hat belonged to one of the members of that company.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat belonged to a member of the Diligent Hose Company No. 13 of Philadelphia, Pennsylvania. Founded in 1820, the hose company operated until 1871 when Philadelphia’s paid firefighting department was established. The Diligent Hose Company chose a beehive as their primary icon. It has been a symbol of industry, hard work, and cooperation used by many different groups. The beehive, along with their name of Diligent, implies that the members persistently worked together to serve the community in their role as firemen. Although the beehive and five-pointed star are also Masonic symbols, that does not necessarily link company members to the society. Many Masonic emblems were well known and used by other organizations in the Early Republic.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat was used in the eastern United States during the first half of the 19th century. The hat is painted black overall, with a painting on its front featuring a female figure clothed in a white robe with an anchor at her side, and stormy sea behind her. The painting is encircled in a red border with gold trim that reads “HOPE FIRE COMPY” in gold lettering. The back of the hat features the company’s initials “H.F.C.” in large golden letters, with a diamond shape above and below. The owner’s initials “J.J.S.” are on the crown of the hat. The female figure with anchor is a classical allegorical representation of Hope.
In the nineteenth century, volunteer fire companies often commissioned paintings to decorate their hand-pumped fire engines for parades, competitions, and community events. Sometimes framed with elaborate carvings, they adorned the tall air chamber located at the middle or rear of a pumper. The paintings would often feature patriotic, heroic, or allegorical images to associate the volunteer companies with these lofty ideals.
This Angel Holding Trumpet panel painting was made by an unknown artist in the late 19th century. The character could possibly be a personification of Fame, celebrating the triumphing of the fire company.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This hat is painted orange/red overall, with a central portrait of Thomas Jefferson set inside a golden circular frame. The portrait is flanked by two dark blue banners that read “INDEPENDENCE / FIRE COMPANY” in gold paint. The date “1847” is painted in gold on the back of the hat between two gold lines. The owner’s initials “C.S.” are painted in gold on the crown of the hat. This hat was likely used by a member of the Independence Fire Company, located in the Callowhill area of Philadelphia, Pennsylvania. The Independence Fire Engine Company No. 39 was founded in 1847 as a hand engine company. It acquired a steam fire engine in 1863 and operated as a steam fire engine company until 1871 when Philadelphia’s paid firefighting department was established.
In the nineteenth century, volunteer fire companies often commissioned paintings to decorate their hand-pumped fire engines for parades, competitions, and community events. Sometimes framed with elaborate carvings, they adorned the tall air chamber located at the middle or rear of a pumper. The paintings would often feature patriotic, heroic, or allegorical images to associate the volunteer companies with these lofty ideals.
The Weccacoe Fire Engine Company No.19 of Philadelphia, Pennsylvania commissioned this panel from John Woodside around 1840. The Weccacoe Fire Company was organized in 1800 as a hand engine company. It acquired a steam fire engine in 1859, which was replaced in 1864. It operated as a steam fire engine company until 1871 when Philadelphia’s paid firefighting department was established. This painting of the “Mermaid and Her Lover,” is likely a representation of the tale of Clytia the water nymph and her love for the god Apollo. Fire companies used neoclassical imagery to link their companies to the ancient ideals that the paintings depicted, in this case eternal love and loyalty. The use of neoclassical images also allowed artists to paint an idealized nude female form that would make their beloved engine especially eye-catching during parades.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This pressed felt fire hat was used in Philadelphia, Pennsylvania during the first half of the 19th century. The hat is painted brown overall, with the text “INDEPENDENCE / FIRE / COMPANY” painted in gold on the front of the hat. The back of the hat has the date “1847” painted in gold between two styled lines. The initials “W.B.” are painted in gold between two styled lines on the crown of the hat. The Independence Fire Engine Company No. 39 was founded in 1847 as a hand engine company. It acquired a steam fire engine in 1863 and operated as a steam fire engine company until 1871 when Philadelphia’s paid firefighting department was established.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat was used in Philadelphia, Pennsylvania during the first half of the 19th century. The hat is painted black overall, with a circular portrait at the front of General Zachary Taylor, a hero of the Mexican-American War and later the twelfth President of the United States. The portrait is framed by a red banner with gold trim that reads “TAYLOR/HOSE Co.” in gold paint. The back of the hat has the company’s initials “T.H” painted in gold. The crown of the hat has the painted image of an eight-pointed star with a bell in the center. This design depicts the bell code for fires in Philadelphia. A central bell was rung in different sequences to indicate the direction of the fire—one ring for north, two for south, three for east, four for west, etc. The General Taylor Hose Company No. 35 of Philadelphia, also known as Taylor Hose Company, was founded on May 1, 1847, the year before Taylor was elected in 1848. In 1864 the name was changed to the General Taylor Steam Forcing Hose Company and operated until 1871 when Philadelphia’s paid firefighting department was established.