Highly detailed graphite sketch. A bridge frames the top portion of the drawing. Underneath this bridge are several locomotives and many men working in what appears to be a rail yard. On the other side of the bridge, in the background, are buildings. People on the bridge are looking down at the locomotives. The sketch is on beige wove paper mounted on beige card, which has decorative ruled graphite lines.
A charcoal and pastel sketch on paper. This interior scene shows men working on two locomotives. Behind the two machines an open doorway shows smoke emitting from another factory.
Ink wash and pencil sketch on light green paper. The work depicts a damaged church in or near Lucy-le-Bocage, France during World War I. A large, mostly leafless tree is shown in front of the shell-torn gothic church. Other small buildings appear on the edges of the sketch surrounding the rubble-filled foreground.
Mixed media sketch on paper. In the center of the sketch is a large shell-torn church tower. The church is surrounded by other ruins and there is a denuded tree in front of the church. An American soldier stands in the left foreground and a group of soldiers is marching by the church in the left background.
A pencil and watercolor sketch on paper of a shell torn church at Charteves. In the center of the sketch is a church which has been destroyed by shell fire.
Ink wash, black crayon, and graphite sketch of a road leading through what remains of a village. An ambulance stands before a shell-torn building; several wagons and soldiers are standing in the road. Part of a wall stands on the right. Airplanes in sky. Sketch is on beige wove paper mounted on tan card that has decorative ruled lines. Below the sketch is a printed label, attached to the tan mount, that reads: "THE LAST REMAINS OF MONTFAUCON/FIRST-AID DRESSING STATION/BY W. J. DUNCAN/TRANSFERRED FROM THE WAR DEPARTMENT/2860."
Charcoal and pencil sketch on paper. The sketch shows the buildings that line the waterfront of a city. The river is in the foreground and is bounded by a wall, with steps leading into the water. There are people along the river bank; two of them appear to be fishing. In the background is a large castle that rises above the town; this is the Château de Saumur. An original label on the drawing read, "A view of the city showing the chateau. The city is interesting as the location of an important American artillery school." On the reverse of the paper is a small sketch of an artillery gun.
Very light ink wash and brush with touches of graphite. This interior scene is framed by the sloping roof of a loft. In the left foreground, a soldier sits on a cot holding his gun. A sword hangs on the wall in the right of the sketch. Two more soldiers can be seen through a doorway on the back wall of the loft. The sketch is done on beige wove paper mounted on beige card which is ruled in graphite. A label below the sketch, mounted on the card, reads: "AMERICAN SOLDIERS/Quartered in the loft of an old barn on the/outskirts of Chateau Thierry/BY W. J. DUNCAN/TRANSFERRED FROM THE WAR DEPARTMENT/2847"
Graphite, black crayon, and sanguine crayon sketch highlighted with turquoise gouache (or conte crayon). The scene is of a road lined with houses. A dead horse in the road is surrounded by descending crows. The half-timber houses are in ruins. Turquoise clouds in the background. The sketch is done on brown wove paper and then mounted on tan card. An inscription on the lower edge of the mount reads: "Front held by the 88th Division, October, 1918./Balschwiller, Alsace."
Charcoal sketch on paper of a mined road near Buzancy, France. The sketch shows a large crater, created by shell fire, that is partially filled with water. Two American soldiers stand on the lip of the crater. There are bare trees that surround the hole, and in the background there are houses.
Mixed media sketch on paper. The subject of this drawing is a camouflaged dugout. Three soldiers are in the background surrounded by trees. An original label on the drawing read, "I am told that this dugout is large enough to shelter an entire battalion. This is one of 6 or 7 entrances, the others being located on the top of the hill and leading into the dugout by a series of steps extending well below the surface of the ground. These entrances as well as the surface of the raw earth have been carefully covered with camouflage netting." Dugouts such as these were a regular feature of the landscape during the trench warfare of World War I.
A charcoal, pencil, and watercolor color sketch on paper of a camouflaged road at the front lines. An American soldier is walking down a road that is bordered on each side by a barbed wire fence covered with branches and wood that continues into the background. The catalog card records the original label for this drawing: "This is the road from Baccarat to Pexonne via Vaqueville. It shows a screening of camouflage made from reeds and pine bows now turned brown with age. On the distant hills (a little to the left of the center of this picture) is located a German O.P. [Observation Post]. The road is quite frequently under shell-fire."
Pencil sketch on paper. The sketch depicts part of an airfield in Issoudun, France. There are disassembled planes in the foreground and several more aircraft in a large hangar. Aviators and mechanics walk around the air field. The Third Aviation Instruction Center, the U.S. Air Service's largest training base in Europe during World War I, was located at Issoudun.
Pencil and watercolor sketch on beige paper. The work depicts a cemetery with American graves at Ménil-la-Tour, France during World War I. There are several rows of graves, each marked with a cross. The graves have small mounds of earth in front of them and wreaths and American flags are sketched on most of the mounds. A barbed wire fence borders the cemetery in the left of the drawing.
Charcoal and watercolor sketch on paper. A large group of people, many of whom are soldiers, are gathered around a statue of Joan of Arc in the town of Neufchateau, France. The two people closest to the viewer appear to be an American soldier (in brown) and a French soldier (in blue). The band mentioned in the title of the work is obscured by the crowd.
Charcoal and graphite sketch on paper. The sketch shows three sides of the main square of Montabaur, a town in Germany that is about 20 kilometers northeast of Koblenz. The drawing is framed on the left by the large Neo-Gothic Town Hall and several timber-frame buildings. People are walking along the square, and in and out of the gothic arches of the Town Hall. There are two automobiles in the square (the catalog card indicates that they are Army trucks). In the background, is the Schloss Montabaur, or castle of Montabaur.
Charcoal with white crayon drawing on blue-gray paper. The subject of the drawing is the interior of a locomotive shop near St. Nazaire, France during World War I. Several men are working on an engine in the left foreground. Also in the foreground, at the top of the paper, is a hook suspended from the ceiling. Other men, locomotives, and parts are depicted in the background.
Charcoal sketch on paper. The sketch depicts an empty city street. Flags fly from several of the buildings, while cannon occupy the far end of the street.
A catalog card indicates that an original label on the drawing read: "Drawing made the day before the French troops entered the city. The flags at the windows and the abandoned cannons are placed for this event [liberation of the city]. The nearer of the large buildings was a Soldatenheim [soldier's home] and the farther, the officers' club."
Charcoal drawing on illustration board. A large field with several lines of airplanes is bordered on the right by what appear to be hangars. Soldiers are standing around the field; the soldier in the center foreground is wearing a balaclava (headwear that covers the face). Several airplanes can be seen in the sky. Issoudun was the site of a large aviation training school for American forces during the war.