Charcoal, watercolor, and gouache on heavy white card paper. The work depicts a set of buildings on a farm near Neufchâteau, France. The farm buildings are detailed with their bricks, roofs, and chimneys. There is an outline of a road. A building is in the immediate foreground on the left although the entire building is not shown. The sky is partially blue, and there are some trees in the background.
Crayon and charcoal on paper. The work depicts a tank overrunning a German machine gun emplacement. There are American soldiers behind the tank. In the foreground, two German soldiers, with multi-colored camouflaged helmets, man their machine gun. The German soldier on the right holds a rifle. A barbed-wire entanglement is visible on the right.
A charcoal and watercolor sketch on paper. A large building, La Porte de Moulins, rises above several other buildings and a clearing where army vehicles are grouped. American soldiers are roughly sketched and appear to be working on one of the trucks.
Crayon and charcoal drawing on white paper. A tank looms on the horizon in this battlefield scene. Barbed-wire entanglements on right and left. A soldier lies on the ground in the center of the drawing, while two American soldiers advance, with rifles ready, in the foreground.
Mixed media sketch on paper. A complex of buildings and temporary structures make up the hospital at Bazoilles, which was one of the largest hospitals in France during World War I. An inscription beneath the drawing reads, "Showing an extension of the hospital; workmen shown here are Chinese. The hospital will eventually provide 10,000 beds. The ward buildings are built on both sides of the river."
Charcoal, ink wash, and crayon sketch on white paper. The drawing depicts a large crater, filled with water, on a road to Varennes, France. The ridges around the crater are lined with American soldiers. Museum records pertaining to this object indicate: "This great mine crater, 160 feet wide, was in the main road and American engineers are here seen lowering its top and filling it in preparatory to bridging it over."
Charcoal sketch on brown paper. The work depicts the interior of a locomotive repair shop in Nevers, France during World War I. The shop is in a large, arch-roofed building lit by a large arched window at the rear. Men are working among locomotives and equipment.
A charcoal and pastel sketch on paper of the Fourth Corps Headquarter sat Hesperange, Luxembourg during World War I. The scene is of a wide road leading through a village. Buildings on the left fly French and American flags.
Pencil and watercolor color sketch on paper. The work depicts the French village of Ménil-la-Tour during World War I. Soldiers, trucks, and horses populate the scene; a church steeple rises in the background.
Charcoal and ink wash sketch on paper. Troops and army trucks pass over a small bridge. A sign posted on the bridge reads "Langsam Fahren" or "Drive Slowly". A large building sits atop a hill in the background of the scene. Buildings line the road on the right side of the sketch.
Charcoal sketch on paper. The work depicts a damaged house on the corner of a street in Badonviller, France during World War I. The roof and one wall of the house are shell-torn, with structural elements, rafters, and the chimney visible from the street. Pairs of soldiers are walking past and gathered around the house.
Charcoal and pastel (or possibly color crayon) sketch on white paper. Three wounded American soldiers (in black and white) walking in front of a shell-torn church. The soldier to the left is carrying one end of a stretcher that is mostly out of the picture. To the right is a French soldier, with his back to the viewer, in the small church graveyard. Smoke rises from the ruins of the church.
Ink wash sketch on paper. In this village scene, troops and vehicles move about a road running through town. The village church's spire rises above the other buildings of the town. At the bottom left of the sketch is attached a slip of paper that reads: " NEUF MAISONS 14387/Neuf Maisons -- a typical village of the Lorraine front/in which the American Troops are billeted./Peixotto." This paper is glued over a hand-written inscription.
Pencil and watercolor on paper. The work depicts a street corner at Badonviller, France during World War I. A large pile of bundled supplies sits in front of a building with a sign reading "Cafe Des Halles."
Pencil and crayon drawing on paper. The work depicts the interior of an airplane repair shop at Issoudun, France during World War I. Men are working on disassembled airplanes. A piece of an engine or airplane body is suspended in the ceiling above the overhead beams.
Charcoal sketch on white paper. The work depicts several damaged buildings in a village near Toul, France after a shell attack. A road winds through the sketch between the buildings and a church on the left. Three soldiers are shown walking along the road. A label attached to the cardboard under the sketch reads: "EFFECTS OF SHELL EXPLOSION IN TOWN/ON NORTH TOUL SECTOR/BY E. PEIXOTTO/TRANSFERRED FROM THE WAR DEPARTMENT/2982"
Charcoal sketch with ink wash. The work depicts General Pershing greeting crowds of people in a square in Saint-Mihiel, France. Behind the general is a line of French soldiers, both mounted and on foot, in formation.
Pencil and watercolor sketch on beige paper mounted on brown card. The work depicts shell-torn buildings at Brieulles-sur-Meuse in the Argonne sector of France during World War I. The building in the right foreground is severely damaged at one end, with roof beams and interior rooms visible through the debris. Two soldiers are standing next to the damaged area. The building in the background has less extensive damage, but makeshift stairs have been built to enter the building at its first and second floors.