Charcoal and ink wash sketch on white card stock. The center of the village of Varennes is destroyed. A soldier on a motorcycle and several vehicles pass along the main raid through the village.
Charcoal and ink wash on white board. The ruined village of Varennes, France is visible on the far side of a canal bordered by a wall. The buildings are shell-torn and debris spills out in to the road running beside the river.
A pencil, charcoal, and watercolor sketch on paper of a billet at Rangeval, France. The scene is of the top floor of a stable where the soldiers are quartered. Several soldiers are at the far end of the loft.
An original label for the sketch read, "This shows the hay loft of a huge stable. The men arrange their bunks in the straw and along the wall. The great shell hole in the roof (the result of former fighting) admits light and air and especially rain. But those men whose beds are exposed to the elements have stretched their ponchos tent-fashion and are enjoying a sort of inside-out existence."
Oil painting on canvas with a black frame of an American soldier looking out of a trench. The American soldier is wearing an olive drab uniform and a steel helmet with his gas mask hanging around his neck. He is standing with only his head and shoulders exposed. On the embankment in front of the soldier is an M1903 Springfield rifle with bayonet attached, a pair of binoculars, and six fragmentation grenades (Mk. I or II). There are patches of grass growing around the trench and the wooden supports of the trench wall can be seen behind the soldier. Barbed wire posts can be seen in the background at right, fading into the early morning light. Signed at bottom right by the artist, "Harvey Dunn 1918"
A charcoal sketch on paper. This landscape shows Grandpre, France. In the foreground is a battleground with dugouts, barbed wire entanglements, and a bare tree on the left. Beyond the battleground are shell torn buildings, including a large church in the center that has some roof damage. The church is most likely the Église Saint-Médard.
A charcoal, pencil, and watercolor color sketch on paper of a camouflaged road at the front lines. An American soldier is walking down a road that is bordered on each side by a barbed wire fence covered with branches and wood that continues into the background. The catalog card records the original label for this drawing: "This is the road from Baccarat to Pexonne via Vaqueville. It shows a screening of camouflage made from reeds and pine bows now turned brown with age. On the distant hills (a little to the left of the center of this picture) is located a German O.P. [Observation Post]. The road is quite frequently under shell-fire."
Lithographic crayon sketch. A large tree dominates this scene. Troops are advancing down a road from the left foreground to the right background. A shell-torn building is in the left background; wagon, men, and horses are in its yard. Ruined clock tower on far left. A soldier mounted on a horse is in roughly the center of the scene. Beige textured wove paper. On the bottom edge of the mount is an inscription that reads: "Troops leisurely advancing in St. Mihiel drive by/the ruins of Sichprey [sic], Sept. 13/18."
Charcoal sketch on paper. The work shows troops marching along the Moselle River during World War I. The soldiers are moving along a road which closely follows the course of the river. The drawing is framed on the left by a line of trees, and a steep hill rises from the river in the background.
Pencil sketch on paper. The sketch depicts part of an airfield in Issoudun, France. There are disassembled planes in the foreground and several more aircraft in a large hangar. Aviators and mechanics walk around the air field. The Third Aviation Instruction Center, the U.S. Air Service's largest training base in Europe during World War I, was located at Issoudun.
Ink wash sketch on paper. The drawing depicts a street in the shadow of the buildings on the left side of the street. Two American soldiers are in the drawing: one in the far left foreground, and one walking in the center of the street. Women in the street behind the soldier. A flag flies from one of the buildings in the background; it appears to be a French flag. The catalog card reads: "Town in German Alsace now in the American Zone and patrolled by American Military police. Massevaux in the Doller Valley."
Charcoal sketch on off-white paper. The work depicts the town of Boppard, Germany from across the Rhine river. Two steamships are shown on the river. A church is visible on the river bank in the left of the sketch.
Charcoal and ink wash drawing on white paper. The sketch is a view of a village on the Alzette River in Luxembourg during World War I. A church spire frames the right foreground of the drawing. There are two bridges spanning the river: a small one in the bottom foreground and a large one in the distance. A steep bluff abuts the town on the left, and hills are visible in the background.
Charcoal and watercolor sketch on paper. The sketch shows the Moselle river and a riverside village to its right in the distance. The village has a church and a few large buildings. There are people (possibly soldiers) along the river bank and on the road headed into the village. There are mountains on the left side of the river.
Mixed media sketch on paper. In the sketch, a column of troops advances down a road that runs from the left background to the right foreground. The landscape behind the troops shows the effects of the war. A piece of equipment appears to be stuck on the side of the road on the left side of the sketch.
Charcoal sketch on textured paper. A shell-torn building with two figures in an opening. A tent appears on the right side, partially obscured by a pillar of the building.
Mixed media drawing on paper. The focal point of this view of Chaumont, France is the castle of the Counts of Champagne, which looms over the town in the drawing. Chaumont was the location of the American Expeditionary Force's Headquarters during World War I.