The factory inside a large trawler like the Alaska Ocean is filled with equipment for filleting, processing, freezing, and packing enormous quantities of fish. Workers are trained in safety procedures and also wear protective headgear and earplugs as they work. While not required to wear certified safety helmets like the fishermen on the weather deck, they wear bump hats molded from high-density polyethylene for protection from minor bumps and bruises.
This yellow bump hat was worn by Thelma McFarland, a fish processor, who was working her third season aboard the Alaska Ocean in 2007. She wore it over a disposable hairnet, which covered and held her hair in place, a requirement for maintaining sanitary conditions in the factory. There are typically four factory shifts, and the bump hats are color-coded according to each shift—blue for A, yellow for B, green for C, and orange for D shift. The color-coding allows managers to quickly assess the number of workers that will be needed on extra kicker shifts. The lead managers in each area wear red bump hats.
Despite automation of basic fish processing functions like gutting and filleting, there is still a lot of handwork to be done aboard a factory trawler like the Alaska Ocean. And work around cold water, fresh fish, and heavy machinery means that gloves are a crucial part of a factory worker’s outfit.
These heavy vinyl gloves were worn by a female fish processor during the summer fishing season in 2007. An estimated 1200 to 1400 pairs of these gloves were being used, cleaned, and reused aboard the Alaska Ocean in 2007.
In addition to these heavy work gloves, the onboard laundry operation oversaw the distribution of 5,000 pairs of lighter rubber gloves, 800 pairs of cotton gloves, and 1200 pairs of wool gloves. The crew working in the freezer hold, known as the “pain cave,” wore thick, insulated gloves, and lab workers used disposable gloves when conducting tests on products for quality control.
These non-slip, waterproof boots were worn by Thelma McFarland, a fish processor working aboard the Alaska Ocean factory trawler in the summer of 2007. Manufactured in the USA, these “Xtratuf” boots are made of neoprene, a synthetic rubber.
Processors work 12-hour shifts and, if the factory is busy, they may work an additional 3 hours, called a kicker shift. For most of this time, the workers are on their feet, standing at processing tables or conveyor belts, or walking from one station to another on grated walkways. These walkways, like the areas around the equipment where processors stand to work, are raised above the floor, allowing the water used in factory operations to run beneath the workers’ feet. Despite being elevated above any water flow, it is still essential for workers to wear non-slip, waterproof boots to keep their feet warm and dry.
These boots are identical to those worn by deck hands. Most of the specialized clothing worn by workers and crew aboard the Alaska Ocean is provided by the company. Boots, however, are purchased by individuals, and are available in the on-board store. Felt insoles for the boots are available in the laundry and are washed frequently by laundry staff.
This black machine knitted net fingerless glove is embellished with embroidered flowers on both the front and the back. The flower spray is backed with fabric inside the glove. Pink silk thread is used for the French knots and bud centers, while coils of gold and silver laminated threads are couched onto a background fabric for flowers, stems and leaves. Every flower center is decorated with a cut green glass bead. The glove has probably never been worn.
Working on a factory trawler like the Alaska Ocean means living at sea for weeks at a time. The vessel fishes 24 hours a day, 7 days a week, and everyone aboard works a 12-hour shift. Although at 376 feet the vessel is huge, it is still a confined space with little variation in routines. People relax by working out in the gym, having a snack in the galley, or by watching movies (DVDs) in the large lounge, where a dozen recliners are arranged in a loose semicircle. The staterooms also have television sets and in early June when the boat is typically fishing in the North Pacific off the coast of Washington State, many of the sets are tuned in to Seattle Mariners’ baseball games.
Fishing boat attire runs toward jeans and T-shirts, but sweatpants and shirts are also worn. Sweatpants decorated with the words ALASKA OCEAN running up one leg were popular during the 2007 season. They were worn in leisure time as well as under coveralls during work hours. The pants were available, along with T-shirts, jackets, ball caps, and other attire, in the ship’s store.
Set of engraving blocks, about 146, in a corrugated, hard plastic case with lid, accompanies 2019.0306.01, the New Hermes Corp. engravo-graph. Blocks are of letters and numbers.
Used by Lillian Vernon with her monogramming machine.
Women and ships were the most popular subjects for scrimshaw carved by crewmen on long, slow whaling voyages. In this deeply engraved example, a beautifully coiffed and fashionable young lady, possibly in mourning dress, has pulled a locket from her bodice and is gazing at the image of a smiling young man. The curls of her girlish hairstyle would indicate that she is unmarried, although the traditional ring finger of her left hand is not shown. The mid-19th-century date of this tooth is suggested by the style of the dress.
A portable engraving/monogramming machine for clothing from the New Hermes Corporation, created circa 1950s, and owned by business woman Lillian Vernon. Accompanying this is 2019.0306.02, a box of engraving blocks.
Grape and vine motifs with shadow effect decorate this cotton Alençon lace collar from the late 19th century. Horsehair is used to support picots on the outside edge and on some interior motifs. The entre-deux at the neck edge is made with Droschel bobbin lace. It is attributable to the Lefébure workshop, Bayeux, France, and the pattern for this collar is in Musée des Beaux-Arts et de la Dentelle, Alençon, France. See Bruggeman, Kant in Europa, (L'Europe de la Dentelle), 1997 p. 169, and Dépalle, Brigitte Delesques, La Dentelle à l'aiguille, p. 81. It matches cuffs or borders TE*T17893B and TE*T17893C.
These nails are common framing nails. They have waffle textured heads, long shanks and are both smooth or spiral with gripper marks. They were found in the tool belt worn by Jillian Gross while working for Habitat for Humanity, a not-for-profit, non-government organization advocating affordable housing around the world.
When Hurricane Katrina struck the Gulf Coast in August 2005, Jillian Gross had worked with Habitat for Humanity for three years learning woodworking and house-building skills. Groups such as Habitat for Humanity marshaled volunteers, tools and lumber to step in when it became clear that normal avenues of housing assistance were overwhelmed.
In November 2005, Habitat for Humanity launched “America Builds on the National Mall,” a demonstration house-building marathon in Washington, D.C. in which the basic components of 51 homes were assembled within a week and shipped to the Gulf Coast. Upon completion of the project Ms. Gross, one of the house building leaders during this event, donated her tool belt, tools and protective wear to the Smithsonian Institution.
Small, flat head screwdriver, red plastic handle with the name Kobalt on its side. Kobalt is a house brand sold exclusively at the American home improvement store Lowe's. The screwdriver was used by Jillian Gross while working for Habitat for Humanity, a not-for-profit, non-government organization advocating affordable housing around the world.
When Hurricane Katrina struck the Gulf Coast in August 2005, Jillian Gross had worked with Habitat for Humanity for three years learning woodworking and house-building skills. Groups such as Habitat for Humanity marshaled volunteers, tools and lumber to step in when it became clear that normal avenues of housing assistance were overwhelmed.
In November 2005, Habitat for Humanity launched “America Builds on the National Mall,” a demonstration house-building marathon in Washington, D.C. in which the basic components of 51 homes were assembled within a week and shipped to the Gulf Coast. Upon completion of the project Ms. Gross, one of the house building leaders during this event, donated her tool belt, tools and protective wear to the Smithsonian Institution.
This marker was used by Jillian Gross while working for Habitat for Humanity, a not-for-profit, non-government organization advocating affordable housing around the world. The Sharpie® felt tip black permanent marker was made by Stanford Ink Company (as of 1990 part of Newell Rubbermaid).
When Hurricane Katrina struck the Gulf Coast in August 2005, Jillian Gross had worked with Habitat for Humanity for three years learning woodworking and house-building skills. Groups such as Habitat for Humanity marshaled volunteers, tools and lumber to step in when it became clear that normal avenues of housing assistance were overwhelmed.
In November 2005, Habitat for Humanity launched “America Builds on the National Mall,” a demonstration house-building marathon in Washington, D.C. in which the basic components of 51 homes were assembled within a week and shipped to the Gulf Coast. Upon completion of the project Ms. Gross, one of the house building leaders during this event, donated her tool belt, tools and protective wear to the Smithsonian Institution.
This belt clip was distributed in a Swanson speed square package. The clip hooks on to a belt and holds a speed square or other tools. It was used by Jillian Gross while working for Habitat for Humanity, a not-for-profit, non-government organization advocating affordable housing around the world.
When Hurricane Katrina struck the Gulf Coast in August 2005, Jillian Gross had worked with Habitat for Humanity for three years learning woodworking and house-building skills. Groups such as Habitat for Humanity marshaled volunteers, tools and lumber to step in when it became clear that normal avenues of housing assistance were overwhelmed.
In November 2005, Habitat for Humanity launched “America Builds on the National Mall,” a demonstration house-building marathon in Washington, D.C. in which the basic components of 51 homes were assembled within a week and shipped to the Gulf Coast. Upon completion of the project Ms. Gross, one of the house building leaders during this event, donated her tool belt, tools and protective wear to the Smithsonian Institution.
This short flat pry bar is for pulling nails and performing light work such as prying paneling or molding. Both ends are curved and slotted. It was used by Jillian Gross while working for Habitat for Humanity, a not-for-profit, non-government organization advocating affordable housing around the world.
When Hurricane Katrina struck the Gulf Coast in August 2005, Jillian Gross had worked with Habitat for Humanity for three years learning woodworking and house-building skills. Groups such as Habitat for Humanity marshaled volunteers, tools and lumber to step in when it became clear that normal avenues of housing assistance were overwhelmed.
In November 2005, Habitat for Humanity launched “America Builds on the National Mall,” a demonstration house-building marathon in Washington, D.C. in which the basic components of 51 homes were assembled within a week and shipped to the Gulf Coast. Upon completion of the project Ms. Gross, one of the house building leaders during this event, donated her tool belt, tools and protective wear to the Smithsonian Institution.
This pen was used by Jillian Gross while working for Habitat for Humanity, a not-for-profit, non-government organization advocating affordable housing around the world. This red transparent plastic pen has a rubber grip, retractable point and pocket clip.
When Hurricane Katrina struck the Gulf Coast in August 2005, Jillian Gross had worked with Habitat for Humanity for three years learning woodworking and house-building skills. Groups such as Habitat for Humanity marshaled volunteers, tools and lumber to step in when it became clear that normal avenues of housing assistance were overwhelmed.
In November 2005, Habitat for Humanity launched “America Builds on the National Mall,” a demonstration house-building marathon in Washington, D.C. in which the basic components of 51 homes were assembled within a week and shipped to the Gulf Coast. Upon completion of the project Ms. Gross, one of the house building leaders during this event, donated her tool belt, tools and protective wear to the Smithsonian Institution. The pen was kept with her notebook.
This nail puller, also referred to as a cat's paw, is designed to pull out nails and for light demolition. The length has a hexagonal shape, each end is curved, tapered and slotted. It was used by Jillian Gross while working for Habitat for Humanity, a not-for-profit, non-government organization advocating affordable housing around the world.
When Hurricane Katrina struck the Gulf Coast in August 2005, Jillian Gross had worked with Habitat for Humanity for three years learning woodworking and house-building skills. Groups such as Habitat for Humanity marshaled volunteers, tools and lumber to step in when it became clear that normal avenues of housing assistance were overwhelmed.
In November 2005, Habitat for Humanity launched “America Builds on the National Mall,” a demonstration house-building marathon in Washington, D.C. in which the basic components of 51 homes were assembled within a week and shipped to the Gulf Coast. Upon completion of the project Ms. Gross, one of the house building leaders during this event, donated her tool belt, tools and protective wear to the Smithsonian Institution.
This notebook has a purple plastic cover, nylon spiral binding and is comprised of perforated index cards. The remaining cards are blank. It is easy to make a list or write down a task and tear it out. It was used by Jillian Gross while working for Habitat for Humanity, a not-for-profit, non-government organization advocating affordable housing around the world. It
When Hurricane Katrina struck the Gulf Coast in August 2005, Jillian Gross had worked with Habitat for Humanity for three years learning woodworking and house-building skills. Groups such as Habitat for Humanity marshaled volunteers, tools and lumber to step in when it became clear that normal avenues of housing assistance were overwhelmed.
In November 2005, Habitat for Humanity launched “America Builds on the National Mall,” a demonstration house-building marathon in Washington, D.C. in which the basic components of 51 homes were assembled within a week and shipped to the Gulf Coast. Upon completion of the project Ms. Gross, one of the house building leaders during this event, donated her tool belt, tools and protective wear to the Smithsonian Institution. The notebook was kept in the pocket of a tool belt.
A common carpenters tool, this 7 inch right-angle square is used for marking lines on lumber for saw cuts. It was used by Jillian Gross while working for Habitat for Humanity, a not-for-profit, non-government organization advocating affordable housing around the world.
When Hurricane Katrina struck the Gulf Coast in August 2005, Jillian Gross had worked with Habitat for Humanity for three years learning woodworking and house-building skills. Groups such as Habitat for Humanity marshaled volunteers, tools and lumber to step in when it became clear that normal avenues of housing assistance were overwhelmed.
In November 2005, Habitat for Humanity launched “America Builds on the National Mall,” a demonstration house-building marathon in Washington, D.C. in which the basic components of 51 homes were assembled within a week and shipped to the Gulf Coast. Upon completion of the project Ms. Gross, one of the house building leaders during this event, donated her tool belt, tools and protective wear to the Smithsonian Institution.