Ink and watercolor color sketch on paper. The work depicts a field encampment near Dun-sur-Meuse, France, after the Armistice of World War I. A road cuts through a field where there are a large number of tents pitched. Several graves marked by crosses line one side of the road.
Graphite, charcoal, and ink wash sketch. Five officers sit around a table while another soldier serves them. The chair in the foreground is empty. On the table, a lamp illuminates the men's faces and casts shadows on the walls. A box telephone and two bottles of wine are among the items on the table. The sketch is done on white wove paper mounted on beige card that is ruled with decorative graphite lines.
A pencil, charcoal, and watercolor sketch on paper of a billet at Rangeval, France. The scene is of the top floor of a stable where the soldiers are quartered. Several soldiers are at the far end of the loft.
An original label for the sketch read, "This shows the hay loft of a huge stable. The men arrange their bunks in the straw and along the wall. The great shell hole in the roof (the result of former fighting) admits light and air and especially rain. But those men whose beds are exposed to the elements have stretched their ponchos tent-fashion and are enjoying a sort of inside-out existence."
Mixed media sketch (charcoal, pastel, and likely watercolor and/or gouache) on paper. In the center of the sketch is a stand of tall trees. Tents and other low structures form a line through the drawing. Several soldiers stand among the crop rows. There appear to be several telephone or telegraph poles in the background, behind the tents. These barracks were located at Gievres, France during World War I.
Brush and ink wash sketch with touches of graphite. Sketch depicts a road leading through a village. A church with a large steeple dominates the scene. Troops with horses and a wagon are on the right, lined up against the building. Smaller buildings and a water trough are on the left. Down the road, a mounted soldier's horse rears in front of a man and small child. The sketch is executed on white wove paper mounted on beige card that has been ruled with decorative graphite lines.
Graphite, black crayon, sanguine crayon, and white gouache sketch. Village scene with traditional houses around a road. Several children, a woman, and a dog are in the road, along with two American soldiers and a horse. On the far right of the sketch, several men are sitting together next to a fence. The sketch is done on dark gray wove paper and mounted on tan card ruled with decorative lines. Written beneath the sketch, on the tan card, is the following inscription: "An invaded village in Germany-/Zone of the American Army of Occupation".
A pencil sketch on paper of German dugouts on the slope of Hill 204 located near Chateau-Thierry, France. This hill was the scene of fighting between Allied (French and American) and German soldiers during July of 1918. The Allies prevailed. The scene is in a forest where the Germans took shelter in dugouts on the slope of the hill. Abandoned supplies litter the ground around the dugouts; these include Stielhandgranates (stick grenades). American soldiers stand on the top part of the sketch in a clearing.
Pencil and crayon sketch on paper. The work depicts an airplane which has crashed on a sand beach while making a forced landing during World War I. The airplane is virtually upright, resting on its engine housing and wings with its tail sticking into the air. Three people are gathered to the immediate right of the airplane with a fourth person running toward them.
Charcoal and ink wash sketch on paper. A group of women, some standing on benches, are making camouflage nets at the Central Camouflage Depot in Dijon, France. These nets were made of pieces of painted burlap tied to wire and were used to disguise artillery positions.
Charcoal and ink wash sketch on blue-gray paper. Women are making nets and camouflage material in a large tent-like structure in Dijon, France. The structure appears to be fortified with sand bags at one end. There is a label attached to the bottom center of the sketch that reads: "MAKING NETS AND CAMOUFLAGE MATERIAL/Central Camouflage Depot at Dijon/BY E. PEIXOTTO/TRANSFERRED FROM THE WAR DEPARTMENT/3004."
Pencil and watercolor sketch on paper. The work depicts the French city of Neufchâteau during World War I. The scene shows the city from an aerial perspective, with farms in the lower left portion of the sketch. A church steeple dominates the center of the sketch, with buildings surrounding the church on all sides.
Ink wash sketch. American troops marching in a square in the city. A statue of George Washington is in the center of the sketch; Washington is mounted on a horse and has his sword raised in the air. Large buildings and trees in background. Sketch is on white card, which is mounted to a larger piece of heavy cardboard. Also affixed to the cardboard backing is a label that reads: "AMERICAN TROOPS PARADING DOWN/AVENUE PRESIDENT WILSON/Paris, July 4, 1918/BY E. PEIXOTTO/TRANSFERRED FROM THE WAR DEPARTMENT/2964."
Charcoal sketch with some color on some of the figures. Soldiers, men, women, and a horse all gathered at a water trough. The men wash up and the women are doing laundry. Behind the trough, on the side of a building is a sign that reads "EAU MAUVAISE" (loosely translated to mean "non-potable water"). In the left background is a soldier reading a newspaper and smoking a pipe; more soldiers are behind him.
Charcoal and watercolor color sketch on paper. This interior scene shows a room in a monastery in Rangeval, France. The cell holds many beds, two of which are occupied by American soldiers who are reading. Hanging clothes line the cracked plaster walls. Some sort of American flag is above one of the bunks.
Ink wash sketch of African-American troops and small camouflaged buildings. The soldiers are moving about the buildings, carrying mattresses. Sketch done on heavy white paper.
A charcoal sketch, with some pencil and watercolor, on paper. The work depicts an air base near Toul, France during World War I. A group of airplanes and a few men are outside of a complex of airplane hangars.
Charcoal, graphite, and ink wash sketch on paper. The work depicts an airfield during World War I. An airplane, with French or British tail markings, is being pushed at the wings and at the tail by several men. A man on a tractor is visible just behind the plane's tail. In the background on the left are airplane hangars with planes in them.
Charcoal sketch on brown paper. The work depicts the interior of a locomotive repair shop in Nevers, France during World War I. The shop is in a large, arch-roofed building lit by a large arched window at the rear. Men are working among locomotives and equipment.
Pencil and crayon sketch on paper. The work is a view of the railroad yards at Is-sur-Tille, France. Long, low buildings are depicted in the middle ground. Divisional files indicate that the artist noted "Fifty miles of railroad track, combined with barracks and warehouses, cover several square miles in this area."
Charcoal, pencil, and ink wash drawing on white card stock. The work depicts the interior of a locomotive shop near St. Nazaire, France. Men are working on the engines in the shop.