Graphite sketch of the town of Angers. Tall buildings line a street where groups of people are passing through. Several people carry umbrellas. There is a cart in the center of the street, in front of one the buildings. People can be seen in several windows of the building on the right of the sketch. Sketch done on white paper mounted on beige card.
Color crayon and charcoal sketch on paper. Village scene with buildings in background. On the left, a soldier leads horses out of a barnyard. Soldiers at mess on right.
Charcoal sketch on textured paper. A shell-torn building with two figures in an opening. A tent appears on the right side, partially obscured by a pillar of the building.
Pencil and ink wash sketch on paper. The drawing is a view of the River Marne near Jaulgonne, France during World War I. Men are working on a hydraulic mill in the foreground of the work. Several buildings with shell damage are shown in the background on the banks of the river.
Ink wash on paper. The work depicts American barracks on the Verdun front in France near the end of World War I. The roofs of the barracks and adjacent dugouts are protected by sand bags.
A pencil sketch with touches of watercolor. Two soldiers carrying rifles appear on a road in the town of Beaumont, France during World War I. The large building on the right is badly damaged from the fighting.
Charcoal and ink wash sketch on white paper. The work depicts ruined buildings along a road in Vaux, France during World War I. Shell-torn buildings and debris line both sides of the road, with a few people and a vehicle in the road in the distance.
Pencil sketch on heavy white card. A line of trees forms a square for soldiers at drill. Outside the practice ground, in the left foreground, is a single soldier. Army school at Langres.
Charcoal and pencil sketch on paper. The focal point of the drawing is a large denuded tree that looks like it has been shelled. There is a man arranging something (possibly rocks for a grave) at the base of the tree. The background depicts the buildings of a square, all of which have been shelled.
Charcoal sketch on paper. The work depicts a ruined church spire atop a hill in Flirey, France. Troops and army trucks are in the road near the remains of a communicating trench in the foreground.
Charcoal sketch on paper of a road leading through shell-torn countryside. Denuded trees on either side of road. There are several forms lying on the road in the foreground--possibly soldiers or horses. Stark and lifeless.
Charcoal sketch on white paper. In this outdoor scene, soldiers prepare and eat a meal. The outdoor mess area is framed by a house on the right, and dugouts built into a rise in the ground. A caisson is in the center foreground.
Charcoal, crayon, pastel, and gouache sketch on heavy textured cream wove paper. American troops are mounted on a team of horses pulling a large artillery piece through a shell-torn village. In the left foreground, a cross with a helmet hung from it marks a grave.
Charcoal sketch, with some color, on card. The drawing depicts two soldiers carrying a wounded man on a stretcher; other wounded soldiers follow them. Barbed wire entanglement on right. There appears to be smoke on the horizon. Something indistinct sits in the sky on the left.
Charcoal and ink wash sketch on paper. The work depicts the French village of Rambucourt during World War I, with shell-torn buildings in front of a church tower. The object's catalog card includes the inscription, "In the distance is the plain across which the Americans advanced on Sept. 13th, with Montsec and its village on the horizon."
Pencil sketch on paper. This landscape depicts a shell-torn area with damaged buildings and a large shell hole in the foreground. The crater is partially filled with water. Two soldiers stand on the far edge of the crater, looking down at the water.