Pencil and watercolor sketch on paper. The work depicts a field hospital near Château-Thierry, France. The field hospital, comprised of a number of white tents, is on the right. An ambulance and several people are in the adjacent road, which runs behind several permanent buildings. Two soldiers are sitting under a tree on the left.
Pencil, charcoal, and watercolor sketch on paper. The work depicts a kitchen in Andilly, France during World War I. Two soldiers are cooking on a wagon stove in the center of what appears to be a the interior of a barn or a store room.
Ink and watercolor color sketch on paper. The work depicts a field encampment near Dun-sur-Meuse, France, after the Armistice of World War I. A road cuts through a field where there are a large number of tents pitched. Several graves marked by crosses line one side of the road.
Graphite, charcoal, and ink wash sketch. Five officers sit around a table while another soldier serves them. The chair in the foreground is empty. On the table, a lamp illuminates the men's faces and casts shadows on the walls. A box telephone and two bottles of wine are among the items on the table. The sketch is done on white wove paper mounted on beige card that is ruled with decorative graphite lines.
Mixed media sketch (charcoal, pastel, and likely watercolor and/or gouache) on paper. In the center of the sketch is a stand of tall trees. Tents and other low structures form a line through the drawing. Several soldiers stand among the crop rows. There appear to be several telephone or telegraph poles in the background, behind the tents. These barracks were located at Gievres, France during World War I.
Brush and ink wash sketch with touches of graphite. Sketch depicts a road leading through a village. A church with a large steeple dominates the scene. Troops with horses and a wagon are on the right, lined up against the building. Smaller buildings and a water trough are on the left. Down the road, a mounted soldier's horse rears in front of a man and small child. The sketch is executed on white wove paper mounted on beige card that has been ruled with decorative graphite lines.
A pencil sketch on paper of German dugouts on the slope of Hill 204 located near Chateau-Thierry, France. This hill was the scene of fighting between Allied (French and American) and German soldiers during July of 1918. The Allies prevailed. The scene is in a forest where the Germans took shelter in dugouts on the slope of the hill. Abandoned supplies litter the ground around the dugouts; these include Stielhandgranates (stick grenades). American soldiers stand on the top part of the sketch in a clearing.
Pencil and crayon sketch on paper. The work depicts an airplane which has crashed on a sand beach while making a forced landing during World War I. The airplane is virtually upright, resting on its engine housing and wings with its tail sticking into the air. Three people are gathered to the immediate right of the airplane with a fourth person running toward them.
Charcoal and ink wash sketch on paper. A group of women, some standing on benches, are making camouflage nets at the Central Camouflage Depot in Dijon, France. These nets were made of pieces of painted burlap tied to wire and were used to disguise artillery positions.
Charcoal and ink wash sketch on blue-gray paper. Women are making nets and camouflage material in a large tent-like structure in Dijon, France. The structure appears to be fortified with sand bags at one end. There is a label attached to the bottom center of the sketch that reads: "MAKING NETS AND CAMOUFLAGE MATERIAL/Central Camouflage Depot at Dijon/BY E. PEIXOTTO/TRANSFERRED FROM THE WAR DEPARTMENT/3004."
Pencil and watercolor sketch on paper. The work depicts the French city of Neufchâteau during World War I. The scene shows the city from an aerial perspective, with farms in the lower left portion of the sketch. A church steeple dominates the center of the sketch, with buildings surrounding the church on all sides.
Charcoal drawing on paper. The work depicts several damaged buildings in the main square of Fère-en-Tardenois, France during World War I. A church with a tall spire and a cross atop its peaked roof dominates the center of the work. A smaller, perhaps residential, building in the foreground is partially collapsed, with debris spilling out of the exposed second floor interior.
Ink wash sketch. American troops marching in a square in the city. A statue of George Washington is in the center of the sketch; Washington is mounted on a horse and has his sword raised in the air. Large buildings and trees in background. Sketch is on white card, which is mounted to a larger piece of heavy cardboard. Also affixed to the cardboard backing is a label that reads: "AMERICAN TROOPS PARADING DOWN/AVENUE PRESIDENT WILSON/Paris, July 4, 1918/BY E. PEIXOTTO/TRANSFERRED FROM THE WAR DEPARTMENT/2964."
Charcoal with watercolor sketch on white paper. The scene takes place in the region of Ploisy in northern France and depicts two ambulances in front of a large building. Many wounded soldiers are sitting on the ground and receiving treatment. Several soldiers sit under the tree in the right of the sketch.
Ink wash sketch of African-American troops and small camouflaged buildings. The soldiers are moving about the buildings, carrying mattresses. Sketch done on heavy white paper.
Charcoal sketch on paper. A large cross is surrounded by several smaller crosses, some bearing wreaths or ribbons, in the foreground. A group of soldiers is resting among the crosses. Some men appear to be eating. A group of soldiers, on foot and on horseback, ascend a small hill in the background. At the end of this procession is a large piece of artillery. On the right of the sketch is a crater; some soldiers are walking up and out of the depression while others are at work inside the crater.
Charcoal, crayon, ink wash, and gouache on beige card. The work depicts American infantry soldiers entering the town of Nesle, France. The men march with their gear, while a soldier in the foreground looks on, with his back to the viewer. The town's buildings are damaged from shelling. There is rubble in the street.
Ink wash, black crayon, and graphite sketch of a road leading through what remains of a village. An ambulance stands before a shell-torn building; several wagons and soldiers are standing in the road. Part of a wall stands on the right. Airplanes in sky. Sketch is on beige wove paper mounted on tan card that has decorative ruled lines. Below the sketch is a printed label, attached to the tan mount, that reads: "THE LAST REMAINS OF MONTFAUCON/FIRST-AID DRESSING STATION/BY W. J. DUNCAN/TRANSFERRED FROM THE WAR DEPARTMENT/2860."
Charcoal and pencil sketch on paper. The sketch shows the buildings that line the waterfront of a city. The river is in the foreground and is bounded by a wall, with steps leading into the water. There are people along the river bank; two of them appear to be fishing. In the background is a large castle that rises above the town; this is the Château de Saumur. An original label on the drawing read, "A view of the city showing the chateau. The city is interesting as the location of an important American artillery school." On the reverse of the paper is a small sketch of an artillery gun.
Charcoal sketch on textured, off-white paper. The work depicts the interior of what was the dugout of a German commanding officer near Montsec, France during World War I. A wounded American soldier reads while sitting in a chair, with one leg raised and resting on a bench. Crutches lean against the bench. There are two labels on the cardboard under the sketch. The first is printed and reads: "GERMAN DUGOUTS, MONTSEC/BY E. PEIXOTTO/TRANSFERRED FROM THE WAR DEPARTMENT/2989". The second is typed and reads: "This was the dugout of the commanding officer. The walls were covered with burlap and the furniture was carefully made of twisted boughs. The wouded [sic] officer belonged to the 1st Division, which took Montsec."