Pencil and watercolor sketch on beige paper. The work depicts a view toward the east from a terrace in Boucq, France. The terrace is set high above a valley or flat plain with small towns depicted in the distance. There are three planes and an American observation balloon in the sky.
Mixed media sketch on paper. The sketch shows two American soldiers sitting in the open air in what was the interior of a church in France during World War I. The only surviving part of the church that is visible is the front wall. There are large piles of debris throughout the sketch, and one of the soldiers is sitting on a pile of rubble.
A pencil and watercolor sketch on paper of a gateway into Verdun, France. The Meuse river flows in the foreground. A bridge over the river leads to a tall fortification gate with a French flag flying. Behind the gate is the town of Verdun; a church steeple rises over the other buildings of the town.
Pencil and ink wash sketch. The scene is of a group of American soldiers marching in formation in an urban square. One of the soldiers in the march is carrying an American flag. An airplane flies over the city. Washington statue on left. The sketch is on a piece of heavy card stock that is affixed to a piece of cardboard. Underneath the sketch, also attached to the cardboard, is a printed label that reads :"AMERICAN TROOPS DESCENDING AVENUE/PRESIDENT WILSON/Paris, July 4, 1918/BY E. PEIXOTTO/TRANSFERRED FROM THE WAR DEPARTMENT/2963."
A pencil and watercolor sketch on paper of an airfield at Issoudun, France. On the right is a line of grounded airplanes; many airplanes are also flying above the field. On the left is a row of hangars. This field is part of the Third Aviation Instruction Center, the U.S. Air Service's largest training base in Europe during World War I.
Charcoal sketch, with touches of watercolor, on paper. This landscape shows a flat expanse with a river in the background. At the left are men working, a locomotive, and a structure with a smokestack and another tall projectile. On the opposite side of the river, across the bridge, these same structures are repeated. In the foreground are several large, uncut lumber logs with men in between them. The catalog card for this drawing indicates that the men are troops engaged in erecting buildings.
Charcoal sketch of a large shell-torn building and several other smaller buildings. The large building has been almost cut in half, from the roof to the ground, by a shell. The sketch is done on thin greenish paper, which is attached to slightly thicker card of the same size. This mount is then taped to a large piece of thick cardboard at each of its corners. There are two labels attached to the large cardboard mount. The first reads: "BRIEULLES-SUR-MEUSE/BY E. PIEXOTTO/TRANSFERRED FROM THE WAR DEPARTMENT/2972." The second label is typed and reads "Dun and Brieulles were both the/scenes of fierce fighting in the/Argonne Campaign."
Charcoal and ink wash sketch. The sketch depicts a village on the far bank of a river. On the near bank, in the foreground, are three empty rowboats. The sketch is done on thin green paper, which is affixed to slightly thicker white card. This mount is then affixed to a large piece of heavy card board. A label underneath the sketch reads: "BRAUBACK AND THE MARKSBURG/BY E. PEIXOTTO/TRANSFERRED FROM THE WAR DEPARTMENT/2971."
Pencil and watercolor sketch on paper. The work depicts a field hospital near Château-Thierry, France. The field hospital, comprised of a number of white tents, is on the right. An ambulance and several people are in the adjacent road, which runs behind several permanent buildings. Two soldiers are sitting under a tree on the left.
Pencil, charcoal, and watercolor sketch on paper. The work depicts a kitchen in Andilly, France during World War I. Two soldiers are cooking on a wagon stove in the center of what appears to be a the interior of a barn or a store room.
Pencil, charcoal, and watercolor sketch on paper. In this scene from the First World War, a regiment of soldiers stops for mess at Pagny-sur-Meuse, France. A large group of soldiers is assembled outdoors of what appears to be a complex of farm buildings.
Ink and watercolor color sketch on paper. The work depicts a field encampment near Dun-sur-Meuse, France, after the Armistice of World War I. A road cuts through a field where there are a large number of tents pitched. Several graves marked by crosses line one side of the road.
Graphite, charcoal, and ink wash sketch. Five officers sit around a table while another soldier serves them. The chair in the foreground is empty. On the table, a lamp illuminates the men's faces and casts shadows on the walls. A box telephone and two bottles of wine are among the items on the table. The sketch is done on white wove paper mounted on beige card that is ruled with decorative graphite lines.
A pencil, charcoal, and watercolor sketch on paper of a billet at Rangeval, France. The scene is of the top floor of a stable where the soldiers are quartered. Several soldiers are at the far end of the loft.
An original label for the sketch read, "This shows the hay loft of a huge stable. The men arrange their bunks in the straw and along the wall. The great shell hole in the roof (the result of former fighting) admits light and air and especially rain. But those men whose beds are exposed to the elements have stretched their ponchos tent-fashion and are enjoying a sort of inside-out existence."
Mixed media sketch (charcoal, pastel, and likely watercolor and/or gouache) on paper. In the center of the sketch is a stand of tall trees. Tents and other low structures form a line through the drawing. Several soldiers stand among the crop rows. There appear to be several telephone or telegraph poles in the background, behind the tents. These barracks were located at Gievres, France during World War I.
Brush and ink wash sketch with touches of graphite. Sketch depicts a road leading through a village. A church with a large steeple dominates the scene. Troops with horses and a wagon are on the right, lined up against the building. Smaller buildings and a water trough are on the left. Down the road, a mounted soldier's horse rears in front of a man and small child. The sketch is executed on white wove paper mounted on beige card that has been ruled with decorative graphite lines.
Graphite, black crayon, sanguine crayon, and white gouache sketch. Village scene with traditional houses around a road. Several children, a woman, and a dog are in the road, along with two American soldiers and a horse. On the far right of the sketch, several men are sitting together next to a fence. The sketch is done on dark gray wove paper and mounted on tan card ruled with decorative lines. Written beneath the sketch, on the tan card, is the following inscription: "An invaded village in Germany-/Zone of the American Army of Occupation".
A pencil sketch on paper of German dugouts on the slope of Hill 204 located near Chateau-Thierry, France. This hill was the scene of fighting between Allied (French and American) and German soldiers during July of 1918. The Allies prevailed. The scene is in a forest where the Germans took shelter in dugouts on the slope of the hill. Abandoned supplies litter the ground around the dugouts; these include Stielhandgranates (stick grenades). American soldiers stand on the top part of the sketch in a clearing.
Pencil and crayon sketch on paper. The work depicts an airplane which has crashed on a sand beach while making a forced landing during World War I. The airplane is virtually upright, resting on its engine housing and wings with its tail sticking into the air. Three people are gathered to the immediate right of the airplane with a fourth person running toward them.
Charcoal and ink wash sketch on paper. A group of women, some standing on benches, are making camouflage nets at the Central Camouflage Depot in Dijon, France. These nets were made of pieces of painted burlap tied to wire and were used to disguise artillery positions.