This trumpet was made by Georges Leblanc in Paris, France around 1960-1970. It is a B-flat trumpet, serial #29228, made of brass with 3 piston valves. This trumpet was previously owned and used by American jazz trumpeter and bandleader Charlie Spivak. This trumpet is engraved:
G.LEBLANC PARIS
and>
Charlie Spivak
Trumpeter and bandleader, Charlie Spivak (1905 or 1907-1982) grew up in New Haven, Connecticut and learned to play trumpet at 10 years old. In his professional career, Spivak played with a number of big bands including, Ben Pollack, Tommy and Jimmy Dorsey, and Glen Miller. Spivak led his own band from 1939 to 1959 and continued to play and record until his death in 1982.
This trumpet was made by Georges Leblanc in Paris, France around 1960 to1965. It is a 770 Conrad Gozzo B-flat trumpet, serial #16674, made of brass with 3 piston valves. This trumpet is engraved:
G.LEBLANC PARIS
(and on bell):
Gozzo
autographed model
This trumpet was previously owned by Charles James “Charlie” Shavers (1920-1971), an American jazz trumpeter, who performed with jazz greats such as, Dizzy Gillespie, Billie Holiday, Sidney Bechet, and Lucky Millinder.
Conrad J. Gozzo (1922–1964) was an American trumpet player. He was a highly respected lead trumpeter and greatly in demand as a studio musician performing with music luminaries as Ella Fitzgerald, Frank Sinatra, Benny Goodman, Woody Herman, Les Brown, Pete Rugolo, and Henry Mancini.
This trumpet was made by Severinsen-Akright in Oakland, California in 1994. It is a B-flat trumpet, 54 Bel Canto model, serial #0601, made of brass with 3 piston valves. This trumpet was given to American trumpeter Doc Cheatham for his 90th birthday from Doc Severinsen, Dick Akright, and Donald Byrd in 1994. This trumpet is engraved:
HAPPY 89TH BIRTHDAY DOC CHEATAM from DOC SEVERINSEN DICK AKRIGHT DONALD BYRD JUNE 13th, 1994
and
SEVERINSEN-AKRIGHT MODEL 54 Bel Canto 564-14th St. OAKLAND, CA 94612
Adolphus Anthony “Doc” Cheatham (1905-1997), first learned to play saxophone as well as trumpet. Early in his career, Cheatham performed with the African American Vaudeville theater in Nashville. Around 1924, Cheatham moved to Chicago where he heard trumpeters King Oliver and Louis Armstrong, both would have a lifelong influence on Cheatham’s playing.
Cheatham performed with several jazz musicians including Benny Carter, Fletcher Henderson, and Benny Goodman throughout the 1930s to the 1960s. In the 1970s, Cheatham worked to improve his playing by recording and listening to himself. After the age of 70, Cheatham’s self-assessment work would result in him receiving his best acclamations and critical reviews.
This trumpet was made by Frank Ellsworth Olds & Son in Fullerton, California around 1955 to 1956. It is a B-flat trumpet, Ambassador model, serial #178587, made of brass with 3 piston valves. This trumpet was previously owned and used by American jazz trumpeter, Andrew Blakeney. This trumpet is engraved:
AMBASSADOR MADE BY F.E. OLDS & SON FULLERTON CALIF.
Andrew “Andy” Blakeney (1898-1992) began playing professionally in Chicago around 1925. He moved to California the next year and would perform and record with several bands including Sonny Clay and Lionel Hampton. In the late 1930s, Blakeney played with Monk McKay’s band in Hawaii and would return to the mainland to perform in California throughout the 1940s to the 1950s. Blakeney’s later years were spent playing with groups including the Young Men of New Orleans and the Eagle Brass Band.
This mute was made by Shastock in Cleveland, Ohio, undetermined date. It is a Tonalcolor model trumpet mute made of fiberboard with a gold-tone aluminum cup. Used by jazz musician, William Alonzo “Cat” Anderson.
This mute was made G. Leblanc Corporation in Kenosha, Wisconsin, undetermined date. It is a trumpet straight mute made of aluminum with cork strips at the top of the mute. Used by jazz musician, William Alonzo “Cat” Anderson.
This button is of an unidentified trumpet player. It is a round button made of white paper with black ink covered with a clear film, on a two-piece metal button with a pin back.
Floyd Levin (1922-2007) was a Los Angeles textile manufacturer who turned his passion for jazz into a second career as an influential jazz journalist and historian. His numerous reviews, profiles, and articles were published in magazines such as Down Beat, Jazz Journal International, Metronome, and American Rag. He also authored Classic Jazz: A Personal View of the Music and the Musicians. Items in this collection (2011.3086) were acquired from Levin’s attendance at Jazz Festivals, conferences, and other music events.
This mute was made by G. Leblanc Corporation in Kenosha, Wisconsin, undetermined date. It is a Harmon Wow Wow trumpet mute made of aluminum with a cork covered end. Used by jazz musician, William Alonzo “Cat” Anderson.
This mute was made by Humes & Berg Manufacturing Co., Inc. in Chicago, Illinois, undetermined date It is a Glenn Miller Tuxedo model trumpet mute made of fiberboard lined with felt with a rubber rim and metal handle. This mute is associated with the Duke Ellington Orchestra.
This mute was made by an unknown maker in the United States, between 1927-1945. It is trumpet Harmon mute made of aluminum. This mute is associated with the Jimmie Lunceford Orchestra.
This mute was made by an unknown maker in the United States, between 1927-1945. It is trumpet straight mute made of cardboard, white with red top and bottom exterior. This mute is associated with the Jimmie Lunceford Orchestra.
This mute was made by Magosy & Bucher in the United States, between 1927-1945. It is trumpet straight mute made of aluminum. This mute is associated with the Jimmie Lunceford Orchestra.
This mute was made by an unknown maker in the United States, between 1927-1945. It is trumpet straight mute made of cardboard, black exterior. This mute is associated with the Jimmie Lunceford Orchestra.
This mute was made by Humes and Berg Manufacturing Company, Inc. in East Chicago, Indiana, between 1927-1945. It is trumpet cup mute made of stone-lined cardboard with cork strips on the side. This mute is associated with the Jimmie Lunceford Orchestra.
This mute was made by Humes & Berg Manufacturing Co., Inc. in Chicago, Illinois, between 1927-1945. It is a Glenn Miller Tuxedo model trumpet mute made of fiberboard with a rubber rim and metal handle. This mute is associated with the Jimmie Lunceford Orchestra.
This bust of American jazz trumpeter, musician, bandleader, and composer Miles Dewey Davis III (1926 - 1991) was made by Ed Dwight in Denver, Colorado in 1990. Made of cast bronze, the sculpture depicts Davis’ torso, playing a trumpet, wearing a jacket and sunglasses, on a wood base.
Ed Dwight began his career as a graduate engineer, was a former United States Air Force test pilot who became the first African American to be trained as an astronaut in 1962. Following a career in real estate, computer systems engineering, and consulting, Dwight pursued art and received a Masters of Fine Arts from the University of Denver in 1977. Dwight’s works include fine art sculpture, large-scale memorials and public art projects.
This mute was made by an unknown maker in the United States, in the 1950s. It is a trumpet straight mute made of aluminum with cork strips at narrow end. Previously owned and used by Cuban-born musician, Pedro Knight (1921-2007).
This mute was made by Shastock in Cleveland, Ohio, in the 1950s. It is a Micro Whispa model trumpet straight mute made of stone-lined fiberboard with white cover and gold end with holes and cork strip at top. Previously owned and used by Cuban-born musician, Pedro Knight (1921-2007). There is a printed maker’s label:
This mute was made by Tom Crown in Chicago, Illinois, undetermined date. It is a trumpet straight mute with a rounded end made of aluminum with a 3 cork strips at narrow end. Previously owned and used by Cuban trumpeter Alfredo “Chocolate” Armenteros. embossed on the bottom of the mute:
This mute was made by an unknown maker in Japan, undetermined date. It is a trumpet Harmon Wow Wow straight mute made of aluminum with a cork strip at narrow end and an adjustable aluminum stem. Previously owned and used by Cuban-born musician, Pedro Knight (1921-2007).