Pencil and ink wash sketch on white paper. In the background is a large building, in front of which are troops engaging in training. In the left foreground are a group of American soldiers, all wearing the Montana-peak style hat. Next to them is a tripod of some sort. Catalog card indicates that the sketch is of a training school for American artillery officers at Saumur on the Loire.
Ink wash on paper. The work depicts American barracks on the Verdun front in France near the end of World War I. The roofs of the barracks and adjacent dugouts are protected by sand bags.
Ink wash sketch on paper. Interior scene of a building with exposed rafters; barrels grouped and stacked in various places. Women working on the left. A soldier stands among some barrels on the right. The catalog card reads "Sketch showing the paint shop in the central American camouflage depot at Dijon."
Charcoal, crayon, ink wash, and gouache on beige card. The work depicts American infantry soldiers entering the town of Nesle, France. The men march with their gear, while a soldier in the foreground looks on, with his back to the viewer. The town's buildings are damaged from shelling. There is rubble in the street.
Charcoal sketch on paper. The work depicts German dugouts near Cheppy, France during World War I. A wooden beam structure frames the foreground. Through the beams is an elaborately constructed trench with brick or stone wall and a series of doors.
Charcoal and gouache drawing on card taped to a white matte. The work depicts an American sniper lying prone on the ground with his Springfield rifle aimed to the right of the picture. A portion of a stone structure, likely a chimney, is behind him. The red tiles in the drawing indicate that he is on the roof of a building.
Charcoal sketch on paper. A large cross is surrounded by several smaller crosses, some bearing wreaths or ribbons, in the foreground. A group of soldiers is resting among the crosses. Some men appear to be eating. A group of soldiers, on foot and on horseback, ascend a small hill in the background. At the end of this procession is a large piece of artillery. On the right of the sketch is a crater; some soldiers are walking up and out of the depression while others are at work inside the crater.
Charcoal, crayon, watercolor, and gouache on heavy white card. The work depicts several buildings on a street in a village near Neufchâteau, France. The buildings are intact and not shell-torn. The painting shows the view down a road which leads through village.
A charcoal sketch, with some pencil and watercolor, on paper. The work depicts an air base near Toul, France during World War I. A group of airplanes and a few men are outside of a complex of airplane hangars.
Pencil and watercolor sketch on paper. The work depicts several buildings in a village in no man's land, near Apremont, France during World War I. Five men are standing in the shadow of one of the shell-torn structures, and another man is walking in front of a building in the background. Several rows of barbed wired fences border the town.
A charcoal and watercolor sketch on paper of a encampment at Rebeuville, France during September of 1918. Some soldiers of the forty-second division of the American Expeditionary Force are pictured here. This division participated in the St. Mihiel offensive, one the final battles of World War I.
A charcoal, watercolor, and pastel sketch on paper. In the drawing, six soldiers are standing in front of several timber frame buildings in a village near Montabaur, Germany. Debris is scattered around the outside of the buildings.
Ink wash, black crayon, and graphite sketch of a road leading through what remains of a village. An ambulance stands before a shell-torn building; several wagons and soldiers are standing in the road. Part of a wall stands on the right. Airplanes in sky. Sketch is on beige wove paper mounted on tan card that has decorative ruled lines. Below the sketch is a printed label, attached to the tan mount, that reads: "THE LAST REMAINS OF MONTFAUCON/FIRST-AID DRESSING STATION/BY W. J. DUNCAN/TRANSFERRED FROM THE WAR DEPARTMENT/2860."
Pencil and watercolor sketch on paper. The work depicts the city of Chaumont, France, the site of the American Expeditionary Force headquarters during World War I. A stream and an open field dotted with trees in the foreground leads to a bluff, topped with buildings, in the background.
Charcoal sketch on paper. The sketch is a winter scene of a bridge over a river. Buildings and bare trees on teh far end of bridge (on the right side of the sketch). A label below the sketch on the cardboard mount reads: "BOUNDARY BRIDGE OVER THE SURE/ECHTERNACH/BY E. PEIXOTTO/TRANSFERRED FROM THE WAR DEPARTMENT/2970."
Crayon and gouache on card. The work depicts a view of the river at Neufchâteau, France. Two soldiers are along the bank of the river. One man is sitting down and fishing; the other holds an umbrella over the sitting man's head. A large church, several houses, and outhouses are visible in the background.
Charcoal and graphite sketch on paper. The sketch shows three sides of the main square of Montabaur, a town in Germany that is about 20 kilometers northeast of Koblenz. The drawing is framed on the left by the large Neo-Gothic Town Hall and several timber-frame buildings. People are walking along the square, and in and out of the gothic arches of the Town Hall. There are two automobiles in the square (the catalog card indicates that they are Army trucks). In the background, is the Schloss Montabaur, or castle of Montabaur.
A pencil sketch with touches of watercolor. Two soldiers carrying rifles appear on a road in the town of Beaumont, France during World War I. The large building on the right is badly damaged from the fighting.