A pencil and watercolor sketch on paper of a gateway into Verdun, France. The Meuse river flows in the foreground. A bridge over the river leads to a tall fortification gate with a French flag flying. Behind the gate is the town of Verdun; a church steeple rises over the other buildings of the town.
Charcoal sketch on white paper. The work depicts several damaged buildings in a village near Toul, France after a shell attack. A road winds through the sketch between the buildings and a church on the left. Three soldiers are shown walking along the road. A label attached to the cardboard under the sketch reads: "EFFECTS OF SHELL EXPLOSION IN TOWN/ON NORTH TOUL SECTOR/BY E. PEIXOTTO/TRANSFERRED FROM THE WAR DEPARTMENT/2982"
Mixed media on paper. The work depicts a morning mess for a group of American soldiers. Two soldiers are carrying rifles in the foreground. In the background, soldiers are gathered around a moveable stove. Some soldiers are eating or carrying food.
Pencil and ink wash sketch. The scene is of a group of American soldiers marching in formation in an urban square. One of the soldiers in the march is carrying an American flag. An airplane flies over the city. Washington statue on left. The sketch is on a piece of heavy card stock that is affixed to a piece of cardboard. Underneath the sketch, also attached to the cardboard, is a printed label that reads :"AMERICAN TROOPS DESCENDING AVENUE/PRESIDENT WILSON/Paris, July 4, 1918/BY E. PEIXOTTO/TRANSFERRED FROM THE WAR DEPARTMENT/2963."
Graphite, brush and ink wash, and black crayon sketch. Village scene of a road and a large building. Three men walk down the road followed by a third carrying a rifle. Tall smokestack, emitting smoke, in background. Two women in the far left of the drawing. The sketch is done on off-white wove paper that is mounted on off-white card. There is a label that is affixed to the bottom edge of the sketch and also the card mount. It is glued over another typed label.
Mixed media sketch on paper. This drawing shows a dressing station for the wounded that is close to the fighting of World War I. Two soldiers are in the doorway of a dugout whose entrance is littered with stretchers and other equipment. In the background, above the dugout, are two more soldiers and an ambulance. An inscription on the drawing indicates that this dressing station was operated by the Red Cross and was constantly under shell fire.
Charcoal sketch on illustration board. In this outdoor scene, groups of men stand or sit around several stretchers. The stretcher in the center of the drawing is occupied by a man being attended to by three soldiers.
Pencil sketch on paper. The sketch shows a riverbank, with the river on the left and the village on the right, in the town of Coblenz (now known as Koblenz), Germany shortly after the Armistice of the First World War.
Charcoal, color crayon, and possibly ink wash sketch on board. Scene of a large square filled with civilians. Several soldiers can be seen among the crowd on horseback or, on the left, on a wheeled vehicle. The civilians are carrying umbrellas in the rain. The square is lined with buildings.
Charcoal and crayon drawing on textured cream wove paper. The paper is mounted on heavy brown cardboard. Troops on foot and mounted on horses in foreground. A line of heavy artillery and soldiers dominate the center of the drawing. Smoke plumes trail out of the artillery guns; the background is misty with smoke.
Charcoal and ink wash sketch on blue-gray paper. Interior scene. American soldiers billeted in the a room of an old Benedictine Monastery in the Toul Sector. Soldiers engaged in a game of cards. The sketch is matted on heavy white card stock.
Color crayon and charcoal sketch on paper. A line of American soldiers and horses pulling artillery pass through a shell-torn town. The background is comprised of badly damaged buildings. In the foreground are parts of broken equipment and vehicles.
A pencil and watercolor sketch on paper of an airfield at Issoudun, France. On the right is a line of grounded airplanes; many airplanes are also flying above the field. On the left is a row of hangars. This field is part of the Third Aviation Instruction Center, the U.S. Air Service's largest training base in Europe during World War I.
Charcoal sketch with ink wash. The work depicts General Pershing greeting crowds of people in a square in Saint-Mihiel, France. Behind the general is a line of French soldiers, both mounted and on foot, in formation.
Charcoal sketch, with touches of watercolor, on paper. This landscape shows a flat expanse with a river in the background. At the left are men working, a locomotive, and a structure with a smokestack and another tall projectile. On the opposite side of the river, across the bridge, these same structures are repeated. In the foreground are several large, uncut lumber logs with men in between them. The catalog card for this drawing indicates that the men are troops engaged in erecting buildings.
Pencil and watercolor sketch on beige paper mounted on brown card. The work depicts shell-torn buildings at Brieulles-sur-Meuse in the Argonne sector of France during World War I. The building in the right foreground is severely damaged at one end, with roof beams and interior rooms visible through the debris. Two soldiers are standing next to the damaged area. The building in the background has less extensive damage, but makeshift stairs have been built to enter the building at its first and second floors.
Charcoal sketch on paper. The sketch shows an American soldier cooking on a moveable range in the archway of a building. Another soldier stands in the shadows of the archway.
Mixed media sketch on paper. Soldiers, horses, and wagons gathered in a courtyard in the town of Echternach, Luxembourg. Many of the soldiers are under a temporary structure on the left.
Black and white sketch. A soldier stands at the top of a set of stairs in a shell-torn building. The sketch is done on heavy white card; this is affixed to a larger piece of white cardboard.
Graphite, black crayon, and sanguine crayon sketch highlighted with turquoise gouache (or conte crayon). The scene is of a road lined with houses. A dead horse in the road is surrounded by descending crows. The half-timber houses are in ruins. Turquoise clouds in the background. The sketch is done on brown wove paper and then mounted on tan card. An inscription on the lower edge of the mount reads: "Front held by the 88th Division, October, 1918./Balschwiller, Alsace."