Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat was made by George G. Stambach of Philadelphia, Pennsylvania during the middle of the 19th century. The hat is painted black overall, with the text “NORTHERN / No. 1 / LIBERTY” painted in gold on the front of the hat. The back of the hat features a faded painted image of wooden fire hydrant in gold flanked by the initials “FA". This was the logo of the Fire Association of Philadelphia, an insurance company founded by a group of eleven volunteer engine companies and five volunteer hose companies in 1817. The crown of the hat bears the date “1756” in gold paint. The Northern Liberty Fire Company was founded on May 1, 1756, in the Northern Liberties neighborhood of Philadelphia. At the time, the Northern Liberties were a separate municipality, and this fire company was the first of its kind for that area. The hat’s maker, George Stambach, was a resident of the Northern Liberties as well. The Northern Liberty operated as a hand engine company and acquired steam fire engines in 1859 and 1864. It served as a steam fire engine company until 1871 when Philadelphia’s paid firefighting department was established.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat was used by a member of the United States Hose Company of Philadelphia, Pennsylvania organized 1826 and operated until 1871 when Philadelphia’s paid firefighting department was established. The hat is painted black overall with an image of Lady Liberty holding a liberty pole with Phrygian cap on top and her arm over a United States shield that reads “Liberty.” The image is framed in an oval cartouche bordered in gold. There is a gold trimmed banner on either side of the central image that reads “UNITED STATES” in gold. The back of the hat has a gold image of a fire hydrant with protruding hose, and the text “HOSE / US” arching above in gold. The crown of the fire hat has the owner’s initials “T.J.” painted in gold.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat was used in Philadelphia, Pennsylvania in the first half of the 19th century. The hat is painted black overall, with a painting at its center featuring a female figure clothed in a white robe with an anchor at her side and stormy sea behind her. The female figure with anchor is a classical allegorical representation of Hope. The painting is flanked by red banners with gold trim that read “HOPE / HOSE COMPY” in gold lettering. The back of the hat features the word “HOPE” in large golden letters, with two golden lines above and below. The crown of the hat has the owner’s initials “F.G.” painted in gold. Hope Hose Company No. 7 was founded in 1805 in Philadelphia. It was the second Philadelphia fire company to acquire a steam fire engine in 1858, and it changed its name to the Hope Steam Fire Engine Company No. 2.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat was used in Philadelphia, Pennsylvania during the first half of the 19th century. The hat is painted red overall, with a black underbrim. There is a circular frame painted in gold at the center of the hat with an image of a sailor (sometimes called a “Jack Tar”) waving his cap next to an American flag, and a sailing vessel in water in the background. The portrait is flanked by a blue banner with gold trim that reads “UNION FIRE Co.” in gold paint. The hat has the date “1819” painted in gold on the back, and the owner’s initials “G.W.” painted on the crown in white. The Union Fire Company No. 29 was established on March 10, 1819 in the Rising Sun area of Philadelphia, Pennsylvania and operated until 1871 when Philadelphia’s paid firefighting department was established.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat was used in Philadelphia, Pennsylvania during the first half of the 19th century. The hat has been painted red overall, with the text “GOOD WILL” painted in gold on the front, arched around a gold five-pointed star. The back of the hat features a painted image of an early wooden fire hydrant. The Good Will Fire Engine Company No. 20 was founded in the Northern Liberties area of Philadelphia in 1802, which at the time was a separate municipality. It acquired a steam fire engine in 1859, built by Isaac P. Morris & Co., and operated as the Good Will Steam Fire Engine Company No. 20 until 1871 when Philadelphia’s paid firefighting department was established. The steam engine was later used by Engine Company No. 17 of the paid city fire department from 1871 until 1888.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat was used in Philadelphia, Pennsylvania during the first half of the 19th century. This black hat has been painted black overall, with the text “GOOD WILL/1802” painted in gold on the front of the hat. The back of the hat has the company’s initials “G.W.” painted in gold, and the owner’s initials “G.B.” on the top. The Good Will Fire Engine Company No. 20 was founded in the Northern Liberties area of Philadelphia in 1802, which at the time was a separate municipality. It acquired an Isaac P. Morris & Co. steam fire engine in 1859 and operated as the Good Will Steam Fire Engine Company No. 20 until 1871 when Philadelphia’s paid firefighting department was established. The steam engine was later used by the Engine Company No. 17 of the paid city fire department from 1871 until 1888.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat was used in the eastern United States during the first half of the 19th century. The hat is painted black overall, with a painting at its center featuring a female figure clothed in a white robe with an anchor at her side and stormy sea behind her. The painting is flanked by red banners with gold trim that read “HOPE HOSE COMPY” in gold lettering. The back of the hat features the word “HOPE” in large golden letters, with golden lines above and below. The crown of the hat has the owner’s initials “R.W.J.” painted in gold. The female figure with anchor is a classical allegorical representation of Hope.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat was used in Philadelphia, Pennsylvania during the first half of the 19th century. The hat is painted dark green overall, and the front bears a painted image of a spread-winged eagle, grasping an olive branch in one talon and three arrows in the other, with a golden harp hanging from a chain in its beak. There is a red banner on top of the image with the text “HIBERNIA” in gold. The image is reminiscent of the bald eagle on the seal of the United States, but the harp as a symbol of Ireland replaces the U.S. shield. The imagery points to the Hibernia Fire Company blending its Irish heritage with American patriotic ideals. The back of the hat has the date “1752” painted in gold. An encircled number one painted in gold is located on the crown of the hat. The Hibernia Fire Engine Company No. 1 was founded in 1752 in Philadelphia, Pennsylvania as a hand engine company. It acquired a steam fire engine in 1858 and operated as a steam fire engine company until 1871 when Philadelphia’s paid firefighting department was established.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat was used in Philadelphia, Pennsylvania during the first half of the 19th century. The hat is painted black overall, with a circular portrait at the front of General Zachary Taylor, a hero of the Mexican-American War and later the twelfth President of the United States. The portrait is framed by a red banner with gold trim that reads “TAYLOR/HOSE Co.” in gold paint. The back of the hat has the company’s initials “T.H” painted in gold. The crown of the hat has the painted image of an eight-pointed star with a bell in the center. This design depicts the bell code for fires in Philadelphia. A central bell was rung in different sequences to indicate the direction of the fire—one ring for north, two for south, three for east, four for west, etc. The General Taylor Hose Company No. 35 of Philadelphia, also known as Taylor Hose Company, was founded on May 1, 1847, the year before Taylor was elected in 1848. In 1864 the name was changed to the General Taylor Steam Forcing Hose Company and operated until 1871 when Philadelphia’s paid firefighting department was established.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This leather hat dates to the first half of the 19th century. The hat is painted blue overall, with a metal band along the brim, and the text “GOOD WILL” painted in gold on the front of the hat. The crown of the hat bears the owner’s initials “C.B.” in gold. The hat is the deviation in style from the traditional Philadelphia-style “stove-pipe” top hat. Though the name was a common one, a label in the hat indicates it was from the Good Will Fire Company, which was founded on March 27, 1802 in Philadelphia, Pennsylvania.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This hat was used in Philadelphia, Pennsylvania during the first half of the 19th century. The hat is painted black overall, with a central painting of the coat of arms of Pennsylvania. Within the central shield are images of a ship, plow, and three sheaves of wheat, representing commerce, labor, and the importance of agriculture respectively. The shield is flanked by two rearing white horses. A spread-wing eagle stands on top of the shield and beneath the shield is a red banner with gold trim bearing the text “VIRTUE LIBERTY INDEPENDENCE” in gold. The back of the hat has the text “PENNSYLVANIA” arching over the owner’s initials “J.L.” in gold paint. The Pennsylvania Fire Company was established in Philadelphia in 1806 and in 1839 withdrew from active service in protest of the rioting amongst the fire companies.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat was used in Philadelphia, Pennsylvania during the middle of the 19th century. The hat is painted dark red overall, with a circular portrait at the front of General Zachary Taylor, a hero of the Mexican-American War and later the twelfth President of the United States. The portrait is framed by a golden banner that reads “TAYLOR/HOSE Co.” in gold paint. The back of the hat has the company’s initials “T.H” painted in gold. The General Taylor Hose Company No. 35 of Philadelphia, also known as Taylor Hose Company, was founded on May 1, 1847, the year before Taylor was elected president. In 1864, the name was changed to General Taylor Steam Forcing Hose Company and operated until 1871 when Philadelphia’s paid firefighting department was established. The company’s motto—"Soldiers in War, Firemen in Peace"—suggests that some of the founding members were military veterans.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat was used in the eastern United States during the middle of the 19th century. The hat is painted black overall, with the front displaying an oval-framed portrait of a American Indian woman crossing a raging stream underneath a red banner that reads "TORRENT." The back of the hat has the number “2” in white framed by the outline of a white shield. The name of the company refers to a violent rush of water such as firefighters might direct onto a blaze. The Indian maiden pictured on the rocks may be a patriotic symbol. Feminine figures as symbolic icons were a common European trope, and before Lady Liberty became an American symbol the continent was often portrayed as a native princess. While water-related monikers like Torrent were common among volunteer companies, this hat likely belongs to Torrent No. 2 of Rochester, New York.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This hat was used in Philadelphia, Pennsylvania during the first half of the 19th century. The hat is painted black overall, with a central painting of the coat of arms of Pennsylvania. Within the central shield are images of a ship, plow, and three sheaves of wheat, representing commerce, labor, and the importance of agriculture respectively. The shield is flanked by two rearing white horses. A spread-wing eagle stands on top of the shield and beneath the shield is a red banner with gold trim bearing the text “VIRTUE LIBERTY INDEPENDENCE” in gold. The back of the hat has the text “PENNSYLVANIA” arching over the owner’s initials “J.B.” in gold paint. The Pennsylvania Fire Company was established in Philadelphia in 1806 and in 1839 withdrew from active service in protest of the rioting amongst the fire companies.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat dates to the first half of the 19th century. The hat is painted red overall, with a painted image of two clasped hands with a sunburst in the background. The text “HAND IN HAND” is painted in gold above. The date “1741” is painted in gold on the back of the hat in between two golden lines. The owner’s initials “A.B.” are painted in gold on the crown of the hat. The Hand-in-Hand Fire Company was founded on March 1, 1741 in Philadelphia, Pennsylvania, and adopted the clasped hand symbol as a representation of the mutual nature of volunteer firefighting in early America. Due to lack of interest the company was no longer in service by about 1816. It was reformed in 1823 and operated as a hand engine company until 1863, when it acquired a steam fire engine. The Hand In Hand operated as a steam fire engine until 1871 when Philadelphia’s paid firefighting department was established.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat was used in Philadelphia, Pennsylvania during the early 19th century. The hat is painted yellow overall, and features a painted image of a Philadelphia-style hand-pumped fire engine with a sunburst in the background. Diligent’s pumper was built by Patrick Lyon in 1822 and was known as one of the most powerful pumpers in the United States. Over the pumper is a red banner where the text “DILIGENT” has been painted over by the word “VETERAN.” From the mid-19th century, former volunteer firefighters formed veterans associations and often redecorated uniforms, equipment and even fire engines to reflect their new status. The back of the hat has the letter “D” in gold, with the owner’s initials “A.J.B.” in gold on the crown of the hat. The Diligent Fire Engine Company No. 10 of Philadelphia, Pennsylvania was founded on July 4th, 1791 located on the south side of Market Street near Eighth. It acquired a steam fire engine in 1861 and operated as a steam fire engine company until 1871 when Philadelphia’s paid firefighting department was established.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This hat dates to the first half of the 19th century from Allegheny, Pennsylvania. The hat has been painted red, and bears the text “ALLEGHENY” in gold above a United States shield. The date “1802” is painted in gold on the back of the hat, and the crown of the hat has a star shaped designed with the letter “A” in the center. The Allegheny Fire Company of Allegheny, Pennsylvania was founded in 1802 and operated until 1870, when it was absorbed by the municipal fire department.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat was used in Philadelphia, Pennsylvania during the first half of the 19th century. The hat is painted dark green overall, and the front bears a painted image of a spread-winged eagle, grasping an olive branch in one talon and three arrows in the other, with a golden harp hanging from a chain in its beak. There is a red banner on top of the image with the text “HIBERNIA” in gold. The image is reminiscent of the bald eagle on the seal of the United States, but the harp as a symbol of Ireland replaces the U.S. shield. The imagery points to the Hibernia Fire Company blending its Irish heritage with American patriotic ideals. The back of the hat has the date “1752” painted in gold. The Hibernia Fire Engine Company No. 1 was founded in 1752 in Philadelphia, Pennsylvania as a hand engine company. It acquired a steam fire engine in 1858 and operated as a steam fire engine company until 1871 when Philadelphia’s paid firefighting department was established.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat dates to the first half of the 19th century. The hat is painted black with gold bands around the top and base. "Kensington" is painted in gold above the date "1791." The number "1" is painted in gold on the opposite side, and the owner’s initials “W.H.C." are painted in gold on the top of the hat. The Kensington Fire Company was founded in 1791 in the Kensington neighborhood of Philadelphia, Pennsylvania. At the time, Kensington was a separate municipality, and this company was the first of its kind for the area. The company operated until 1855, when it refused to join the newly organized Philadelphia Fire Department, which, although volunteer, was under the administrative and financial control of the city.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat dates to the first half of the 19th century. The hat is painted light purple overall, with a central painting of a blacksmith at a forge with the text “MECHANIC / ENGINE Co.” in gold in arching banners above. The image is inspired by John Neagle’s painting “Pat Lyon at the Forge.” Lyon was a successful blacksmith who manufactured early fire engines for volunteer companies in Philadelphia. The back of the hat has a five-pointed golden star with the number “26” in the center. The owner’s initials “G.W.F.” are painted in gold on the crown of the hat. The Mechanic Fire Engine Company No. 26 was founded on August 4, 1839 in Philadelphia, Pennsylvania as a hand engine company until it acquired a steam fire engine in 1859. It operated as a steam fire engine company until 1871 when Philadelphia’s paid firefighting department was established. Note: See companion piece 2005.0233.0170. The number on the helmet is 37 instead of 26.