Pencil and ink wash sketch on white paper. In the background is a large building, in front of which are troops engaging in training. In the left foreground are a group of American soldiers, all wearing the Montana-peak style hat. Next to them is a tripod of some sort. Catalog card indicates that the sketch is of a training school for American artillery officers at Saumur on the Loire.
Ink wash on paper. The work depicts American barracks on the Verdun front in France near the end of World War I. The roofs of the barracks and adjacent dugouts are protected by sand bags.
Charcoal sketch on white paper of an infantryman with the American Expeditionary Force. Depicted is an American infantry soldier, possibly a Sergeant, sitting on a hill smoking a cigarette with his hands folded in his lap. He is fully armed with his rifle and bayonet and is wearing a steel helmet and carrying his pack on his back. His face is seen in profile and his eyes are hidden by his helmet.
Charcoal sketch on white paper. Soldiers of an ammunition train have stopped for repairs at a roadside repair station located to the northwest of Château-Thierry. Depicted is a large motor supply truck which is being repaired by an American soldier in the foreground. A group of American soldiers work to repair objects on a makeshift workbench at left. Motor parts and other supply boxes surround them on the ground. Two ambulances with the Red Cross emblems are visible in the background.
Oil painting on canvas of two American soldiers carrying another soldier on a stretcher along a line of barbed wire. The stretcher bearers are in uniform and are wearing helmets with their gas mask bags hanging from their necks. The soldier in front is looking up into the distance as he walks, while the soldier in back is walking with his head bowed. The soldier on the stretcher is wrapped in a blanket and his face is white; he is either severely injured or dead. The sky is gray with faint light coming from the left. A line of fog is rolling in from the left, slightly obscuring the soldiers and the barbed wire. At the bottom of the painting among the grass are tiny red and blue flowers. Signed by the artist at bottom left, "Harvey Dunn, 1918"
Ink wash sketch on paper. Interior scene of a building with exposed rafters; barrels grouped and stacked in various places. Women working on the left. A soldier stands among some barrels on the right. The catalog card reads "Sketch showing the paint shop in the central American camouflage depot at Dijon."
Charcoal, crayon, ink wash, and gouache on beige card. The work depicts American infantry soldiers entering the town of Nesle, France. The men march with their gear, while a soldier in the foreground looks on, with his back to the viewer. The town's buildings are damaged from shelling. There is rubble in the street.
Charcoal and pastel drawing on paper of a scene in No Man's Land that is being lit by a flare burning overhead. Depicted at center are two soldiers carrying a body on a stretcher as they walk along a line of barbed wire. In the foreground at left another soldier is sitting on the ground by more barbed wire and what remains of a tree. On the right is a dead soldier lying next to his rifle, which is staked into the ground with a helmet hanging from the stalk, likely as a battlefield cross. There is another soldier in the background at right and a ruined village in the background at left. Rows of barbed wire are visible throughout. The sky is black with only the light from the flare illuminating the scene. Signed by the artist at bottom right, "Harvey Dunn, AEF, Sept. '18"
A charcoal and pastel drawing on paper of a group of German soldiers attempting to take cover from a hand grenade that has been thrown into the middle of their party. Depicted are five German soldiers wearing dark green uniforms, two with helmets and two with fatigue caps. Two soldiers at right are attempting to dive away from the grenade, while the three other soldiers recoil away from the grenade. The soldier at left is standing against the wall with his hands shielding his face. The grenade is likely an Mk.I Offensive Fragmentation grenade, an Mk.II Defensive Fragmentation grenade, or a French F1 Defensive grenade. It is in the center of the room emitting white smoke but has not yet detonated. The soldiers are in a stone room, possibly a bunker or an "Albri," with an arched doorway which the grenade was thrown through. Signed at bottom left by the artist, "Harvey Dunn, AEF"
Charcoal sketch on paper. The work depicts German dugouts near Cheppy, France during World War I. A wooden beam structure frames the foreground. Through the beams is an elaborately constructed trench with brick or stone wall and a series of doors.
Charcoal and gouache drawing on card taped to a white matte. The work depicts an American sniper lying prone on the ground with his Springfield rifle aimed to the right of the picture. A portion of a stone structure, likely a chimney, is behind him. The red tiles in the drawing indicate that he is on the roof of a building.
Charcoal sketch on paper. A large cross is surrounded by several smaller crosses, some bearing wreaths or ribbons, in the foreground. A group of soldiers is resting among the crosses. Some men appear to be eating. A group of soldiers, on foot and on horseback, ascend a small hill in the background. At the end of this procession is a large piece of artillery. On the right of the sketch is a crater; some soldiers are walking up and out of the depression while others are at work inside the crater.
Charcoal, crayon, watercolor, and gouache on heavy white card. The work depicts several buildings on a street in a village near Neufchâteau, France. The buildings are intact and not shell-torn. The painting shows the view down a road which leads through village.
A charcoal sketch, with some pencil and watercolor, on paper. The work depicts an air base near Toul, France during World War I. A group of airplanes and a few men are outside of a complex of airplane hangars.
Charcoal sketch on white paper of two American soldiers standing next to a 152 millimeter German field Howitzer. The gun appears to have been left by retreating Germans. The soldiers are in uniform and the soldier at front is standing with his hands on his hips. There is a group of horses and an American soldier behind them to the left, and a large nondescript Howitzer behind them on the right. There are open, rolling fields in the far distance.
Pencil and watercolor sketch on paper. The work depicts several buildings in a village in no man's land, near Apremont, France during World War I. Five men are standing in the shadow of one of the shell-torn structures, and another man is walking in front of a building in the background. Several rows of barbed wired fences border the town.
A charcoal and watercolor sketch on paper of a encampment at Rebeuville, France during September of 1918. Some soldiers of the forty-second division of the American Expeditionary Force are pictured here. This division participated in the St. Mihiel offensive, one the final battles of World War I.
A charcoal, watercolor, and pastel sketch on paper. In the drawing, six soldiers are standing in front of several timber frame buildings in a village near Montabaur, Germany. Debris is scattered around the outside of the buildings.
Ink wash, black crayon, and graphite sketch of a road leading through what remains of a village. An ambulance stands before a shell-torn building; several wagons and soldiers are standing in the road. Part of a wall stands on the right. Airplanes in sky. Sketch is on beige wove paper mounted on tan card that has decorative ruled lines. Below the sketch is a printed label, attached to the tan mount, that reads: "THE LAST REMAINS OF MONTFAUCON/FIRST-AID DRESSING STATION/BY W. J. DUNCAN/TRANSFERRED FROM THE WAR DEPARTMENT/2860."
Pencil and watercolor sketch on paper. The work depicts the city of Chaumont, France, the site of the American Expeditionary Force headquarters during World War I. A stream and an open field dotted with trees in the foreground leads to a bluff, topped with buildings, in the background.