As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations. Engineers and officers would use “speaking trumpets” to amplify their voices over the noise and commotion of a fire scene to direct the company in effectively fighting the blaze. Two trumpet variants are reflected in the collection: plain and functional “working” trumpets that were actively used at fires, and highly decorated “presentation” trumpets. Presentation trumpets were awarded to firefighters in honor of their service, or between fire companies during visits, competitions, and musters.
This brass work trumpet was in use around 1850. The trumpet is not engraved and has a simple shaft divided into three sections. A cord would have been strung through the two rings attached to the trumpet.
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations. Engineers and officers would use “speaking trumpets” to amplify their voices over the noise and commotion of a fire scene to direct the company in effectively fighting the blaze. Two trumpet variants are reflected in the collection: plain and functional “working” trumpets that were actively used at fires, and highly decorated “presentation” trumpets. Presentation trumpets were awarded to firefighters in honor of their service, or between fire companies during visits, competitions, and musters.
This brass work trumpet was used around 1848-1850. The trumpet has two rounded bands with protruding rings that allowed a cord to be attached to the trumpet.
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations. Engineers and officers would use “speaking trumpets” to amplify their voices over the noise and commotion of a fire scene to direct the company in effectively fighting the blaze. Two trumpet variants are reflected in the collection: plain and functional “working” trumpets that were actively used at fires, and highly decorated “presentation” trumpets. Presentation trumpets were awarded to firefighters in honor of their service, or between fire companies during visits, competitions, and musters.
This brass work trumpet was used during the middle of the 19th century. The trumpet’s mouthpiece is made of leather and the brass section has several dents.
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations. Engineers and officers would use “speaking trumpets” to amplify their voices over the noise and commotion of a fire scene to direct the company in effectively fighting the blaze. Two trumpet variants are reflected in the collection: plain and functional “working” trumpets that were actively used at fires, and highly decorated “presentation” trumpets. Presentation trumpets were awarded to firefighters in honor of their service, or between fire companies during visits, competitions, and musters.
This brass trumpet dates from the 19th century. The trumpet has small bands around the mouthpiece and bell, but lacks any engraving or adornment.
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations. Engineers and officers would use “speaking trumpets” to amplify their voices over the noise and commotion of a fire scene to direct the company in effectively fighting the blaze. Two trumpet variants are reflected in the collection: plain and functional “working” trumpets that were actively used at fires, and highly decorated “presentation” trumpets. Presentation trumpets were awarded to firefighters in honor of their service, or between fire companies during visits, competitions, and musters.
This trumpet was likely presented to the Weccacoe Hose Company of Philadelphia, Pennsylvania by the Ramblers Club No. 1. The silver trumpet is divided into three sections, with an inscription on the center section that reads “Presented to / Weccacoe Hose Co. / by the / Ramblers Club No. 1 / May 2nd 1852.” A leather strap is attached to the trumpet by two rings. The fire company was organized on January 8, 1842 and operated until 1854 when it was shut down by city council for fighting. Rambling clubs began in the 19th century as a way for people to escape the industrializing city and walk around nature.
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations. Engineers and officers would use “speaking trumpets” to amplify their voices over the noise and commotion of a fire scene to direct the company in effectively fighting the blaze. Two trumpet variants are reflected in the collection: plain and functional “working” trumpets that were actively used at fires, and highly decorated “presentation” trumpets. Presentation trumpets were awarded to firefighters in honor of their service, or between fire companies during visits, competitions, and musters.
This brass and silver plated speaking trumpet dates to 1852. The lower and upper section of the trumpet is plated in silver. There is a braided red cord with tassels that is strung through two rings along the trumpets’ shaft. There is a silver shield-shaped plaque attached to the trumpet that bears the inscription “Presented Sept. 20, 1852/ To the New Jersey Co. No. 4/ By a friend A.N.B.S./ For the use of the carriage.”
Beginning in the 1750s, some American insurance companies issued metal fire marks to policyholders to signify that their property was insured against fire damage. The fire marks bore the name and/or symbol of the insurer, and some included the customer’s policy number. The company or agent would then affix the mark to the policyholder’s home or business. For owners the mark served as proof of insurance and a deterrent against arson. For insurance companies the mark served as a form of advertising, and alerted volunteer firefighters that the property was insured.
The Associated Firemen’s Insurance Company of Pittsburgh, Pennsylvania issued this fire mark in 1851. The mark is a cut-out image of a fireman wearing a hat and cape. The fireman is next to a fire hydrant, using a speaking trumpet, with a wrench in his hand to open the hydrant. The fireman is standing on a crescent shaped base that has raised text that reads “FIRE COMPANY.” The mark is painted reddish-brown. The Associated Firemen’s Insurance Company operated from 1850 to around 1857.
Beginning in the 1750s, some American insurance companies issued metal fire marks to policyholders to signify that their property was insured against fire damage. The fire marks bore the name and/or symbol of the insurer, and some included the customer’s policy number. The company or agent would then affix the mark to the policyholder’s home or business. For owners the mark served as proof of insurance and a deterrent against arson. For insurance companies the mark served as a form of advertising, and alerted volunteer firefighters that the property was insured.
The Associated Firemen’s Insurance Company of Pittsburgh, Pennsylvania issued this fire mark in 1851. The mark is a cut-out image of a fireman wearing a hat and cape. The fireman is next to a fire hydrant, using a speaking trumpet, with a wrench in his hand to open the hydrant. The fireman is standing on a crescent shaped base that has raised text that reads “FIRE COMPANY.” The mark has trace amounts of gold paint. The Associated Firemen’s Insurance Company operated from 1850 to around 1857.
This trumpet was made by Antoine Courtois in Paris around 1844-1856. It is an F slide trumpet made of silver plated brass with a double clock spring and four crooks, tuning bit and four mouthpieces and accessioned with a period wooden case. This trumpet was sold through Jullien & Co. in London. The bell is inscribed:
Approved by HERR KOENIG ANTOINE COURTOIS BREVETE FACTEUR DU CONSERVOIRE IMPERIAL RU DU CAIRE 21 PARIS JULLIEN & Co. Sole Agents ] 214 Regent Ste. London.
The Courtois firm was founded by Antoine’s father in rue Mazarine in Paris, 1789. Around 1803, Antoine Courtois (1770-1855) relocated the firm to 21, rue du Caire. In 1851, Antoine’s son, Denis A. Courtois became the successor of the company and by 1856 moved the firm to 88, rue des Marais. The Courtois firm became a prominent brass instrument maker and continued after the death of Denis in 1880 with various owners.
This slide trumpet case was made by an unknown maker in France, around 1844-1856. It is made of wood covered with black-stained leather, metal fittings and handle, and red plush interior. Accessioned with Courtois slide trumpet (MI.66.013)
Silver fireman's presentation trumpet engraved, "Presented to the Good Will Engine Co. By the Colored women of Phila.a as a token of their appreciation of their manly, heroic, and philanthropic efforts displayed upon various trying occasions in defence of the persons, rights and property of their oppressed fellow citizens." Marked "C. BARD & SON". Conical body, embossed and chased with floral spray designs, hexagonal, flared mouth. Engraved with a presentation and two semi-circular devices to attach cord for suspending the trumpet.
The sidewheel steamer George Law was built in 1852/53 at New York by William H. Webb for the United States Mail Steamship Company. Named after the company president, the Law measured 278 ft. long and 2,141 tons. It was built to sail the New York-Panama route for the California gold rush. In 43 round trips between 1852 and 1857, the ship carried as much as a third of all the gold found in California. In 1857, the ship went aground and returned to the Webb yard for a major overhaul. The Law's name was changed to Central America during the rebuilding, possibly to reflect its most common route and because its namesake had sold his interest in the company.
On September 3, 1857, the Central America left Panama for New York City with nearly 600 passengers and crew, as well as thousands of new $20 Double Eagle gold coins produced at the San Francisco mint. Nine days later, the vessel sank in a hurricane off Cape Hatteras, North Carolina, in the deadliest peacetime shipwreck in American history. Four hundred twenty-five people perished in the wreck, and tons of California gold went to the bottom. The wreck horrified and fascinated the American public and helped fuel a financial crisis known as the Panic of 1857. Without the Central America’s gold, several New York banks were unable to pay their creditors.
In 1858, President James Buchanan gave this ornamental silver speaking trumpet to the captain of the German bark Laura for bringing the Central America’s final three survivors to New York. Actually, the British brig Mary had rescued the men after nine horrific days on the open sea. However, the Mary was bound for Ireland, so it transferred the survivors to the New York-bound Laura. The inscription reads:
“The President of the United States to Capt. Martin Brinckmann of the Bremen Bark Laura for his humane zealous and successful efforts in rescuing one of the Passengers and two of the Crew of the Steamer Central America from the perils of the Sea. 1858”
This toy trumpet was made by an unknown maker in the United States, about 1850s. It is made of metal with 4 spring activated keys. The key tops have printed musical notes. The bell end of the horn is sealed so sound comes through the tops of the valves.
Plain, baluster-shaped syrup pitcher on domed base with low-domed, hinged lid topped by trumpet flower knop; S-curve, D- or ear-shaped strap handle with short terminal; and applied, curved, U-shaped spout.
