Benny Goodman's Quintet. side 1: Pick-a-Rib [part 1]; side 2: Pick-a-Rib [part 2] (Blue Ace 224). 78 rpm. These tracks were originally recorded in 1938 and released on Victor 26166.
Blue Ace was a bootleg record label, founded around the late 1940s. The label was dedicated to the unauthorized reissue of jazz recordings from the 1935-1942 period. Brooklyn record store owner Sam Meltzer is allegedly to have produced the recordings, who was also associated with the bootleg Hot Jazz Club of America [HJCA] recordings, which focused on jazz recordings of the 1920s.
Hand-painted animation cell of Ursula, Flotsam, and Jetsam from The Little Mermaid. With her back to the audience, Ursula has both arms extended with her right arm pointing upward. This film is a cinematic adaption of Danish author Hans Christian Andersen's fairy tale.
The character, drawn by Disney Studios artist-animator Ruben Aquino, is a cecaelia or half woman, half octopus, and is loosely patterned after Divine, the larger-than-life female impersonator of John Waters films. Comedienne Pat Carroll voiced the character of Ursula. The cel also depicts the characters of Flotsam and Jetsam, a pair of moray eels that are Ursula henchmen. It was the final Disney feature film to use the traditional hand-painted cel method of animation and is generally regarded as the film that revived the classic Disney animated feature film.
Hand-painted animation cel of Ursula, Flotsam, and Jetson from The Little Mermaid. This film is a cinematic adaption of Danish author Hans Christian Andersen's fairy tale.
The character, drawn by Disney Studios artist-animator Ruben Aquino, is a cecaelia or half woman, half octopus, and is loosely patterned after Divine, the larger-than-life female impersonator of John Waters films. Comedienne Pat Carroll voiced the character of Ursula. The cel also depicts the characters of Flotsam and Jetsam, a pair of moray eels that are Ursula henchmen. It was the final Disney feature film to use the traditional hand-painted cel method of animation and is generally regarded as the film that revived the classic Disney animated feature film.
Unpainted animation cel of Ursula from The Little Mermaid.
The character, drawn by Disney Studios artist-animator Ruben Aquino, is a cecaelia or half woman, half octopus, and is loosely patterned after Divine, the larger-than-life female impersonator of John Waters films. The character’s voice was supplied by comedienne Pat Carroll. It was the final Disney feature film to use the traditional hand-painted cel method of animation and is generally regarded as the film that revived the classic Disney animated feature film.
Hand-painted animation cell of Ursula, Flotsam, and Jetsam from The Little Mermaid. This film is a cinematic adaption of Danish author Hans Christian Andersen's fairy tale.
The character, drawn by Disney Studios artist-animator Ruben Aquino, is a cecaelia or half woman, half octopus, and is loosely patterned after Divine, the larger-than-life female impersonator of John Waters films. Comedienne Pat Carroll voiced the character of Ursula. The cel also depicts the characters of Flotsam and Jetsam, a pair of moray eels that are Ursula henchmen. It was the final Disney feature film to use the traditional hand-painted cel method of animation and is generally regarded as the film that revived the classic Disney animated feature film.
Hand-painted animation cell of Ursula, Flotsam, and Jetsam from The Little Mermaid. With her back to the audience, Ursula's arms are stretched out to her sides, and she is looking over her right shoulder, revealing her profile. This film is a cinematic adaption of Danish author Hans Christian Andersen's fairy tale.
The character, drawn by Disney Studios artist-animator Ruben Aquino, is a cecaelia or half woman, half octopus, and is loosely patterned after Divine, the larger-than-life female impersonator of John Waters films. Comedienne Pat Carroll voiced the character of Ursula. The cel also depicts the characters of Flotsam and Jetsam, a pair of moray eels that are Ursula henchmen. It was the final Disney feature film to use the traditional hand-painted cel method of animation and is generally regarded as the film that revived the classic Disney animated feature film.
Hand-painted animation cel of Ursula, Flotsam, and Jetson from The Little Mermaid. This film is a cinematic adaption of Danish author Hans Christian Andersen's fairy tale.
The character, drawn by Disney Studios artist-animator Ruben Aquino, is a cecaelia or half woman, half octopus, and is loosely patterned after Divine, the larger-than-life female impersonator of John Waters films. Comedienne Pat Carroll voiced the character of Ursula. The cel also depicts the characters of Flotsam and Jetsam, a pair of moray eels that are Ursula henchmen. It was the final Disney feature film to use the traditional hand-painted cel method of animation and is generally regarded as the film that revived the classic Disney animated feature film.
Hand-colored call out sheet of Ursula from The Little Mermaid; The black outline of Urusla is drawn on white paper displaying various colors to be used for the animation cel.
The character, drawn by Disney Studios artist-animator Ruben Aquino, is a cecaelia or half woman, half octopus, and is loosely patterned after Divine, the larger-than-life female impersonator of John Waters films. The character’s voice was supplied by comedienne Pat Carroll.
Hand-painted animation cell of Ursula, Flotsam, and Jetsam from The Little Mermaid. With her back to the audience, Ursula's arms are outstretched and her right arm is bent backwards. This film is a cinematic adaption of Danish author Hans Christian Andersen's fairy tale.
The character, drawn by Disney Studios artist-animator Ruben Aquino, is a cecaelia or half woman, half octopus, and is loosely patterned after Divine, the larger-than-life female impersonator of John Waters films. Comedienne Pat Carroll voiced the character of Ursula. The cel also depicts the characters of Flotsam and Jetsam, a pair of moray eels that are Ursula henchmen. It was the final Disney feature film to use the traditional hand-painted cel method of animation and is generally regarded as the film that revived the classic Disney animated feature film.
This hand-painted animation cel depicts two moray eels named Flotsam and Jetsam and of Ursula the Sea Witch, the underwater villainess of the 1989 animated feature The Little Mermaid.
The character, drawn by Disney Studios artist-animator Ruben Aquino, is a cecaelia or half woman, half octopus, and is loosely patterned after Divine, the larger-than-life female impersonator of John Waters films. Comedienne Pat Carroll voiced the character of Ursula. The cel also depicts the characters of Flotsam and Jetsam, a pair of moray eels that are Ursula henchmen. It was the final Disney feature film to use the traditional hand-painted cel method of animation and is generally regarded as the film that revived the classic Disney animated feature film.
Hand-painted animation cel of Ursula, from The Little Mermaid mounted on reproduction background. It includes handwritten numbers and words on the cel and background. She is depicted on cel with background of swirling dark reds and black.
The character, drawn by Disney Studios artist-animator Ruben Aquino, is a cecaelia or half woman, half octopus, and is loosely patterned after Divine, the larger-than-life female impersonator of John Waters films. The character’s voice was supplied by comedienne Pat Carroll. It was the final Disney feature film to use the traditional hand-painted cel method of animation and is generally regarded as the film that revived the classic Disney animated feature film.
In the mid-1960s, novelist and counterculture guru Ken Kesey used this 38" x 68" plywood sign as an announcement board and invitation card to promote the activities of his "Merry Pranksters" (an itinerant band of free thinkers) during their memorable cross-country rides on an old bus named "Further." Kesey and his band drove Further from northern California to Washington, D.C., and New York, ostensibly to attend Kesey book parties. In the process they used the bus rides to encourage people to discuss anything with them, to try anything, to perform civic pranks of various sorts, and to otherwise call attention to alternative ways of thinking about the issues of the day.
Like the bus, the sign is a colorful smorgasbord of offerings from the Pranksters and visitors to the bus. Splashes of day–glo paint are overlaid with newspaper clippings, political cartoons, doodles, yarn, and the names of influential West Coast figures from the counterculture movements of the 1950s and 1960s. During a 1992 visit to the Kesey farm in rural Oregon to examine the remains of Further, the Smithsonian found this signboard in the loft of a chicken coop, covered with dust and feathers. A family of foxes occupied the rear seat of Further, moldering in a field, so Kesey decided to donate this sign instead of the bus.