Graphite sketch of the town of Angers. Tall buildings line a street where groups of people are passing through. Several people carry umbrellas. There is a cart in the center of the street, in front of one the buildings. People can be seen in several windows of the building on the right of the sketch. Sketch done on white paper mounted on beige card.
Ink wash on paper. The work depicts American barracks on the Verdun front in France near the end of World War I. The roofs of the barracks and adjacent dugouts are protected by sand bags.
Pencil sketch on heavy white card. A line of trees forms a square for soldiers at drill. Outside the practice ground, in the left foreground, is a single soldier. Army school at Langres.
Charcoal sketch on paper. The work depicts a ruined church spire atop a hill in Flirey, France. Troops and army trucks are in the road near the remains of a communicating trench in the foreground.
Charcoal sketch on paper of a road leading through shell-torn countryside. Denuded trees on either side of road. There are several forms lying on the road in the foreground--possibly soldiers or horses. Stark and lifeless.
Oil and gouache on paper. In this village scene none of the buildings have escaped damage from the war. Shell damage is apparent in the houses' roofs and the holes in the road in the foreground.
Ink wash sketch. The scene depicts the village of Chateau Thierry as seen from the Old Chateau. A label affixed to the bottom of the drawing reads: "CHATEAU THIERRY/From the terrace of the Old Chateau, July 21, 1918/BY E. PEIXOTTO/TRANSFERRED FROM THE WAR DEPARTMENT/2977."
Pencil sketch on paper. This landscape depicts a shell-torn area with damaged buildings and a large shell hole in the foreground. The crater is partially filled with water. Two soldiers stand on the far edge of the crater, looking down at the water.
Ink wash sketch on paper. Interior scene of a building with exposed rafters; barrels grouped and stacked in various places. Women working on the left. A soldier stands among some barrels on the right. The catalog card reads "Sketch showing the paint shop in the central American camouflage depot at Dijon."
Charcoal sketch on paper. The work depicts German dugouts near Cheppy, France during World War I. A wooden beam structure frames the foreground. Through the beams is an elaborately constructed trench with brick or stone wall and a series of doors.
Charcoal, crayon, watercolor, and gouache on heavy white card. The work depicts several buildings on a street in a village near Neufchâteau, France. The buildings are intact and not shell-torn. The painting shows the view down a road which leads through village.