One (1) Daniel Morgan at the Cowpens medal, (Comitia Americana)
United States (France), 1781
Obverse Image: Morgan leads an infantry change on horseback against a retreating British cavalry; another cavalry charge is visible in the background.
Obverse Text: VICTORIA LIBERTATIS VINDEX. / FVGATIS CAPTIS AVT CAESIS / AD COWPENS HOSTIBVS / XVII. JAN. MDCCLXXXI / DUPRE. INV. ET. F.
Reverse Image: America, represented as a semi-nude Indian female places a crown of laurels on the head of Morgan who stands in uniform to her right; he bows slightly to receive his crown; behind them are two cannons, a shield, trumpet, fasces, and sundry standards to represent war.
Reverse Text: DANIELI MORGAN DUCI EXERCITUS / COMITIA AMERICANA / DUPRE F.
One (1) Daniel Morgan at the Cowpens medal, (Comitia Americana)
United States (France), 1839
Obverse Image: Morgan leads an infantry change on horseback against a retreating British cavalry; another cavalry charge is visible in the background.
Obverse Text: VICTORIA LIBERTATIS VINDEX. / FVGATIS CAPTIS AVT CAESIS / AD COWPENS HOSTIBVS / XVII. JAN. MDCCLXXXI / DUPRE. INV. ET. F.
Reverse Image: America, represented as a semi-nude Indian female places a crown of laurels on the head of Morgan who stands in uniform to her right; he bows slightly to receive his crown; behind them are two cannons, a shield, trumpet, fasces, and sundry standards to represent war.
Reverse Text: DANIELI MORGAN DUCI EXERCITUS / COMITIA AMERICANA / DUPRE F.
One (1) Daniel Morgan at the Cowpens medal, (Comitia Americana)
United States (France), 1781
Obverse Image: Morgan leads an infantry change on horseback against a retreating British cavalry; another cavalry charge is visible in the background.
Obverse Text: VICTORIA LIBERTATIS VINDEX. / FVGATIS CAPTIS AVT CAESIS / AD COWPENS HOSTIBVS / XVII. JAN. MDCCLXXXI / DUPRE. INV. ET. F.
Reverse Image: America, represented as a semi-nude Indian female places a crown of laurels on the head of Morgan who stands in uniform to her right; he bows slightly to receive his crown; behind them are two cannons, a shield, trumpet, fasces, and sundry standards to represent war.
Reverse Text: DANIELI MORGAN DUCI EXERCITUS / COMITIA AMERICANA / DUPRE F.
General Information: Strike: trial piece - note circular scribe lines, suggesting that the die has not yet been finished.
One (1) Daniel Morgan at the Cowpens medal, (Comitia Americana)
United States (France), 1781
Obverse Image: Morgan leads an infantry change on horseback against a retreating British cavalry; another cavalry charge is visible in the background.
Obverse Text: VICTORIA LIBERTATIS VINDEX / FVGATIS CAPTIS AVT CAESIS / AD COWPENS HOSTIBVS / XVII. JAN. MDCCLXXXI / DUPRE. INV. ET. F.
Reverse Image: America, represented as a semi-nude Indian female, places a crown of laurels on the head of Morgan who stands in uniform to her right; he bows slightly to receive his crown; behind them are two cannons, a shield, trumpet, fasces, and sundry standards to represent war.
Reverse Text: DANIELI MORGAN DUCI EXERCITUS / COMITIA AMERICANA / DUPRE F.
General Information: Struck from the 1839 Barré dies, most probably in France as a prototype to show to the U.S. Mint in Philadelphia.
This trumpet was made by Antoine Courtois in Paris around 1844-1856. It is an F slide trumpet made of silver plated brass with a double clock spring and four crooks, tuning bit and four mouthpieces and accessioned with a period wooden case. This trumpet was sold through Jullien & Co. in London. The bell is inscribed:
Approved by HERR KOENIG ANTOINE COURTOIS BREVETE FACTEUR DU CONSERVOIRE IMPERIAL RU DU CAIRE 21 PARIS JULLIEN & Co. Sole Agents ] 214 Regent Ste. London.
The Courtois firm was founded by Antoine’s father in rue Mazarine in Paris, 1789. Around 1803, Antoine Courtois (1770-1855) relocated the firm to 21, rue du Caire. In 1851, Antoine’s son, Denis A. Courtois became the successor of the company and by 1856 moved the firm to 88, rue des Marais. The Courtois firm became a prominent brass instrument maker and continued after the death of Denis in 1880 with various owners.
This trumpet was made by Georges Leblanc in Paris, France around 1960-1970. It is a B-flat trumpet, serial #29228, made of brass with 3 piston valves. This trumpet was previously owned and used by American jazz trumpeter and bandleader Charlie Spivak. This trumpet is engraved:
G.LEBLANC PARIS
and>
Charlie Spivak
Trumpeter and bandleader, Charlie Spivak (1905 or 1907-1982) grew up in New Haven, Connecticut and learned to play trumpet at 10 years old. In his professional career, Spivak played with a number of big bands including, Ben Pollack, Tommy and Jimmy Dorsey, and Glen Miller. Spivak led his own band from 1939 to 1959 and continued to play and record until his death in 1982.
This trumpet was made by Georges Leblanc in Paris, France around 1960 to1965. It is a 770 Conrad Gozzo B-flat trumpet, serial #16674, made of brass with 3 piston valves. This trumpet is engraved:
G.LEBLANC PARIS
(and on bell):
Gozzo
autographed model
This trumpet was previously owned by Charles James “Charlie” Shavers (1920-1971), an American jazz trumpeter, who performed with jazz greats such as, Dizzy Gillespie, Billie Holiday, Sidney Bechet, and Lucky Millinder.
Conrad J. Gozzo (1922–1964) was an American trumpet player. He was a highly respected lead trumpeter and greatly in demand as a studio musician performing with music luminaries as Ella Fitzgerald, Frank Sinatra, Benny Goodman, Woody Herman, Les Brown, Pete Rugolo, and Henry Mancini.
This slide trumpet case was made by an unknown maker in France, around 1844-1856. It is made of wood covered with black-stained leather, metal fittings and handle, and red plush interior. Accessioned with Courtois slide trumpet (MI.66.013)
This trombone was made by Roehn in Paris, France, around 1848-1884. It is an E-flat bass slide trombone. This trombone is made of brass and the slide has a handle with a universal joint. It is engraved:
This trombone was made by F. Tabard in Lyon, France, around 1820-1848. It is a B-flat slide trombone, made of brass with a painted red with gold garland inside bell. The bell points to the rear. This trombone is inscribed on the bell:
TABARD A LYON
(and on a ferrule):
DEPOT DE TOTI.
This trombone was acquired from the collection of Leopoldo Franciolini in 1892. Leopoldo Franciloini (1844–1920) was an Italian antique dealer who flourished in the late 19th and early 20th centuries. He is remembered as a fraudster who sold faked and altered historical musical instruments.
White on black lithograph of American jazz trumpeter, composer, vocalist, and actor, Louis Armstrong (1901-1971). The portrait is of a 3/4 back profile of Armstrong playing a trumpet. The print is marked:
[printed along bottom]
ARMSTRONG
[in script, bottom right]
LOUIS ARMSTRONG
[in script]
Charles Delaunay
This print is from a set of 15 lithographs of jazz musicians by Charles Delauney, entitled Hot Iconography, first printed in 1939.
Charles Delaunay (1911–1988) was a French author and jazz expert. Delaunay was the co-founder and long-term leader of the Hot Club de France, a French organization of jazz fans dedicated to the promotion of "traditional" jazz, swing, and blues. In 1931, the Jazz Club Universitaire was founded, and later became the Hot Club de France in 1932.
Strasbourg Type II inverted trumpet shape, lidded and spouted flagon with a small heart applied on the right side below rim and engraved below the inset, V-shaped, curvilinear spout "ISP (with diamond above "I")". Domed lid has an elaborate disk-ball-and-spool knop and heart-shaped cover for the spout. D- or ear-shaped strap handle with matching ball-and-reel ends on the thumb piece and lower terminal; five-knuckle hinge. Molded rim and midbody; upper and lower parts of body encircled by pairs of incised bands. Rounded bottom edge and flat bottom with center disk. Face of handle struck with three touchmarks, an incurve-sided pointed shield, "LW" above a scrolled reserve containing a pelican, and an oval with "KZ" flanking a barred shield above a barrel motif. Large circular rosette touch on inside bottom.
Small inverted trumpet shape lidded flagon engraved on front "=M-H=" above a pointed-bottom, scalloped shield containing an illegible design; no spout. Flat lid with applied disk on top; inside of lid has three concentric circles. Angular strap handle has beaded, angled tab thumb piece and cast pendant drop at the lower terminal; five-knuckle hinge. Plouk or pimple inside body below rim indicating capacity level. Face of handle struck with a checkered octagon and clipped-corner rectangle containing the raised serif letters "MH" over an ewer or pitcher in a basin. Bottom center appears to be replaced with one bearing the pot touch of a rose.
One (1) Daniel Morgan at the Cowpens medal, (Comitia Americana)
United States (France), 1781
Obverse Image: Morgan leads an infantry change on horseback against a retreating British cavalry; another cavalry charge is visible in the background.
Obverse Text: VICTORIA LIBERTATIS VINDEX. / FVGATIS CAPTIS AVT CAESIS / AD COWPENS HOSTIBVS / XVII. JAN. MDCCLXXXI / DUPRE. INV. ET. F.
Reverse Image: America, represented as a semi-nude Indian female places a crown of laurels on the head of Morgan who stands in uniform to her right; he bows slightly to receive his crown; behind them are two cannons, a shield, trumpet, fasces, and sundry standards to represent war.
Reverse Text: DANIELI MORGAN DUCI EXERCITUS / COMITIA AMERICANA / DUPRE F.
White on black lithograph of American jazz singer, trumpeter, dancer and bandleader of swing, Freddy Taylor (1914-1970). 3/4 profile of Taylor wearing a hat. No signature or number/year on print. The print is marked:
FREDDY TAYLOR
This print is from a set of 15 lithographs of jazz musicians by Charles Delauney, entitled Hot Iconography, first printed in 1939.
Charles Delaunay (1911–1988) was a French author and jazz expert. Delaunay was the co-founder and long-term leader of the Hot Club de France, a French organization of jazz fans dedicated to the promotion of "traditional" jazz, swing, and blues. In 1931, the Jazz Club Universitaire was founded, and later became the Hot Club de France in 1932.
White on black lithograph of American jazz trumpeter, composer, vocalist, and actor Louis Armstrong (1901-1971). The portrait is a close-up of Armstrong's face. The print is marked:
[printed along bottom]
LOUIS
[in script, bottom right]
LOUIS ARMSTRONG
[in script]
Charles Delaunay 34
This print is from a set of 15 lithographs of jazz musicians by Charles Delauney, entitled Hot Iconography, first printed in 1939.
Charles Delaunay (1911–1988) was a French author and jazz expert. Delaunay was the co-founder and long-term leader of the Hot Club de France, a French organization of jazz fans dedicated to the promotion of "traditional" jazz, swing, and blues. In 1931, the Jazz Club Universitaire was founded, and later became the Hot Club de France in 1932.
White on black lithograph of American jazz trumpeter, composer, vocalist, and actor, Louis Armstrong (1901-1971). The portrait is of a side profile of Amrstrong. The print is marked:
[printed along bottom]
LOUIS ARMSTRONG
[in script, top left]
LOUIS ARMSTRONG
[in script]
Charles Delaunay 34
This print is from a set of 15 lithographs of jazz musicians by Charles Delauney, entitled Hot Iconography, first printed in 1939.
Charles Delaunay (1911–1988) was a French author and jazz expert. Delaunay was the co-founder and long-term leader of the Hot Club de France, a French organization of jazz fans dedicated to the promotion of "traditional" jazz, swing, and blues. In 1931, the Jazz Club Universitaire was founded, and later became the Hot Club de France in 1932.