A charcoal and pastel sketch on paper of the Fourth Corps Headquarter sat Hesperange, Luxembourg during World War I. The scene is of a wide road leading through a village. Buildings on the left fly French and American flags.
Ink wash sketch. The scene depicts the village of Chateau Thierry as seen from the Old Chateau. A label affixed to the bottom of the drawing reads: "CHATEAU THIERRY/From the terrace of the Old Chateau, July 21, 1918/BY E. PEIXOTTO/TRANSFERRED FROM THE WAR DEPARTMENT/2977."
Pencil and watercolor color sketch on paper. The work depicts the French village of Ménil-la-Tour during World War I. Soldiers, trucks, and horses populate the scene; a church steeple rises in the background.
Charcoal and ink wash sketch on paper. Troops and army trucks pass over a small bridge. A sign posted on the bridge reads "Langsam Fahren" or "Drive Slowly". A large building sits atop a hill in the background of the scene. Buildings line the road on the right side of the sketch.
Charcoal sketch on paper. The work depicts a damaged house on the corner of a street in Badonviller, France during World War I. The roof and one wall of the house are shell-torn, with structural elements, rafters, and the chimney visible from the street. Pairs of soldiers are walking past and gathered around the house.
Charcoal and pastel (or possibly color crayon) sketch on white paper. Three wounded American soldiers (in black and white) walking in front of a shell-torn church. The soldier to the left is carrying one end of a stretcher that is mostly out of the picture. To the right is a French soldier, with his back to the viewer, in the small church graveyard. Smoke rises from the ruins of the church.
Graphite, charcoal, crayon, and white gouache drawing on heavy textured cream wove paper. A group of German prisoners of war, French troops, and American troops carrying their rifles with bayonets fixed en route to Mont St. Père. A wagon, men on horses, and a truck occupy the middle ground of the drawing. Buildings are visible in the distant background.
Charcoal and pencil sketch on paper. The work depicts men working on airplane engines in a structure near Issoudun, France during World War I. In the foreground, on either side of the drawing, a solider stands at a test block for airplane equipment. The men appear to be in a hangar or other type of warehouse. The structure is open air, and through the support posts an airfield with Allied planes and troops can be seen.
Pencil sketch on paper. This landscape depicts a shell-torn area with damaged buildings and a large shell hole in the foreground. The crater is partially filled with water. Two soldiers stand on the far edge of the crater, looking down at the water.
Charcoal, sanguine, and crayon drawing on heavy textured cream wove paper. The work depicts the town of Mont St. Père and the valley of the Marne from an aerial perspective. Mont St. Père is a shell-torn town clogged with troops, horses, and equipment passing through. A British airplane and an observation balloon are in the sky.
Pencil and watercolor sketch on beige paper. The work depicts a view toward the east from a terrace in Boucq, France. The terrace is set high above a valley or flat plain with small towns depicted in the distance. There are three planes and an American observation balloon in the sky.
Charcoal sketch of a tree-lined road. Troops, camp wagons, motorcycles, and men on horses marching In both directions on the road. Drawn on white card.
Mixed media sketch on paper. The sketch shows two American soldiers sitting in the open air in what was the interior of a church in France during World War I. The only surviving part of the church that is visible is the front wall. There are large piles of debris throughout the sketch, and one of the soldiers is sitting on a pile of rubble.
Charcoal, sanguine, graphite, and crayon sketches on thick textured cream wove paper. The paper is oriented vertically and divided into three scenes - one on the bottom that occupies the width of the paper, and two, situated side by side, on top of the bottom one. The top left scene is a view of a shell-torn church and a soldier through an open doorway. The inscription at the top left of this scene reads "CHURCH AT NESLES." The top right sketch shows a stairway leading to the entry of a building. Soldiers are sitting on the stairway; a gate is at the right. The inscription at the top right of this sketch reads "4th Inf. 3 Div. TROOPS BILLETED p.t. HEURETE bise FARM July 1...[cut off]." The bottom sketch shows a man walking away from a shell torn building.
Ink wash sketch on paper. In this village scene, troops and vehicles move about a road running through town. The village church's spire rises above the other buildings of the town. At the bottom left of the sketch is attached a slip of paper that reads: " NEUF MAISONS 14387/Neuf Maisons -- a typical village of the Lorraine front/in which the American Troops are billeted./Peixotto." This paper is glued over a hand-written inscription.
Pencil and watercolor on paper. The work depicts a street corner at Badonviller, France during World War I. A large pile of bundled supplies sits in front of a building with a sign reading "Cafe Des Halles."
Pencil and crayon drawing on paper. The work depicts the interior of an airplane repair shop at Issoudun, France during World War I. Men are working on disassembled airplanes. A piece of an engine or airplane body is suspended in the ceiling above the overhead beams.