A charcoal, watercolor, and pastel sketch on paper. In the drawing, six soldiers are standing in front of several timber frame buildings in a village near Montabaur, Germany. Debris is scattered around the outside of the buildings.
Pencil and watercolor sketch on paper. The work depicts the city of Chaumont, France, the site of the American Expeditionary Force headquarters during World War I. A stream and an open field dotted with trees in the foreground leads to a bluff, topped with buildings, in the background.
A pencil sketch on paper. This captured German artillery position near Essey is in the St. Mihiel Sector in France. The scene depicts a dugout covered with wood and leaves on top of a hill. This position would have provided optimal cover and range for artillery strikes. An American soldier sits on the ground in the right foreground.
A pencil sketch on paper of a shop in St. Nazaire, France that manufactures artillery pieces and locomotives for the war. Two men stand in the center of a large building, surrounded by equipment.
Mixed media on paper. This landscape depicts a battlefield that was part of the Second Battle of the Marne during World War I. This conflict was a turning point in the war. On July 15-16, 1918, the 38th Regiment of the Third Infantry Division of the United States Army participated in a battle here. Two crosses marking graves in the left foreground.
A pencil sketch on paper Coblenz, Germany (now known as Koblenz). The Rhine river occupies most of the sketch. On the right bank, there are several buildings, but one tall building stands out on the right edge of the sketch (possibly Basilica St. Kastor).
A charcoal and watercolor sketch on paper of a salvage depot at St. Pierre, France. Below a backdrop of five large windows, men and women are working in a large open space. The women are mostly engaged in carrying and sorting material. A group of men are on top of a pile of salvage on the left side of the drawing.
Charcoal, gouache, and oil on paper. The work depicts a group of French engineers (in blue uniforms) clearing the wreckage of a bridge in Château-Thierry, France. A section of the bridge has entirely collapsed into the water. On the left, two American soldiers sit on an intact section of the bridge. The shell-torn buildings of the town line the far side of the water.
Charcoal, graphite, and ink wash sketch on paper. The work depicts an airfield during World War I. An airplane, with French or British tail markings, is being pushed at the wings and at the tail by several men. A man on a tractor is visible just behind the plane's tail. In the background on the left are airplane hangars with planes in them.
Charcoal, crayon, gouache, and blue wash drawing on heavy textured cream wove paper. The work depicts American soldiers marching German ("Boche") prisoners of war (unarmed, in green uniforms) through a street in a recaptured village on the Marne. A woman is sitting inside one of the badly damaged buildings lining the street. Deceased German soldiers are lying on the ground in the foreground.
Pencil and watercolor sketch on paper. The work depicts an aviation field near Toul, France during World War I. A line of low buildings and an expansive sky are the subjects of this drawing.
Pen and ink with touches of graphite. Horizontal landscape format; village scene. Church tower and hills in background. Vehicles and a line of horses in foreground. Several soldiers moving about. Sketch done on white wove paper that is mounted on tan card with decorative ruled graphite lines.
A pencil and charcoal sketch on paper. Landscape of an area that was part of the Second Battle of the Marne during World War I. A railroad track runs through the center of the sketch, bordered by fields where some of the fighting took place. An inscription at the bottom of the sketch reads, "2nd Battle of the Marne - Railroad Embankment at Mezy - Sector of the 38 Regt."
A charcoal sketch on paper of a war-torn area in the St. Mihiel Sector of combat during World War I. Several bare trees dominate the scene. Two American soldiers are resting by the tree on the right. In the foreground, there is a trench with a wooden plank crossing on the right side. Several crosses, presumably marking graves, are in the background on the left.
A pencil and watercolor sketch on paper. The sketch is of a room in the bishop's palace at Verdun, France during World War I. The focal point is a broken window in the center of the sketch. The rest of the room is also in disrepair. Through the window is a view of the village of Verdun.
Pencil and watercolor sketch on paper. American soldiers, mounted and on foot, move through the square of this small French town. An ambulance is in the right foreground. This scene was captured at the end of the First World War.
Ink wash sketch on heavy white card. Facade of a house showing the effects of recent bombardments. Two soldiers sitting up against a stairway; another soldier stands in the road. The dugout cellar shelter depicted is characteristic of where soldiers lived during the war. A label affixed to the bottom of the sketch reads: "HOUSES IN BADONVILLER/BY E. PEIXOTTO/TRANSFERRED FROM THE WAR DEPARTMENT/2995." This label is glued over another illegible label.
Charcoal and gouache on beige textured paper mounted on brown card. The work depicts soldiers clearing rubble off the road that goes through Mont-Saint-Père. The large building that dominates the scene is badly damaged from the war.
Charcoal, crayon, and pastel sketch on heavy cream wove paper. A large farm building, with a breezeway in the center, dominates the sketch. In the left foreground are two horses and a soldier, while on the right, an American soldier stands next to a wagon. A mounted French soldier can be seen through the building's breezeway.
A watercolor and pencil sketch on paper of a billet at Peronne, France. The sketch depicts buildings in disrepair with several soldiers standing in the street. A stack of timber sits in front of the buildings.