This trumpet was made by made by Getzen Company in Elkhorn, Wisconsin, around 1960-1961. It is a B-flat trumpet, Super Deluxe Getzen model, serial #G3568, made of brass with 3 piston valves. This trumpet is engraved:
Super Deluxe Getzen Elkhorn, Wis. Tone Balanced
Manuel Marcos Barragan, Jr. (1951-1980), a member from of an old circus family, used this trumpet as the clown, “Zapata,” in the Ringling Brothers and Barnum & Bailey Circus
This kazoo was made by the Kazoo Company, in Buffalo, New York, around 1900 to 1910. It is a trumpet kazoo made of metal. Printed paper instructions are attached to the top of the kazoo. This instrument features U.S. Patent #700986 dated May 27, 1902, by George D. Smith, for improvements in a musical toys or kazoos.
This kazoo was used by William T. Armstrong (1879-1965), orchestra leader and musician in vaudeville and silent film theaters. Armstrong grew up in South River, New Jersey and began playing drums at the age of 14. He continued his musical career through the mid-1910s, after which, Armstrong began work in banking and finance. This artifact is part of a collection of drums, sound effect instruments, and other percussion instruments used by Armstrong.
This custom–made "Silver Flair" trumpet belonged to renowned trumpeter, bandleader, and composer John Birks "Dizzy" Gillespie, a founder of the modern jazz style known as bebop. Renowned for his musical virtuosity and for his impish good humor and wit, Gillespie played this trumpet from the late 1970s to the early 1980s. Its uniquely shaped upturned bell was Gillespie's internationally known trademark.
This harmonica was made by an undetermined maker in China, undetermined date. It is a Trumpet model, with 8 single holes, undetermined number of reeds. This harmonica is made of pink and yellow plastic in the shape of a trumpet with a teal colored ribbon
This button is of an unidentified trumpet player. It is a round button made of white paper with black ink covered with a clear film, on a two-piece metal button with a pin back.
Floyd Levin (1922-2007) was a Los Angeles textile manufacturer who turned his passion for jazz into a second career as an influential jazz journalist and historian. His numerous reviews, profiles, and articles were published in magazines such as Down Beat, Jazz Journal International, Metronome, and American Rag. He also authored Classic Jazz: A Personal View of the Music and the Musicians. Items in this collection (2011.3086) were acquired from Levin’s attendance at Jazz Festivals, conferences, and other music events.
King Oliver and his Orchestra. side 1: Call of the Freaks; side 2: The Trumpet's Prayer (Victor J.F. 36). 78 rpm. Both tracks were originally recorded in 1929 and released on Victor V-38039.
Grisham's Quartet. side 1: When the Mighty Trumpet Sounds; side 2: Redeeming Star (Bluebird B-5271). 78 rpm. Both tracks were recorded in 1929 and initially released on Victor V-40295.
side 1: Pete Johnson's All-Star Quartet. Mutiny in the Doghouse; side 2: Pete Johnson's All-Star Sextet. Page Mr. Trumpet (National 4007), from the album, Pete Johnson’s Housewarmin’ (National 1001). 78 rpm.
Roy Acuff and his Smoky Mountain Boys. side 1: Blues in My Mind; side 2: (I Heard a) Silver Trumpet (Columbia 37039). 78 rpm. Both tracks were originally recorded in 1944 and released on Okeh 6735.
Bill Boyd and his Cowboy Ramblers. side 1: My Baby Love Me, I Know; Trumpet Talking Blues (Bluebird B-8081). 78 rpm. Side 1 was recorded in 1938. Side 2 was recorded in 1939.