Pencil and watercolor sketch on paper. The work depicts the French city of Neufchâteau during World War I. The scene shows the city from an aerial perspective, with farms in the lower left portion of the sketch. A church steeple dominates the center of the sketch, with buildings surrounding the church on all sides.
Graphite sketch of the town of Angers. Tall buildings line a street where groups of people are passing through. Several people carry umbrellas. There is a cart in the center of the street, in front of one the buildings. People can be seen in several windows of the building on the right of the sketch. Sketch done on white paper mounted on beige card.
Charcoal sketch on paper showing a dugout in Belleau wood. Three sides of rectangular cell are depicted; a pallet appears on the right with other objects on the floor. A label attached to the cardboard mount reads: "A MAJOR'S DUGOUT IN BELLEAU WOOD/June, 1918/BY E. PEIXOTTO/TRANSFERRED FROM THE WAR DEPARTMENT/2954."
Pencil sketch on paper. This landscape depicts the village and surrounding countryside of Mezy, France during World War I. A body of water cuts through the center of the picture. A line of roughly sketched troops marches along a road outside of the village. An inscription on the drawing, below the artist's signature, reads "Battle Field of the Marne - July 15-16 - 1918 - Sector of the 38 Regiment."
Charcoal sketch of a road through a shell-torn town. A German soldier is lying in the road, with his rifle and helmet lying beside him. Sketch done on paper that is affixed to a larger piece of off-white cardboard.
Pencil and watercolor sketch on paper. The sketch depicts a building with steps leading to a second story door. There is a wagon parked in front of the steps, and American soldiers are standing or sitting around the building.
Ink wash sketch on white card stock. The drawing depicts a street corner at a crossroads in Buzancy, France. Buildings line the street in front of a tall church steeple in the background. The street is lined with business signs; an English one reads: "American Postal [illegible] Station." The other signs are in different languages.
Black and white pen and ink sketch showing stores being unloaded from newly arriving ships from America at the docks at Brest, France. Workers move freight on the dock in the foreground. Large stacks of supplies, some of which are covered in tarps, have almost completely covered the docks. The masts of ships can be seen behind the docks in the background. Two small boats are being tied to the dock by two men at the bottom left of the drawing. A man sits holding a rope at the bottom right of the drawing. Sketch is on white paper mounted on tan card, which is ruled with decorative graphite lines.
Charcoal drawing on paper. The work depicts several damaged buildings in the main square of Fère-en-Tardenois, France during World War I. A church with a tall spire and a cross atop its peaked roof dominates the center of the work. A smaller, perhaps residential, building in the foreground is partially collapsed, with debris spilling out of the exposed second floor interior.
Ink wash sketch. American troops marching in a square in the city. A statue of George Washington is in the center of the sketch; Washington is mounted on a horse and has his sword raised in the air. Large buildings and trees in background. Sketch is on white card, which is mounted to a larger piece of heavy cardboard. Also affixed to the cardboard backing is a label that reads: "AMERICAN TROOPS PARADING DOWN/AVENUE PRESIDENT WILSON/Paris, July 4, 1918/BY E. PEIXOTTO/TRANSFERRED FROM THE WAR DEPARTMENT/2964."
Charcoal sketch on paper. A line of army trucks and soldiers moves along a road. There appear to be two dead horses lying on the side of the road. Fires burn on the horizon. From the catalog card: "Army trucks and soldiers moving forward in pursuit of the enemy who are burning towns in the distance. The picture is a scene in the Old No Mans Land in the St. Mihiel sector."
A charcoal and pastel sketch on paper. This interior scene shows men working on two locomotives. Behind the two machines an open doorway shows smoke emitting from another factory.
Charcoal and crayon sketch on white paper. American troops in a shell-torn village. The soldier in center foreground has his bayonet fixed to his rifle. A deceased man and rifle lying on the ground at left. Buildings, including a damaged church spire, line the background.
Charcoal sketch on white paper. Sketch shows groups of American soldiers marching off into the distance between army motor trucks on a dirt road. The road is surrounded by large dead trees and barbed wire entanglements on either side. Rolling hills and fields in the distance. The sky is very cloudy and dark with observation balloons floating in the distance.
Charcoal and watercolor sketch on paper. The sketch shows a line of American troops advancing, walking from the left to the right. Behind them, past a small field, there is a line of wagons, horses, and possibly artillery pieces moving through the town. In the background are several buildings and low hills. This scene was sketched during the final months of World War I.
Charcoal or crayon with gouache on heavy white card. A complex of dugouts and other structures are built into the side of the hill. Soldiers move through the outdoor area in front of the dugouts.
Charcoal drawing on paper. The focal point of the drawing is a large machine. The drawing is framed by a pipeline on the left. On the right, in the background, are a set of stairs and more equipment. The catalog card reads: "The entire plant, one of the largest in existence, was brought over and constructed by Americans."
Charcoal sketch on white card stock. The work depicts damaged buildings in a town near Toul which has been deserted by its civilian population. The shell-torn buildings are at the left of a canal running through the middle of the sketch. A soldier is watering two horses in the canal at the right.
Charcoal with watercolor sketch on white paper. The scene takes place in the region of Ploisy in northern France and depicts two ambulances in front of a large building. Many wounded soldiers are sitting on the ground and receiving treatment. Several soldiers sit under the tree in the right of the sketch.
Oil painting on canvas of a German prisoner being escorted through a shell-torn village by a group of American soldiers. The German prisoner, seen in the center of the painting, is wearing a stormtrooper helmet (stahlhelm) and a black uniform with red trim and is unarmed. He is surrounded by five American soldiers in olive drab uniforms who are carrying rifles with bayonets fixed (most likely M1903 Springfield rifles). On the left, another American soldier and a French soldier in a blue uniform are watching the group from behind the collapsed wall of a building. In the background on the right, four American soldiers are standing with another French soldier drinking coffee. There are shell-torn buildings in the background and piles of rubble on the ground. Signed at bottom left by the artist, 'Harvey Dunn, 18"