As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations. Engineers and officers would use “speaking trumpets” to amplify their voices over the noise and commotion of a fire scene to direct the company in effectively fighting the blaze. Two trumpet variants are reflected in the collection: plain and functional “working” trumpets that were actively used at fires, and highly decorated “presentation” trumpets. Presentation trumpets were awarded to firefighters in honor of their service, or between fire companies during visits, competitions, and musters.
This silver-plated speaking trumpet was presented by the Harry Howard Hose Company of New York City to its last volunteer foreman in 1865. The trumpet has an engraved floral design with several raised floral patterns throughout. There is a cartouche on the bell that contains an engraved image of a hose reel. A cartouche along the shaft contains the inscription “Presented to Garrett Bell foreman of Harry Howard Hose Co. No. 55 by the members Jan. 1st 1865.” A braided blue cord with tassels is attached to the trumpet through protruding rings. The Harry Howard Hose Company, formed in 1853, was named for the famous Chief Engineer of the New York City volunteers. Garrett Bell was the last foreman of the company when it disbanded as part of the creation of the paid municipal city system in 1865.
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations. Engineers and officers would use “speaking trumpets” to amplify their voices over the noise and commotion of a fire scene to direct the company in effectively fighting the blaze. Two trumpet variants are reflected in the collection: plain and functional “working” trumpets that were actively used at fires, and highly decorated “presentation” trumpets. Presentation trumpets were awarded to firefighters in honor of their service, or between fire companies during visits, competitions, and musters.
This silver plated speaking trumpet was presented to James F. Gaffney and dates from the mid to late 19th century. The trumpet has a plain surface with beaded bands around the mouthpiece and upper and lower bulges in the trumpet. There is an egg and dart pattern stamped around the bell of the horn. Two gilded eagles’ heads are attached to the trumpet holding rings in their beaks that are connected by a braided purple cord with tassels on the end. There are decorative incisions around an engraving that reads “Presented to James F. Gaffney by his Friends for his Good qualities as a Fireman and his Virtues as a citizen.”
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations. Engineers and officers would use “speaking trumpets” to amplify their voices over the noise and commotion of a fire scene to direct the company in effectively fighting the blaze. Two trumpet variants are reflected in the collection: plain and functional “working” trumpets that were actively used at fires, and highly decorated “presentation” trumpets. Presentation trumpets were awarded to firefighters in honor of their service, or between fire companies during visits, competitions, and musters.
This silver plated horn was presented to the Delaware Engine Company by the Paulding Assembly, likely the town government of Paulding, New Jersey, in 1865. Floral patterns are engraved and in low relief around the trumpet. In the center of the trumpet there is an inscription that reads “Presented/ to the Delaware Engine Company No. 4/ by the Paulding Assembly/ Oct. 16, 1865.” Two rings are gripped in an eagle’s beak that would allow a cord to be attached to the trumpet.
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations. Engineers and officers would use “speaking trumpets” to amplify their voices over the noise and commotion of a fire scene to direct the company in effectively fighting the blaze. Two trumpet variants are reflected in the collection: plain and functional “working” trumpets that were actively used at fires, and highly decorated “presentation” trumpets. Presentation trumpets were awarded to firefighters in honor of their service, or between fire companies during visits, competitions, and musters.
This metal trumpet was presented to the Lafayette Hose Company around 1865. There are engraved designs on the trumpet’s shaft and bell, and three medallions attached to the bell with one in the trumpet’s shaft. The medallions around the bell include two profile images of helmeted Greek or Roman figures and a classical front-facing female. A medallion on the shaft has a profile image of a helmeted Greek or Roman figure. Two eagles’ heads protrude from the shaft with a place in their beaks for rings. There is an inscription in the center of the shaft that reads “Presented to the LaFayette Hose Company Oct. 16, 1865 by their friends [illegible].”
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations. Engineers and officers would use “speaking trumpets” to amplify their voices over the noise and commotion of a fire scene to direct the company in effectively fighting the blaze. Two trumpet variants are reflected in the collection: plain and functional “working” trumpets that were actively used at fires, and highly decorated “presentation” trumpets. Presentation trumpets were awarded to firefighters in honor of their service, or between fire companies during visits, competitions, and musters.
This brass trumpet was presented to Henry K. Woodruff by the Independence Hose Company of New York in 1862. The trumpet is divided into three sections with two rings that allow for a cord to be attached. The trumpet bears an inscription that reads “Presented by Independence Hose Company, No. 3, New York, to Foreman Henry K. Woodruff 1862.” The Independence Hose Company No. 3 was organized on November 19, 1832. Woodruff was the foreman of the Independence Hose Company from 1862 until the company disbanded in 1865.
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations. Engineers and officers would use “speaking trumpets” to amplify their voices over the noise and commotion of a fire scene to direct the company in effectively fighting the blaze. Two trumpet variants are reflected in the collection: plain and functional “working” trumpets that were actively used at fires, and highly decorated “presentation” trumpets. Presentation trumpets were awarded to firefighters in honor of their service, or between fire companies during visits, competitions, and musters.
This silver plated trumpet was presented to the Neptune Engine Company by the citizens of Paterson, New Jersey through Josiah P. Doremus in 1867. The trumpet has three sections. The lower bell bears an engraved image of a steam powered fire engine. The center portion is an inscription framed by engraved decorative foliage that reads “Presented to Neptune Engine Company No. 2 by Citizens of Patterson, N.J. through Josiah P. Doremus. Sept 2nd 1867.” The upper section has a variety of decorative engravings. Josiah Doremus was a prominent businessman in Paterson, New Jersey during the middle of the 19th century.
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations. Engineers and officers would use “speaking trumpets” to amplify their voices over the noise and commotion of a fire scene to direct the company in effectively fighting the blaze. Two trumpet variants are reflected in the collection: plain and functional “working” trumpets that were actively used at fires, and highly decorated “presentation” trumpets. Presentation trumpets were awarded to firefighters in honor of their service, or between fire companies during visits, competitions, and musters.
This brass trumpet is plated with silver and painted gold. There are three oval medallions around the bell, each with a profile image of a Grecian figure’s head. The shaft of the horn features a profile bust of George Washington framed in an oval cartouche. There is an inscription on the shaft that reads “Presented to Trenton Hose Co. No. 1 of Trenton, N.J. by Empire Association Lynn Feb 4th 1869” that is framed in an oval. A braided red, white, and blue cord is attached to the trumpet through two rings.
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations. Engineers and officers would use “speaking trumpets” to amplify their voices over the noise and commotion of a fire scene to direct the company in effectively fighting the blaze. Two trumpet variants are reflected in the collection: plain and functional “working” trumpets that were actively used at fires, and highly decorated “presentation” trumpets. Presentation trumpets were awarded to firefighters in honor of their service, or between fire companies during visits, competitions, and musters.
This silver plated speaking trumpet was presented to the Washington Fire Engine Company by the Jovial Club of Paterson, New Jersey in 1860. The trumpet is engraved with ivy and flowers around the entire trumpet and has an inscription inside an oval cartouche framed by tree branches. This inscription reads, "Presented by the Jovial Club of Paterson, N.J. to Washington Fire Engine Company No. 3, February 22, 1860." The braided orange cord with tassels is attached to the trumpet by rings in the shape of fire hats. In September of 1862 many members of the Washington Fire Engine Company formed Company A in the 25th Regiment of the New Jersey Volunteers.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
This fire hat was used in the eastern United States during the first half of the 19th century. The hat is painted black overall, with the text “HARMONY” arching over the image of a speaking trumpet, all painted in gold on the hat’s front. The painting on the back of the hat has deteriorated, but there are traces of a fire hydrant painted in gold with the text “WE [illegible] TO SERVE” arching above. The owner’s initials “C.P.S.” are painted in gold on the crown of the hat. A speaking trumpet, as seen on this hat, was a necessary tool to shout commands over the noise and disorder of a fire scene. The trumpets became well known as a symbol of authority, and continue to serve as rank insignia in fire departments. The fire hydrant, which is the symbol of the Fire Association of Philadelphia, suggests that the hat may have belonged to a member of the Harmony Engine Company No. 6. Founded in 1784, it operated as a hand engine company until 1855, when it refused to join the newly organized Philadelphia Fire Department, which, although volunteer, was under the administrative and financial control of the city. In 1867 the Franklin Hose Company No. 28 purchased its charter and operated as the Harmony Steam Fire Engine Company No. 6 until 1871 when Philadelphia’s paid firefighting department was established.
The traditional American leather firefighter’s helmet with its distinctive long rear brim, frontpiece, and crest adornment was first developed around 1821-1836 in New York City. Henry T. Gratacap, a New York City luggage maker by trade, is often credited as the developer of this style of fire helmet. Gratacap created a specially treated leather helmet with a segmented “comb” design that led to unparalleled durability and strength. The elongated rear brim (also known as a duckbill or beavertail) and frontpiece were 19th century innovations that remain the most identifiable feature of firefighter’s helmets. The body of the helmet was primarily designed to deflect falling debris, the rear brim prevented water from running down firefighters’ backs, and their sturdy crowns could aid, if necessary, in breaking windows.
This white leather helmet was made around 1889. The helmet has 24 combs, a metal eagle frontpiece holder, and a rear brim embossed with an image of a hoses, hooks, ladders, lamps, and horns. A metal plate sits in the center of the image with the engraving “David I. Turnbull, appointed May 1, 1889.” The frontpiece reads “CHIEF/D.I.T.” with a painted central image of a fire trumpet with a helmet perched on top and a variety of firefighting tools crossed behind the trumpet. The helmet belonged to David I. Turnbull, who served as Chief Engineer in Paterson in 1877 and was appointed Chief Engineer by the Paterson aldermen, serving from May 1889 until May 1890.
In the nineteenth century, volunteer fire companies often commissioned paintings to decorate their hand-pumped fire engines for parades, competitions, and community events. Sometimes framed with elaborate carvings, they adorned the tall air chamber located at the middle or rear of a pumper. The paintings would often feature patriotic, heroic, or allegorical images to associate the volunteer companies with these lofty ideals.
This painting belonged to the Eagle Fire Engine Company No. 13 of New York, New York that was active from 1783 to 1865. The oil painting was created by an unknown artist around 1863. The painting is a full-length portrait of Chief Engineer Harry Howard. Howard is holding a speaking trumpet and resting his hand on a table that bears his work helmet. Upon his death in 1896, Howard was the last surviving Chief Engineer of the Volunteer Fire Department of New York City. A great supporter for the paid Metropolitan Fire Department established in 1865, Howard advocated for pay raises for firemen, the establishment of a firefighter’s retirement home, and gave $1,000 to the exempt firemen’s burial fund. This painting and its companion (2005.0233.0310) would have adorned either side of the company’s engine.
Beginning in the late 18th century, some volunteer fire fighters began to wear hats painted with their company’s name to identify themselves at chaotic fire scenes. During the 19th century, these fire hats became more ornate, as portraits of historical figures, patriotic scenes, allegorical images, or company icons were painted alongside the company’s name, motto, or founding date. Made of pressed felt, these “stove-pipe” hats were primarily used in Philadelphia, but other nearby cities such as Baltimore and Washington adopted them as well. Fire hats were personal items with the owner’s initials often painted on the top of the hat. While these hats were worn at fires, they are more colloquially known as “parade hats.” Fire companies commonly marched in the many parades of the period and these ornate hats contributed to the visual culture of their day. These distinguishing features in a company’s regalia often proclaimed the members’ cultural and political identity as well as their position on contested topics such as work, religion and immigration.
The hat is painted blue overall, with a central image of a flying angel (or alternately an allegorical representation of Fame) blowing a trumpet with a sunburst in the background. The portrait is framed in gold, flanked with banners above and on each side. The name of the original company appears to have been obscured by blue paint in the banners, but there is a paper tag on the inside that reads “THE PROPERTY/HARRY NEEL.”
Conversation tube with horn and earpiece made of black rubber, and tubing made of fabric over a metal coil. The inscription on the horn reads “F.C. Rein and Son.” Frederick Charles Rein (ca. 1812-1896) was born in Leipzig, moved to London in the 1830s, opened an acoustic instrument shop on the Strand which he termed “Paradise for the Deaf,” and won a prize medal, the first of many, at the London Crystal Palace Exhibition of 1851. The firm became C. Rein & Son Rein in 1867 and remained in business until the early 1960s.
A blank version of the James Gordon Bennett Medal in a leather case originally presented to a deserving firefighter of the city of New York through the Board of Trustees - T. Bailey Mason and others. The obverse of medal shows Neptune coming out of the sea on a shell, pulled by a horse, handing a key to a female figure (possibly Fame) holding a speaking trumpet and standing on a cliff edge. Her feet are surrounded by a fire hose, a bucket, a hook, and a ladder. With her left hand, which holds the trumpet, she gestures toward a steam engine pulled by horses in the far right background. Steam and/or smoke borders the right edge of the medal. A winged figure representing Fire, who holds a torch in each hand, is vanquished at the bottom below the cliffs.
The reverse of the medal is inscribed on the outer border: "ENDOWED BY A FUND CONTRIBUTED BY JAMES GORDON BENNETT." Inside this inscription is a wreath of leaves, with a crossed axe and trumpet with ribbon at the bottom. Inside is the inscription: "PRESENTED / to / [blank space] / IN APPRECIATION OF / MERITOUS PERFORMANCE / OF DUTY AS A FIREMAN / [blank space] / TRUSTEES" There are two spaces left blank for further engraving of the name of the individual to whom this medal would be presented.
The medal is in original case, made of leather and lined with green velvet. The exterior of the case is brown, and inscribed in the top in gold lettering is: "T. Bailey Meyrs. / Trustee of the Bennett Medal" A decorative gold medal band is painted around the exterior of the box.
Tapered oval teapot with ribbed sides, tapered spout and low-domed, hinged lid topped by circular, pierced, leafy knop. Spurred, D- or ear-shaped handle has graduated dots below thumb piece, ivory-colored insulators and trumpet-shaped, gadrooned struts. Body perforated at spout. Underside of flat bottom is struck incuse "4 / A1 / 416". Part of teapot, sugar bowl and creamer set, 1991.0825.05-.07.
Ribbed, tapered oval creamer or cream pitcher with cast, inset, scroll-bordered spout and high, S-scroll handle with leaf decoration and bud terminals, the upper terminal attached to short, trumpet-shaped, leafy strut. Slightly concave bottom. No marks. Part of teapot, sugar bowl and creamer set, 1991.0825.05-.07.
Flat oval tray with molded sides and large beaded rim on four applied oval boss feet. Well obverse is engraved with an oval band of trumpet-shaped leaves and flowers sprouting scrolls around a foliate script "W" at center. Circular tag affixed to underside of well at one end is embossed "* ROGERS BROS. MFG CO. * / HARTFORD CONN. (in outer circle)" and "****** / EXTRA / HEAVY / PLATE. / ******* (in inner circle)". Clipped-corner rectangular, red-bordered white paper label affixed at center of underside.
Maker is Rogers Brothers Manufacturing Co. (William, Asa H., and Simeon S. Rogers) of Hartford, CT; 1853-1861.
