Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat was used in the eastern United States during the middle of the 19th century. The hat is painted black overall, with the front displaying an oval-framed portrait of a American Indian woman crossing a raging stream underneath a red banner that reads "TORRENT." The back of the hat has the number “2” in white framed by the outline of a white shield. The name of the company refers to a violent rush of water such as firefighters might direct onto a blaze. The Indian maiden pictured on the rocks may be a patriotic symbol. Feminine figures as symbolic icons were a common European trope, and before Lady Liberty became an American symbol the continent was often portrayed as a native princess. While water-related monikers like Torrent were common among volunteer companies, this hat likely belongs to Torrent No. 2 of Rochester, New York.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This hat dates to the first half of the 19th century. The hat is painted black overall, with the text “NORTHERN/No. 1/LIBERTY” painted in gold on the front of the hat. The crown of the hat bears the date “1756” in gold paint. The back of the hat features a faded image of fire hydrant in gold flanked by the initials “FA". This was the logo of the Fire Association of Philadelphia, an insurance company founded by a group of eleven volunteer engine companies and five volunteer hose companies in 1817. The Northern Liberty Fire Company was founded on May 1st 1756, in the Northern Liberties area of Philadelphia, Pennsylvania, a separate municipality until 1854.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat was used in Philadelphia, Pennsylvania during the first half of the 19th century. The hat is painted red overall with the text “HAND IN HAND” painted in gold, arching over an image of two hands clasped with a golden sunburst in the background. The back of the hat has the date “1741” painted in gold with a gold line on top and bottom. The crown of the hat has the text “Instituted / March 1st 1741” in gold arching above and below the owner’s initials “J.H.L” in the center. The “hand in hand” name and clasped hand symbol were popular among volunteer fire fighting companies and fire insurance companies during this period. It symbolized the mutual assistance needed to combat fires and the fraternal ties of fire companies prevalent in early American communities. This Hand in Hand Fire Company was founded March 1, 1741 in Philadelphia, Pennsylvania and located in the Dockward at the Fish Market and Drawbridge. Due to lack of interest the company was no longer in service by about 1816. The company was reformed in 1823 and operated as a hand engine company until 1863, when it acquired a steam fire engine. The Hand In Hand operated as a steam fire engine until 1871 when Philadelphia’s paid firefighting department was established.
This fire hat dates to the middle of the 19th century. The hat is painted red overall, with the front of the hat bearing the text “WESTERN / 1840” in gold. The back of the hat has the large initials “WEC” painted in gold. The owner’s initials “D.S.” are painted in gold on the crown of the hat. The Western Fire Engine Company No. 37 was founded on April 7th, 1840 in Philadelphia, Pennsylvania on the corner of 8th Street and Callowhill Street. The Western operated as a hand engine company and acquired a steam fire engine in 1865. It served as a steam fire engine company until 1871 when Philadelphia’s paid firefighting department was established.
In the nineteenth century, volunteer fire companies often commissioned paintings to decorate their hand-pumped fire engines for parades, competitions, and community events. Sometimes framed with elaborate carvings, they adorned the tall air chamber located at the middle or rear of a pumper. The paintings would often feature patriotic, heroic, or allegorical images to associate the volunteer companies with these lofty ideals.
This fire engine panel came from the Franklin Engine Company No. 12 of Philadelphia, Pennsylvania that was active as a hand engine company from 1792 until 1863 when it acquired a steam fire engine. It operated as a steam fire engine company until 1871 when Philadelphia’s paid firefighting department was established. The painting “Franklin with Loaf of Bread” is attributed to David Rent Etter and dates to around 1830. The painting depicts the young Benjamin Franklin’s arrival in Philadelphia in 1723. As recounted in his autobiography, he mistakenly bought more bread than he could eat and gave the extra loaves to a poor woman and child. Benjamin Franklin was well known for organizing the first volunteer fire company in Philadelphia, and his image and his name were popular among the city’s fire companies. By invoking Franklin, volunteer firemen linked themselves to the progenitor of their trade, as well as someone who played a key role in the Revolution and securing America’s freedom. This painting and its companion piece (object 2005.0233.0307) would have adorned either side of the company’s engine.
In the nineteenth century, volunteer fire companies often commissioned paintings to decorate their hand-pumped fire engines for parades, competitions, and community events. Sometimes framed with elaborate carvings, they adorned the tall air chamber located at the middle or rear of a pumper. The paintings would often feature patriotic, heroic, or allegorical images to associate the volunteer companies with these lofty ideals.
This fire engine panel came from the Franklin Engine Company No. 12 of Philadelphia, Pennsylvania that was active as a hand engine company from 1792 until 1863 when it acquired a steam fire engine. It operated as a steam fire engine company until 1871 when Philadelphia’s paid firefighting department was established. The painting “Franklin at Desk” is attributed to David Rent Etter and dates to around 1830. The painting depicts Benjamin Franklin’s dictating his memoirs to his grandson. Benjamin Franklin was well known for organizing the first volunteer fire company in Philadelphia, and his image and his name were popular among the city’s fire companies. By invoking Franklin, volunteer firemen linked themselves to the progenitor of their trade, as well as someone who played a key role in the American Revolution. This painting and its companion piece (object 2005.0233.0018) would have adorned either side of the company’s engine.
In the nineteenth century, volunteer fire companies often commissioned paintings to decorate their hand-pumped fire engines for parades, competitions, and community events. Sometimes framed with elaborate carvings, they adorned the tall air chamber located at the middle or rear of a pumper. The paintings would often feature patriotic, heroic, or allegorical images to associate the volunteer companies with these lofty ideals.
The knight pictured is Saint Florian, who is associated with protection from the destructive forces of fire and water. Florian was a Roman guard under Emperor Diocletian who converted to Christianity. He was drowned when he refused to follow the order to persecute fellow Christians. The painting depicts Florian in his Roman garb putting out a fire with a single bucket of water, a common motif in depictions of the saint.
In the nineteenth century, volunteer fire companies often commissioned paintings to decorate their hand-pumped fire engines for parades, competitions, and community events. Sometimes framed with elaborate carvings, they adorned the tall air chamber located at the middle or rear of a pumper. The paintings would often feature patriotic, heroic, or allegorical images to associate the volunteer companies with these lofty ideals.
This fire engine panel painting came from the Americus Fire Engine Company No. 6 of New York, New York. The volunteer company was active from December 11, 1848 until September 18, 1865. John Archibald Woodside Sr. painted the Translation of Psyche around 1849. The painting depicts the mortal Psyche ascending to her new residence on Mount Olympus to become one of the gods. Such neoclassical themes on panel paintings linked the new nation to the ancient ideals of liberty, democracy and prosperity. The use of neoclassical images also allowed artists to paint an ideal nude female form that would make their beloved engine especially eye-catching during parades. This painting and its companion (2005.0233.0304) adorned the company’s 1842 John Agnew hand-pumped engine.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This hat was used in Philadelphia, Pennsylvania during the first half of the 19th century. The hat is painted black overall, with a central painting of the coat of arms of Pennsylvania. Within the central shield are images of a ship, plow, and three sheaves of wheat, representing commerce, labor, and the importance of agriculture respectively. The shield is flanked by two rearing white horses. A spread-wing eagle stands on top of the shield and beneath the shield is a red banner with gold trim bearing the text “VIRTUE LIBERTY INDEPENDENCE” in gold. The back of the hat has the text “PENNSYLVANIA” arching over the owner’s initials “J.B.” in gold paint. The Pennsylvania Fire Company was established in Philadelphia in 1806 and in 1839 withdrew from active service in protest of the rioting amongst the fire companies.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat dates to the first half of the 19th century. The hat is painted red overall, and the front of the hat has a black circle with the date “1773” painted in gold in a black cartouche on a golden cloud, framed by a scrolling banner that reads “RAINBOW FIRE COMPANY”. The back of the hat has a golden number “1” framed in a gold octagon with black shadowing. The Rainbow Fire Company was founded March 17, 1773 in Reading, Pennsylvania and is one of the oldest volunteer companies still in existence.
In the nineteenth century, volunteer fire companies often commissioned paintings to decorate their hand-pumped fire engines for parades, competitions, and community events. Sometimes framed with elaborate carvings, they adorned the tall air chamber located at the middle or rear of a pumper. The paintings would often feature patriotic, heroic, or allegorical images to associate the volunteer companies with these lofty ideals.
This small fire engine panel painting is attributed to the Weccacoe Hose Company of Philadelphia, Pennsylvania. It was formed in 1842 by members of the Weccacoe Fire Company who would not take a temperance pledge. It operated until 1854, when it was disbanded for rioting. In 1856, the City Council refused to admit the company to the newly organized Philadelphia Fire Department, which, although volunteer, was under the administrative and financial control of the city. The small round panel has a painted inscription on the reverse that notes that the company was “disbanded by order of the court for rioting” around 1854. The image may be that of the Wampanoag sachem, Metacomet, who led his people against the English settlers of southern New England in King Phillip’s War (1675-76). The painting is similar to a well-known image of Metacomet engraved by Paul Revere in the 1770s. The Indian leader was the protagonist in a popular 19th century stage play “The Last of the Wampanoags,” portrayed by Philadelphia’s Edwin Forrest, one of America’s most famous actors.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat dates to the first half of the 19th century. The hat is painted red overall, with a painted image of two clasped hands with a sunburst in the background. The text “HAND IN HAND” is painted in gold above. The date “1741” is painted in gold on the back of the hat in between two golden lines. The owner’s initials “A.B.” are painted in gold on the crown of the hat. The Hand-in-Hand Fire Company was founded on March 1, 1741 in Philadelphia, Pennsylvania, and adopted the clasped hand symbol as a representation of the mutual nature of volunteer firefighting in early America. Due to lack of interest the company was no longer in service by about 1816. It was reformed in 1823 and operated as a hand engine company until 1863, when it acquired a steam fire engine. The Hand In Hand operated as a steam fire engine until 1871 when Philadelphia’s paid firefighting department was established.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat dates to the first half of the 19th century. The hat is painted red overall, and the two black banners have the gold text “WESTERN / COMPANY” surrounded by a fancy script that reads “HOSE.” The back of the hat has the date “1836” in gold script with a golden sunburst above and below the date. The owner’s initials “M.W.” are painted in a gold script on the crown of the hat. The Western Hose Company was established on February 11th, 1836 in Philadelphia, Pennsylvania, located on the south side of Filbert Street west of 10th street. It operated as a hose company until 1863, when it acquired a steam fire engine. In 1867, the City Council dispensed with their services and they sold their house and steam fire engine to the Fame Hose Company No. 12.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat was used in Philadelphia, Pennsylvania during the early 19th century. The hat is painted yellow overall, and features a painted image of a Philadelphia-style hand-pumped fire engine with a sunburst in the background. Diligent’s pumper was built by Patrick Lyon in 1822 and was known as one of the most powerful pumpers in the United States. Over the pumper is a red banner where the text “DILIGENT” has been painted over by the word “VETERAN.” From the mid-19th century, former volunteer firefighters formed veterans associations and often redecorated uniforms, equipment and even fire engines to reflect their new status. The back of the hat has the letter “D” in gold, with the owner’s initials “A.J.B.” in gold on the crown of the hat. The Diligent Fire Engine Company No. 10 of Philadelphia, Pennsylvania was founded on July 4th, 1791 located on the south side of Market Street near Eighth. It acquired a steam fire engine in 1861 and operated as a steam fire engine company until 1871 when Philadelphia’s paid firefighting department was established.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat dates to the first half of the 19th century. The hat is painted red overall, with a portrait of William Penn in a wooded setting, a body of water behind him, set inside a golden oval. The portrait is flanked by blue banners with gold text that reads “WILm PENN / HOSE COMP.” The back of the hat has an image of a wooden fire hydrant with protruding hose painted in gold, flanked by the letters “FA.” This was the logo of the Fire Association of Philadelphia, an insurance company founded by a group of eleven volunteer engine companies and five volunteer hose companies in 1817. The William Penn Hose Company No. 18 was founded on February 3rd, 1830 in Philadelphia, Pennsylvania, adopting the name of the state’s proprietor. It operated as a hose company until 1864, when it acquired a steam fire engine. William Penn served as a hose and steam fire engine company until 1871 when Philadelphia’s paid firefighting department was established.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat was used in Norristown, Pennsylvania during the first half of the 19th century. The hat is painted brown overall, with golden triangles coming down from the top. The front of the hat reads “NORRISTOWN HOSE” in gold paint. The back of the hat has the date “1847” painted in gold, and the owner’s initials “J.B.T.” in gold script on the crown of the hat. The Norristown Hose Company was organized in 1847 in Norristown, Pennsylvania and operated until 1871 when Philadelphia’s paid firefighting department was established.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat dates to the first half of the 19th century. The hat is painted brown overall, with the image of a rising sun and the word “HOWARD” painted in gold arching over the sunburst on the front of the hat. The back of the hat has the number “15” in large gold numbers with the motto “WE CONQUER TO SAVE” in gold arching above the number. A Howard Fire Company No. 15 operated in Baltimore, Maryland from 1830 until 1858 when the municipal department took over and the Number 1 Engine Company occupied the company’s fire house located on North Paca Street.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat was used in Harrisburg, Pennsylvania during the first half of the 19th century. The front of the hat bears an image of a spread-winged eagle grasping an anchor in its talons below a red banner that reads “HOPE FIRE COMP” in yellow. The back of the hat bears a large number “2.” The crown of the hat has an image of a beehive surrounded by the text “HIVERS/E.S.” The nickname “Hivers” likely reflected a common theme among volunteer fire companies – hard communal labor in support of the public good. The front of the hat displays the patriotic imagery of the bald eagle, as well as the anchor representing hope. The Hope Fire Company No. 2 operated in Harrisburg, Pennsylvania from 1814 until 1868.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This hat dates to the first half of the 19th century from Allegheny, Pennsylvania. The hat has been painted red, and bears the text “ALLEGHENY” in gold above a United States shield. The date “1802” is painted in gold on the back of the hat, and the crown of the hat has a star shaped designed with the letter “A” in the center. The Allegheny Fire Company of Allegheny, Pennsylvania was founded in 1802 and operated until 1870, when it was absorbed by the municipal fire department.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This hat is painted orange/red overall, with a central portrait of Thomas Jefferson set inside a golden circular frame. The portrait is flanked by two dark blue banners that read “INDEPENDENCE/FIRE COMPANY” in gold paint. The date “1847” is painted in gold on the back of the hat between two gold lines. The owner’s initials “W.A.Mc.A.” are painted in gold on the crown of the hat. This hat was likely used by a member of the Independence Fire Engine Company, located in the Callowhill area of Philadelphia, Pennsylvania. The Independence Fire Engine Company No. 39 was founded in 1847 as a hand engine company. It acquired a steam fire engine in 1863 and operated as a steam fire engine company until 1871 when Philadelphia’s paid firefighting department was established.