William Dougal (1822–1895) of Washington, D.C. engraved this print of “Phrynosoma regale [Girard] and Doliosaurus m’callii [Girard]”—now "Phrynosoma solare" (Regal horned lizard) and "Phrynosoma mcallii" (Flat–tail horned lizard); from one or more original illustrations by John H. Richard (c.1807–1881) of Philadelphia. The illustration was published as Plate 28 in the “Reptiles” section of the second part of volume II of the Report on the United States and Mexican Boundary Survey, written by S.F. Baird (1823–1887). The volume was printed in 1859 by Cornelius Wendell of Washington, D.C.
Description
William Dougal (1822–1895) of Washington, D.C. engraved this print of “Phrynosoma regale [Girard] and Doliosaurus m’callii [Girard]”—now "Phrynosoma solare" (Regal horned lizard) and "Phrynosoma mcallii" (Flat–tail horned lizard); from an original sketch by John H. Richard (c.1807–1881) of Philadelphia. The illustration was printed as Plate 28 in the “Reptiles” section of the second part of volume II of the Report on the United States and Mexican Boundary Survey, written by S.F. Baird (1823–1887). The volume was printed in 1859 by Cornelius Wendell of Washington, D.C.
This spectroscope was designed to be used with a telescope to study the light of the sun. It was made in Dublin in 1877 by the famous instrument maker Howard Grubb (1844–1931). It was used with the 9 ½ inch Alvan Clark & Sons refractor at Princeton University.
When the College of New Jersey at Princeton hired the astronomer Charles A. Young in 1877, they also gave him funds to equip the new John C. Green student observatory. One of his first purchases was this instrument. It was custom-made, and Young helped refine the design. (Grubb's company later advertised that this was the first such spectroscope that they had sold.) The most unusual feature of this instrument is the use of a complicated system of multiple prisms to disperse the light and produce a highly detailed view of the solar spectrum.
In use, the spectroscope was mounted at the eyepiece end of the telescope and light from the sun would be directed through it. As the light passed from one prism into the next, it would be increasing dispersed, or spread out. To make the instrument more compact, the beam of light was directed first through the upper portion of the prisms and then back through the bottom part. Depending on how it was configured, the light could thus be passed through either 2, 4, 6 or 8 prisms. A particular area of the solar spectrum could be viewed by turning a small chain that moved each prism by the same amount. Because of the large number of optical surfaces involved, the light loss in this instrument was almost certainly in the 90 percent range. This was an advantage when viewing the Sun, but it reduced the usefulness of this instrument for other purposes, such as measuring the spectra of stars. The success of this instrument in making precise measurements of the solar spectrum (and thus revealing information about the composition of the sun and its atmosphere) led to its wider adoption as an important astronomical tool.
This is an example of instrument makers feeling their way towards a good design, but not quite getting it right. It is marked "Phelps & Gurley" and "Troy, N.Y." and dates from the period 1845-1851 when Jonas Phelps and William Gurley were in business together. Several elements of its design originated with Oscar Hanks, the mathematical instrument maker with whom Phelps and Gurley both apprenticed. W. & L. E. Gurley made a similar instrument that they called a Vernier Transit Compass.
The variation arc at the south side of the compass extends 20 degrees either way; the vernier reads to 2 minutes. There are level vials at North and West. The small vertical circle is read by vernier to 10 minutes.
William H. Skerritt, Catalog of the Charles E. Smart Collection of Antique Surveying Instruments (Troy, N.Y., 1996), p. 29.
Patent model for William Austin Burt, new equatorial sextant, U.S. Patent 16,002 (1856). This instrument could apparently be used to take azimuths, altitude, and time with one observation, and thus enable one to easily obtain the position and bearing of a ship at sea. It was ingenious, but never found much of a market. Burt is better remembered for the solar compass that he introduced in the 1830s.
Ref: John S. Burt, They Left Their Mark. A Biography of William Austin Burt (Rancho Cordova, Ca., 1985), pp. 128-130.
This is a short-stem instrument designed for industrial use. The brass plate at the top of the V-shaped iron case is marked “HOHMANN & MAURER / 90 / FULTON ST / NEW YORK / 1121.” The brass housing around the mercury-in-glass thermometer is graduated, on one side, from 140 to 274 degrees Fahrenheit. The other side is marked “HOHMANN & MAURER / 90 / FULTON ST. NEW YORK” and has a scale from zero to 25, presumably for pressure in pounds per square inch. This was probably made in the mid-1880s, shortly after the firm began in business in New York City. It came to the Smithsonian in 1923.
This instrument consists of two mercury-in-glass thermometers mounted on an aluminum frame that is marked "H. J. GREEN B'KLYN N.Y." and "No. 147 SIGNAL CORPS. U.S. ARMY" and equipped with a wooden handle. Each thermometer has a milk white back and a clear front that is graduated every degree Fahrenheit. On one the scale runs from -40 to +137; on the other, it runs from -38 to +122. This was made between 1890 (when Green moved his business to Brooklyn) and 1923 (when the instrument came to the Smithsonian).
Ref: Henry J. Green, (Brooklyn, about 1890), p.31.
This is a short-stem instrument designed for industrial use. The brass V-shaped case is marked “Tycos” at top, and “Taylor / Instrument / Co.” at bottom. The black housing around the mercury-in-glass thermometer with a milk glass tube has a scale from 32 to 240 degrees Fahrenheit, and is marked “Tycos / ROCHESTER / N.Y. U.S.A.”
Hohmann & Maurer had been making instruments of this sort since the mid-1880s, and continued doing so after being bought out by Taylor Bros. in 1896. This example was made after 1908 when the Taylor Instrument Co. introduced the Tycos trade mark and dropped the Hohmann & Maurer signature and trade mark. It came to the Smithsonian in 1923.
Patent model for Ralph Reeder, "Mariner's Time Compass," U.S. Patent #4,964 (1847). The inscription reads: "Ralph Reeder Patentee, Cincinnati, Ohio. HENRY WARE, MAKER, CINCINNATI, O." Henry Ware (1810-1885) was a leading instrument maker in Cincinnati.
Scientific American reported that this instrument combines "three important uses." It shows "the local variation of the magnetic needle with unerring certainty," "the altitude of the sun, and thus enables the mariner readily to compute latitude." and "the true time" and thus "by the aid of the chronometer, shows the longitude." Despite journal's opinion that Reeder’s instrument "appears to be a practically useful invention," the Mariner’s Time-Compass was not a commercial success.
Ref: "Improved Nautical Instrument," Scientific American 12 (1856): 4.
William Dougal (1822–1895) of Washington, D.C. engraved this print of “Euphryne obesus [Baird]" from an original illustration by John H. Richard (c.1807–1881) of Philadelphia. The illustration was published as Plate 27 in the “Reptiles” section of the second part of volume II of the Report on the United States and Mexican Boundary Survey, written by S.F. Baird (1823–1887). The volume was printed in 1859 by Cornelius Wendell of Washington, D.C.
Description
William Dougal (1822–1895) of Washington, D.C. engraved this print of “Euphryne obesus [Baird]”, now "Sauromalus ater" or Northern chuckwalla, from an original sketch by John H. Richard (c.1807–1881) of Philadelphia. The illustration was printed as Plate 27 in the “Reptiles” section of the second part of volume II of the Report on the United States and Mexican Boundary Survey, written by S.F. Baird (1823–1887). The volume was printed in 1859 by Cornelius Wendell of Washington, D.C.
William Dougal (1822–1895) of Washington, D.C. engraved this print of “Crotaphylus wislizenii [B & G]" from an original illustration by John H. Richard (c.1807–1881) of Philadelphia. The illustration was published as Plate 31 in the “Reptiles” section of the second part of volume II of the Report on the United States and Mexican Boundary Survey, written by S.F. Baird (1823–1887). The volume was printed in 1859 by Cornelius Wendell of Washington, D.C.
Description
William Dougal (1822–1895) of Washington, D.C. engraved this print of “Crotaphylus wislizenii [sic] [B & G],” now "Gambelia wislizenii" or Longnose leopard lizard, from an original sketch by John H. Richard (c.1807–1881) of Philadelphia. The illustration was printed as Plate 31 in the “Reptiles” section of the second part of volume II of the Report on the United States and Mexican Boundary Survey, written by S.F. Baird (1823–1887). The volume was printed in 1859 by Cornelius Wendell of Washington, D.C.
William H. Dougal (1822-1895) of Washington, D.C. produced this engraving of "Dryophis Vittatus, Grd" from an original illustration by John H. Richard (1807- ca 1881). The image was published as Plate XXXVI in Volume 2, following page 210 of Appendix F (Zoology Reptiles) by Charles Girard (1822-1895) in the report describing "The U.S. Naval Astronomical Expedition to the Southern Hemisphere during the Years 1849, 1850, 1851, and 1852" by James M. Gillis (1811-1865). The volume was printed in 1855 by A. O. P. Nicholson (1808-1876) of Washington, D.C.
William H. Dougal (1822-1895) of Washington, D.C. produced this pre-press engraving proof of “Mastodon andium,” from an original illustration by O. J. Wallis (fl. 1850s). The image was published as Plate XIII in Volume 2, following page 278 of Appendix H (Fossil Mammals) by Jeffries Wyman (1814-1874) in the report describing "The U.S. Naval Astronomical Expedition to the Southern Hemisphere during the Years 1849, 1850, 1851, and 1852" by James M. Gillis (1811-1865). The volume was printed in 1855 by A. O. P. Nicholson (1808-1876) of Washington, D.C.
"We are desirous of obtaining the first Transit made, or the oldest existing Transit, and offer in exchange for same, a first-class new Instrument." This notice appeared in Wm. J. Young & Sons' Price List of Engineering, Mining and Surveying Instruments (1875-1883), and led to the discovery of this instrument marked "W. J. Young / MAKER / Philadelphia." After getting a hold of this instrument, the Youngs promoted it as "The First American Transit," placing a photograph of it in the 1892 edition of their Price List, and displaying it at the Columbian Exposition held in Chicago in 1893. Keuffel & Esser acquired this instrument in 1923 when they bought the Young business, and gave it to the Smithsonian in 1970. This instrument is indeed early. It was made by William J. Young before the issuance of his patent (after January 17, 1832, Young added the word "Patent" to his signature). But whether it was the first transit is hard to say.
The horizontal circle is located inside the compass face, silvered, graduated every 1 degree, and read by vernier to 3 minutes. It is moved by tangent screw, while that on the first transit made for the Baltimore and Ohio Railroad was moved by rack and pinion. A circular level is at the north end of the compass, and an outkeeper is at the south. The face is darkened, and the needle ring silvered. The tripod head is the type that Young patented in 1858.
The tripod head that supports the transit conforms to Young's patent #20,915 of July 13, 1858. According to an early description, this head "was designed to facilitate the adjustment of the plumb line to any given point on the ground, without the operator having to resort to the usual tedious process of adjusting the legs of the tripod."
Ref.: D. J. Warner, "William J. Young. From Craft to Industry in a Skilled Trade," Pennsylvania History 52 (1985): 53-68.
William H. Dougal (1822-1895) of Washington, D.C. produced this pre-press engraving proof of "Cnemidophorus Presignis, B&G" now Ameiva ameiva (Giant ameiva or Amazon racerunner), from an original illustration by John H. Richard (1807- ca 1881). The image was published as Plate XXXVIII in Volume 2, following page 226 of Appendix F (Zoology Reptiles) by Charles Girard (1822-1895) in the report describing "The U.S. Naval Astronomical Expedition to the Southern Hemisphere during the Years 1849, 1850, 1851, and 1852" by James M. Gillis (1811-1865). The volume was printed in 1855 by A. O. P. Nicholson (1808-1876) of Washington, D.C. The print is signed "Correct CGirard."
This tinted lithograph of “Mission and Plain of San Fernando” was originally drawn by an expedition artist Charles Koppel (fl. 1853-1865). It was printed as Plate VI following page 74 in the "Geological Report by W. P. Blake (1826-1910), Geologist and Minerologist to the Expedition," as part of Volume V, Part II of the "Report of Lieutenant R. S. Williamson (1825-1882), Corps of Topographical Engineers, Upon the Routes in California to Connect with the Routes Near the Thirty-fifth and Thirty-second Parallels" by Lieutenant R. S. Williamson ... in 1853."
The volume was printed as part of the "Reports of Explorations and Surveys, to ascertain the most practicable and economical route for a railroad from the Mississippi River to the Pacific Ocean" in 1856 by A. P. O. Nicholson (1808-1876) in Washington, D.C.
William H. Dougal (1822-1895) of Washington, D.C. produced this engraving of "Elaps nigrocinctus [Grd]," now "Micrurus nigrocinctus nigrocinctus" or Central American coral snake, from an original illustration by John H. Richard (1807- ca 1881). The image was published as Plate XXXV in Volume 2, following page 210 of Appendix F (Zoology Reptiles) by Charles Girard (1822-1895) in the report describing "The U.S. Naval Astronomical Expedition to the Southern Hemisphere during the Years 1849, 1850, 1851, and 1852" by James M. Gillis (1811-1865). The volume was printed in 1855 by A. O. P. Nicholson (1808-1876) of Washington, D.C.
This tinted lithograph of “Mirage on the Colorado River” was prepared after an original sketch by ah expedition geologist and artist William P. Blake (1826-1910). It was printed as Plate XII in Volume V, Part II following page 250 in the "Geological Report by W. P. Blake, Geologist and Minerologist to the Expedition," as part of Volume V, Part II of the “Routes in California, to Connect with the Routes near the Thirty–Fifth and Thirty–Second Parallels, Explored by Lieutenant R. S. Williamson, Corps of Topographical Engineers, in 1853."
The volume was printed as part of the "Reports of Explorations and Surveys, to ascertain the most practicable and economical route for a railroad from the Mississippi River to the Pacific Ocean" in 1856 by A. P. O. Nicholson (1808-1876) of Washington, D.C.
Like the prismatic compass for which Charles Schmalcalder obtained a British patent in 1812, this one lets the user read the card while sighting a distant object. It has a tall folding sight at north, and at south, a shorter sight with a prismatic eyepiece at its base. The floating card is bright green; the numbers around its edge read correctly when seen through the prismatic eyepiece. Unlike the Schmalcalder instrument, this one has a solid plate covering most of the card. It was termed an Improved Hutchinson Prismatic Compass, said to be lighter and less bulky "than the old form," and was "adopted by the various branches of the English and Foreign Services." This example, which belonged to the University of Missouri at Columbia, is marked "A. S. ALOE CO. ST. LOUIS." A. S. Aloe & Company became A. S. Aloe Co. in 1894.
Ref: James J. Hicks, Illustrated & Descriptive Catalogue (London, 1876), p. 141.
The inscription on this instrument reads "Brander & Höschel in Augsberg." George Friedrich Brander (1713–1783) was the most prominent German instrument maker of his time. He was born in Regensburg, worked in Augsburg and, in 1775, took his son–in–law, Christian Kaspar Höschel, into partnership. The horizontal circle of this theodolite is graduated to degrees, and read by vernier (marked "Quena Minute") to 5 minutes. The vertical arc is graduated to 30 minutes. The sighting bar has a pinhole sight at one end, and a glass disc with cross hairs at the other.
Ref: Alto Brachner, et. al., G. F. Brander 1713–1783. Wissenschaftliche Instrumente aus seiner Werkstatte (Munich: Deutsches Museum, 1983).