In late 1926 American silk manufacturer H.R. Mallinson & Co. introduced a bold new line of printed silks, twelve landscape designs, each available in from eight to twelve colorways (color combinations) on three different ground fabrics. The designs celebrated America's national parks - then only a decade old. The designs represented all the usual styles necesssary for making clothing: allover prints, horizontal stripes, checks, a border design. This sheer plain weave fabric, Mallinson's Indestructible chiffon voile, is printed with the design depicting Mammoth Hot Springs, at Yellowstone National Park. Selvage width; selvage inscription. Judging from drawings by free-lance textile designer Walter Mitschke in the collection of the Museum of Fine Arts - Boston, Mitschke designed this print and a few others in the National Parks series.
In late 1926 American silk manufacturer H.R. Mallinson & Co. introduced a bold new line of printed silks, twelve landscape designs, each available in from eight to twelve colorways (color combinations) on three different ground fabrics. The designs celebrated America's National Parks - then only a decade old. The designs represented all the usual styles necesssary for making clothing: allover prints, horizontal stripes, checks, a border design. This bold design of large blocks or checks alternates a solid color with a figured block depicting Crater Lake, Oregon. The ground fabric of this sample is trade-named "Pussy Willow", one of Mallinson's most popular silks.
Sample length of a printed silk sheer, Mallinson tradename "Indestructible Chiffon Voile". Selvage width; selvage inscription. A sheer, plain weave all silk fabric printed with National Park series "Garden of the Gods" design; samples of five different color combinations (ground color are: peach, grey, blue, green, and orange). In late 1926 American silk manufacturer H.R. Mallinson & Co. introduced a bold new line of printed silks, twelve landscape designs, each available in from eight to twelve colorways (color combinations) on three different ground fabrics. The designs celebrated America's National Parks - then only a decade old. The designs represented all the usual styles necesssary for making clothing: allover prints, horizontal stripes, checks, a border design, etc. These samples illustrate how strikingly different a single design can appear by changing the colors of the ground and design elements.
Duplan Silk Corporation figured crepe satin dress silk length; 1921. Figured novelty crepe in gold and cerise. A silk crepe fabric with a lustrous broken surface in an 'ondulee' or waved effect produced by the interlacing of the extra weft artificial silk yarns on the back of the fabric. These yarns floating on the face of the goods form a detached flower motif combined with a satin warp figure. These techniques create shadows and dimension within the motif. Colors are cerise and gold. Majority of detail in floral motif not visible on wrong side, which is nearly all gold.
Jean Leopold Duplan, a French businessman, founded Duplan Silk Company in New York in 1898 as an extension of his silk weaving plant in Lyons, France. The 1897 American tariff spurred Duplan to supply the American silk market with domestically made cloth. Duplan Silk began producing artificial silk (now known as rayon) as early as 1911. The lustrous artificial silk was spun from cellulose and a gelatin extracted from seaweed. Duplan himself was quite secretive about the artificial silk production process, keeping the looms in a separate, boarded section of the mill. Eventually, Duplan Silk produced silk velvets, formulated its own dyes, and printed fabrics in its own mill.
Displayed at the top of a staircase in the Louvre Museum in Paris since 1884, the Greek statue called “The Winged Victory of Samothrace” depicts the goddess Nike, or Victory. The statue’s symbolism served as the basis for this design of stripes containing "Winged Victory" motifs, printed in 4 colors on a tan ground of the manufacturer’s popular "Pussy Willow" fabrication. It is one of the second series of La Victoire prints, produced by H.R. Mallinson & Co. in conjunction with the Peace Conference that followed the signing of the Armistice ending the fighting in World War I.
Length of "Pussy Willow" silk - (Mallinson trade name) A fine soft, radium-like plain weave fabric (Mfr #1900). Printed with allover pattern (mfr #2768), titled "Life of George Washington," part of the Mallinson 1929 Early American series. Design depicts historical events in Washington's life: such as Washington taking command of his army; at Valley Forge; at Mount Vernon; arriving in New York for his inauguration; the Inauguration at Wall Street; and with his mother--done in 7 colors on a black ground. Selvage width; selvage inscription.
Mallinson's 1929 "Early American" series of printed dress silks was based on historical events and figures that were perceived at the time to consitute a shared American story. It was the last of the company's line of designs based on American themes in which each design was printed in at least seven colors, in several colorways, on three or four different ground cloths. The stock market crash and economic depression that followed made the investment in this kind of design unprofitable.
A length of very light soft pliable velvet (printed butterfly velvet), having a silk ground and rayon pile. Printed with Mallinson's National Park series Grand Canyon allover design on a black background. Rayon pile on a silk chiffon or georgette ground cloth was generically termed 'transparent velvet' in the 1920s and 1930s. In late 1926 American silk manufacturer H.R. Mallinson & Co. introduced a bold new line of printed silks, twelve landscape designs, each available in from eight to twelve colorways (color combinations) on three different ground fabrics. The designs celebrated America's National Parks - then only a decade old, and represented all the usual styles necesssary for making clothing: allover prints, horizontal stripes, checks, a border design,etc. The firm also donated an example of this design printed on a flat surface silk, and an example of the Grand Canyon border design.
Scarf made of Mallinson's best known "Pussy Willow" trademarked plain weave silk fabric with printed design "Garden of the Gods: in red, yellow, tan, purple, gray, orange, black, etc. on a white ground. Stitched hem along the sides and finished at the ends with 12" rayon fringe in red. In late 1926 American silk manufacturer H.R. Mallinson & Co. introduced a bold new line of printed silks, twelve landscape designs, each available in from eight to twelve colorways (color combinations) on three different ground fabrics. The designs celebrated America's national parks - then only a decade old. The designs represented all the usual styles necesssary for making clothing: allover prints, horizontal stripes, checks, a border design, etc. In addition to sample lengths of each design, and samples of all the colorwaysand ground cloths of one of the designs, the firm also donated two scarves as examples of how the silks would look in use..
"Allied Soldiers at Attention" is a design from the second La Victoire series, produced by H.R. Mallinson & Co. in conjunction with the Peace Conference held after the armistice that ended the fighting in World War I. A tribute to the armed forces of the Allied nations, this design from the second La Victoire series features five soldiers in dress uniforms with their national emblems – perhaps a guard of honor for the peace negotiations then in progress at the Palace of Versailles, whose gardens and fountains appear in the background. Printed in five brilliant colors on a black ground of Mallinson's trademark "Pussy Willow.",
A length of novelty silk dress goods: satin figured chiffon taffeta. Lightweight, soft finish, plain weave ground ornamented with a warp face satin weave figure--conventionalized flower and stem motif in staggered relation forming an allover pattern. Small paper tag stapled to corner of fabric reads: J. A. Migel Inc. 422 Fourth Ave. New York. No. 437/129; Color Blue, 682; PC#25066; 2 yards. Mfr #s 437/129. Julius A. Migel was a younger brother of Moses Charles Migel, founder of M.C. Migel & Co., Inc, silk manufacturer, renamed H.R. Mallinson & Co., Inc. in 1915. Mallinson, married to Linda Migel, had taken over as the president of M.C. Migel & Co. after his brother-in-law had retired. J.A. Migel was very briefly a partner with H.R. Mallinson, but left the firm in 1915 to form his own, eponymous, silk manufacturing concern. J.A. Migel used many of the marketing tools that his brother and H.R. Mallinson had succeeded with, but his company lasted only a few years.
Three sample lengths of printed "Khaki Kool," Mallinson tradename for a rough finish sport silk: Rough surface crepe fabric woven with warp of tussah silk and weft of tussah loosely twisted with a silk crepe yarn. Selvage width; selvage inscription. Printed with National Park series "Garden of the Gods" design; in three different color combinations (on grounds of white, orange, and mauve). In late 1926 American silk manufacturer H. R. Mallinson & Co. introduced a bold new line of printed silks, twelve landscape designs, each available in from eight to twelve colorways (color combinations) on three different ground fabrics. The designs celebrated America's National Parks - then only a decade old. The designs represented all the usual styles necesssary for making clothing: allover prints, horizontal stripes, checks, a border design, etc. These samples illustrate how strikingly different a single design can appear by changing the colors of the ground and design elements.
A length of J.A. Migel, Inc. silk dress goods "Moon-Glo" Meteor. Lightweight, crepe weave fabric with lustrous satin face and soft finish. Julius A. Migel was a younger brother of Moses Charles Migel, founder of M.C. Migel & Co., Inc, silk manufacturer, renamed H.R. Mallinson & Co., Inc. in 1915. Mallinson, married to Linda Migel, had taken over as the president of M.C. Migel & Co. after his brother-in-law had retired. J.A. Migel was very briefly a partner with H.R. Mallinson, but left the firm in 1915 to form his own, eponymous, silk manufacturing concern. J.A. Migel used many of the marketing tools that his brother and H.R. Mallinson had succeeded with, but his company lasted only a few years.
A length of J.A. Migel, Inc. silk Dress Goods "Moon Glo Satin". Lightweight silk cloth of close texture with a rich glossy surface. Julius A. Migel was a younger brother of Moses Charles Migel, founder of M.C. Migel & Co., Inc, silk manufacturer, renamed H.R. Mallinson & Co., Inc. in 1915. Mallinson, married to Linda Migel, had taken over as the president of M.C. Migel & Co. after his brother-in-law had retired. J.A. Migel was very briefly a partner with H.R. Mallinson, but left the firm in 1915 to form his own, eponymous, silk manufacturing concern. J.A. Migel used many of the marketing tools that his brother and H.R. Mallinson had succeeded with, but his company lasted only a few years.
Length of Pussy Willow (trade name) silk-- a fine, soft, radium-like, plain weave fabric (mfr #1900). Allover printed pattern (mfr #2762), "Gardens of Old Salem," one of the H.R. Mallinson & Co. 1929 Early American series. This design depicts the House of Seven Gables, old Darby Wharf, the Witch House, Home of Judge Corwim and Roger Williams, town pump, courtship of Nathaniel Hawthorne--done in 8 colors - shades of yellow, peach, and orange with white and black, on a light green ground. Judging from drawings by free-lance textile designer Walter Mitschke in the collection of the Museum of Fine Arts - Boston, Mitschke designed this print and several others in the Early American series.
Mallinson's 1929 "Early American" series of printed dress silks was based on historical events and figures that were perceived at the time to consitute a shared American story. It was the last of the company's line of designs based on American themes in which each design was printed in at least seven colors, in several colorways, on three or four different ground cloths. The stock market crash and economic depression that followed made the investment in this kind of design unprofitable.
Length of "Pussy Willow" (Mallinson trade name) a fine, soft, radium-like, plain weave fabric (mfr #1900). Printed with a horizontal stripe effect landscape pattern (mfr #2766), part of the Early American series--"Covered Wagon--Oregon Trail" depicting "interesting incidents of the pioneer days" such as Indian attack, buffalo hunt, water travel by flat boat, land travel by prairie schooner--done in 7 colors on a gray ground. Selvage width, selvage inscription. Judging from drawings by free-lance textile designer Walter Mitschke in the collection of the Museum of Fine Arts - Boston, Mitschke designed this print and several others in the Early American series.
Mallinson's 1929 "Early American" series of printed dress silks was based on historical events and figures that were perceived at the time to consitute a shared American story. It was the last of the company's line of designs based on American themes in which each design was printed in at least seven colors, in several colorways, on three or four different ground cloths. The stock market crash and economic depression that followed made the investment in this kind of design unprofitable.
A length of J.A. Migel, Inc .silk and artificial silk dress goods "Fan-Ta-Si". Novelty crepe woven with a metallic like surface effect created by narrow warpwise irregular stripes of yellow threads. Woven with a silk warp and double filling: one of tightly twisted silk, the other of artificial silk singles. The length has significant discoloration throughout the wrong side that features light yellow or pink striped splotches instead of the dark salmon color. Julius A. Migel was a younger brother of Moses Charles Migel, founder of M.C. Migel & Co., Inc, silk manufacturer, renamed H.R. Mallinson & Co., Inc. in 1915. Mallinson, married to Linda Migel, had taken over as the president of M.C. Migel & Co. after his brother-in-law had retired. J.A. Migel was very briefly a partner with H.R. Mallinson, but left the firm in 1915 to form his own, eponymous, silk manufacturing concern. J.A. Migel used many of the marketing tools that his brother and H.R. Mallinson had succeeded with, but his company lasted only a few years.
In late 1926 American silk manufacturer H.R. Mallinson & Co. introduced a bold new line of printed silks, twelve landscape designs, each available in from eight to twelve colorways (color combinations) on three different ground fabrics. The designs celebrated America's National Parks - then only a decade old. The designs represented all the usual styles necesssary for making clothing: allover prints, horizontal stripes, checks, a border design. This striking design depicts the Wall of Windows at Bryce Canyon (Utah) National Park, printed on Mallinson's.Indestructible chiffon voile, a sheer, plain weave silk. Selvage width; selvage inscription. Judging from drawings by free-lance textile designer Walter Mitschke in the collection of the Museum of Fine Arts - Boston, Mitschke designed this print and a few others in the National Parks series..
Figures of infantry and cavalry soldiers assemble at the call of a bugle for “Guard Mount,” the inspection and changing of the guard, in this design from H.R. Mallinson & Co,’s first La Victoire series, produced just before the Armistice that ended the fighting in World War I was signed. The design is machine-printed in five colors on a taupe ground of “Pussy Willow” silk, one of Mallinson's most enduring fabrications. The firm’s marketing brochure stated, "To feature the French soldier at Guard Mount in a design so admirably adapted to feminine wear is indeed a masterpiece in the art of design."
Length of printed "Vagabond Crepe" (Mallinson trade name). A weft ribbed, crepe fabric (mfr #523) woven with silk warp and doupioni weft. Printed with allover pattern (mfr #2771), "Spirit of Seventy-Six" one of the Mallinson 1929 "Early American" series. This design depicts the signing of the Declaration of Independence; Boston Tea Party, Fanueil Hall; Nathan Hale; Patrick Henry before the Burgesses, Virginia; and the Battle of Lexington. Seven colors on a black ground. Selvage width; selvage inscription.
Mallinson's 1929 "Early American" series of printed dress silks was based on historical events and figures that were perceived at the time to consitute a shared American story. It was the last of the company's line of designs based on American themes in which each design was printed in at least seven colors, in several colorways, on three or four different ground cloths. The stock market crash and economic depression that followed made the investment in this kind of design unprofitable.
Length of printed "Vagabond Crepe" (Mallinson trade name). Weft ribbed, crepe fabric woven with silk warp and doupion weft. Printed with allover pattern "The Life of Lincoln," one of the Mallinson 1929 "Early American" series. This design depicts Lincoln as the barefoot boy by the log cabin; studying by light of fireplace; as the rail splitter; as well as the White House and the Lincoln Memorial. Colorway: beige ground with print in shades of orange, green, brown, black, red, white. Selvage width; selvage inscription.
Mallinson's 1929 "Early American" series of printed dress silks was based on historical events and figures that were perceived at the time to consitute a shared American story. It was the last of the company's line of designs based on American themes in which each design was printed in at least seven colors, in several colorways, on three or four different ground cloths. The stock market crash and economic depression that followed made the investment in this kind of design unprofitable.