Costume design drawing for Gunther Gebel-Williams of the Ringling Bros. Barnum & Bailey Circus. This specific costume was designed for the leopard act in 1978. Gebel-Williams was an animal trainer for the Ringling Bros. and Barnum and Bailey Circus from 1968 to 1990.
Broadside advertisement for the Adam 4-Paw/Forepaugh Shows, in their 29th year. Advertises Circus, menagerie, museum, aviary, Imperial Moorish circus, and hippodrome, as well the historic bible spectacle "The Fall of Nineveh." Front features two drawings of Ninevah, as well as sketches of Adam Forepaugh, the founder, and J.T. McCaddon, the manager. The back features more descriptions of shows and explains that they will exhibit at Binghamton on Thursday August 18.
Poster advertising the Ringling Brothers and Barnum and Bailey combined shows featuring performing elephants. The color lithograph depicts 10 elephants in foreground in pyramid formation, some crouched, some standing, a woman in sleeveless pink ballerina-length dress, standing on back of an elephant on right, several more elephants on hind legs in conga line in rear of the circus ring in background, and the ringmaster with whip, red jacket, and white jodhpurs in front center. Paper adhered to linen backing. 32 half-inch grommets around the edges.
In the late 1800s, debates erupted over whether the United States, like its European rivals, should establish and exploit foreign colonies. Meanwhile, circuses crisscrossed the country, tantalizing audiences with performances by the inhabitants of such lands—from elephants and other subdued wild animals to acrobatic troupes. Audiences thrilled at the exotic spectacles that served the world up on a platter—and seemed ripe for the taking.
One of a set of 72 trading card featuring Superman, included in packages of Gum Inc.'s "Superman Bubble Gum" in 1940. Each "adventure story" card features an image of Superman on the front with a connected story on the back. The cards are one of the earliest examples of merchandise featuring the iconic superhero.
One of a set of 72 trading card featuring Superman, included in packages of Gum Inc.'s "Superman Bubble Gum" in 1940. Each "adventure story" card features an image of Superman on the front with a connected story on the back. The cards are one of the earliest examples of merchandise featuring the iconic superhero.
Miniature black beaver top hat, worn by entertainer Charles Sherwood Stratton (1838-1883). Stratton, who was a little person, appeared under the stage name General Tom Thumb while working for Phineas T. Barnum's museum, circus, and other attractions. Stratton likely lived with the condition known today as pituitary dwarfism and may have never exceeded three feet, four inches in height. However, he lived a full and successful life despite facing prejudice and attempts to exploit him for his physical difference.
Barnum first contracted with Stratton's parents to take him on tour when he was only five years old, and continued to employ him throughout his life. On stage, Stratton would impersonate famous people like Napoleon Bonaparte and fictional mythological characters like Tom Thumb and Cupid, but also earned renown as an actor, singer, dancer, and comedian. Stratton was a popular entertainer and became wealthy and famous, meeting royalty, politicians, and other celebrities while on national and international tours. A testament to his fame, his 1863 marriage to fellow little person Lavinia Warren was widely covered in American newspapers and periodicals, and the reception drew a crowd of 10,000 attendees at the Metropolitan Hotel in New York City.
This hat was purportedly worn by Stratton while performing at Mishler's Academy of Music in Reading, Pennsylvania, where he presented it to John Christian Neidley, a stage manager. Neidley's grandson offered the hat to the museum.
Albumen cabinet card portrait of a well-dressed man and two circus or "freak show" performers identified as "Montezuma Flatheads." In the photograph, two people, probably a man and a woman, are dressed in jungle-influenced costume, have prominent canine teeth sticking out from their closed lips, and both are bald except for a small tuft of hair on the top of their heads gathered into a pony tail. The mustachioed man standing between them with his hands on their shoulders is wearing a suit and prominently displays a watch chain that is tinted gold.
Description
The Circus Collection includes the Photographic History Collection’s object holdings related to the history of circus from the end of the nineteenth to the turn of the twenty-first century. For the purpose of this finding aid, circus is defined as any activity relating to the staging and viewing of circus, sideshow, or “freak show” performances. The collection is primarily composed of thirty cabinet print and thirteen carte-de-visite photographs of performers in circus “freak shows.” Some of these prints are marked with the identities of the individuals depicted, including Chang and Eng, Siamese twins employed by the Barnum & Bailey circus and Tom Thumb, a famous performer with dwarfism. In a number of the photographs, the people who performed for the circus are accompanied by their families, or “normal” individuals to emphasize the distinctiveness of the performer. The collection also includes a photo album with twenty-three photographs of circus performers. These pictures show “freak show” performers, acrobats, and other individuals who may have performed in circus shows.
The collection also includes several books. In the handmade book, Record of an Idle Summer, Florence Albrecht details her summer activities and shares reflections on her time on the Jersey Shore in 1906. In the chapter “May,” the author describes the circus coming to town, including several photographs of circus tents, elephants, and a parade down the main street of the town. P.T. Barnum’s autobiography Struggles and Triumphs also exists in the Photographic History Collection. In the book, Barnum recounts his life’s endeavors, including his New York American Museum and eponymous circus. While there are no photographs in the book, there are a number of illustrations, including a portrait of P.T. Barnum based on G. K. Warren’s photograph, pictures of his museum and various aspects of his traveling show. There is a collection of gelatin silver photographs made in 1972 by Leslie Sussmann and Sally Bordwell documenting carnivals across the American South.
Albumen cabinet card portrait of a woman with albinism. The woman is extremely pale, with very curly shoulder-length white hair. She is wearing a velvet dress and is leaning with arms crossed on a pillar.
Description
The Circus Collection includes the Photographic History Collection’s object holdings related to the history of circus from the end of the nineteenth to the turn of the twenty-first century. For the purpose of this finding aid, circus is defined as any activity relating to the staging and viewing of circus, sideshow, or “freak show” performances. The collection is primarily composed of thirty cabinet print and thirteen carte-de-visite photographs of performers in circus “freak shows.” Some of these prints are marked with the identities of the individuals depicted, including Chang and Eng, Siamese twins employed by the Barnum & Bailey circus and Tom Thumb, a famous performer with dwarfism. In a number of the photographs, the people who performed for the circus are accompanied by their families, or “normal” individuals to emphasize the distinctiveness of the performer. The collection also includes a photo album with twenty-three photographs of circus performers. These pictures show “freak show” performers, acrobats, and other individuals who may have performed in circus shows.
The collection also includes several books. In the handmade book, Record of an Idle Summer, Florence Albrecht details her summer activities and shares reflections on her time on the Jersey Shore in 1906. In the chapter “May,” the author describes the circus coming to town, including several photographs of circus tents, elephants, and a parade down the main street of the town. P.T. Barnum’s autobiography Struggles and Triumphs also exists in the Photographic History Collection. In the book, Barnum recounts his life’s endeavors, including his New York American Museum and eponymous circus. While there are no photographs in the book, there are a number of illustrations, including a portrait of P.T. Barnum based on G. K. Warren’s photograph, pictures of his museum and various aspects of his traveling show. There is a collection of gelatin silver photographs made in 1972 by Leslie Sussmann and Sally Bordwell documenting carnivals across the American South.
Albumen cabinet card portrait of a diminutive couple identified as "Chief Debro and Wife / Esquimaux." The man is wearing a long, checkered coat and a hat and has a long beard. The woman, on his left, is wearing a dark hoop skirt dress with ruffled fabric shoulder decoration. The couple is standing in front of a backdrop painted with images of tables and plants. The maker marked "Sells Bros. / ANNEX. / 1894" on the back of the card.
Description
The Circus Collection includes the Photographic History Collection’s object holdings related to the history of circus from the end of the nineteenth to the turn of the twenty-first century. For the purpose of this finding aid, circus is defined as any activity relating to the staging and viewing of circus, sideshow, or “freak show” performances. The collection is primarily composed of thirty cabinet print and thirteen carte-de-visite photographs of performers in circus “freak shows.” Some of these prints are marked with the identities of the individuals depicted, including Chang and Eng, Siamese twins employed by the Barnum & Bailey circus and Tom Thumb, a famous performer with dwarfism. In a number of the photographs, the people who performed for the circus are accompanied by their families, or “normal” individuals to emphasize the distinctiveness of the performer. The collection also includes a photo album with twenty-three photographs of circus performers. These pictures show “freak show” performers, acrobats, and other individuals who may have performed in circus shows.
The collection also includes several books. In the handmade book, Record of an Idle Summer, Florence Albrecht details her summer activities and shares reflections on her time on the Jersey Shore in 1906. In the chapter “May,” the author describes the circus coming to town, including several photographs of circus tents, elephants, and a parade down the main street of the town. P.T. Barnum’s autobiography Struggles and Triumphs also exists in the Photographic History Collection. In the book, Barnum recounts his life’s endeavors, including his New York American Museum and eponymous circus. While there are no photographs in the book, there are a number of illustrations, including a portrait of P.T. Barnum based on G. K. Warren’s photograph, pictures of his museum and various aspects of his traveling show. There is a collection of gelatin silver photographs made in 1972 by Leslie Sussmann and Sally Bordwell documenting carnivals across the American South.