Natural Resources

The natural resources collections offer centuries of evidence about how Americans have used the bounty of the American continent and coastal waters. Artifacts related to flood control, dam construction, and irrigation illustrate the nation's attempts to manage the natural world. Oil-drilling, iron-mining, and steel-making artifacts show the connection between natural resources and industrial strength.
Forestry is represented by saws, axes, a smokejumper's suit, and many other objects. Hooks, nets, and other gear from New England fisheries of the late 1800s are among the fishing artifacts, as well as more recent acquisitions from the Pacific Northwest and Chesapeake Bay. Whaling artifacts include harpoons, lances, scrimshaw etchings in whalebone, and several paintings of a whaler's work at sea. The modern environmental movement has contributed buttons and other protest artifacts on issues from scenic rivers to biodiversity.


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Alaska Ocean Coveralls
- Description
- Fish processors, laboratory staff, inspectors, supervisors, and others who work in the factory aboard the Alaska Ocean wear royal blue coveralls like these when on duty. These polyester coveralls are worn over other clothing to maintain standards of hygiene in the factory. Some processors change their coveralls several times during their daily 12-hour shift, which can extend to kicker shifts of an additional three hours. Because clean coveralls are always in demand, the factory’s laundry crew keeps the industrial washers and dryers running continuously. The coveralls, with the words Alaska Ocean emblazoned across the back, zip up the front and are typically worn tucked into boots.
- date made
- 2006
- Associated Date
- 2007
- used
- McFarland, Thelma
- maker
- Fristads
- ID Number
- 2007.0178.20
- catalog number
- 2007.0178.20
- accession number
- 2007.0178
- Data Source
- National Museum of American History
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Whalebone and Bone Umbrella
- Description
- The bony substance from the mouths of whales known as baleen is formed of keratin, like human hair and nails. It hangs in long, parallel sheets from the upper jaws of the blue, right, and minke whales, as well as other lesser-known species. Its hairy fringe filters food from seawater.
- Dried out, baleen’s strength and flexibility made it ideal for buggy whips, corset busks, and umbrella ribs before the advent of plastic. A whale’s bone could actually be worth more than its oil. This man’s large umbrella has a wooden shaft, heavy hinged baleen ribs made in short sections, and an ivory handle. Marked “G. Hobbs, Barre,” it belonged to the donor’s grandfather, who lived in Barre, Massachusetts, until around the end of the Civil War.
- Date made
- ca 1835-1865
- user
- Hobbs, George
- ID Number
- AG.169283.01
- accession number
- 169283
- catalog number
- 169283.01
- Data Source
- National Museum of American History
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Factory Processor’s Apron
- Description
- This vinyl bib apron was worn by fish processor Thelma McFarland over her coveralls and rain pants during her work shifts aboard the factory trawler Alaska Ocean in the summer of 2007. Processors like McFarland stand at long tables or conveyor belts and encounter considerable water and fish parts as they work. Processors typically wear aprons of one sort of another for protection.
- Although the on-board laundry crew takes care of cleaning workers’ coveralls, rain pants, gloves, and plastic sleeves, each worker is responsible for cleaning his or her apron. McFarland, who is about 5 feet tall, adjusted her apron to suit her small frame by cutting off the lower portion. She also personalized it by writing her name in permanent marker across the bib.
- date made
- 2007
- used
- 2007
- used
- McFarland, Thelma
- ID Number
- 2007.0178.18
- catalog number
- 2007.0178.18
- accession number
- 2007.0178
- Data Source
- National Museum of American History
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Factory Processor’s Gloves
- Description
- Despite automation of basic fish processing functions like gutting and filleting, there is still a lot of handwork to be done aboard a factory trawler like the Alaska Ocean. And work around cold water, fresh fish, and heavy machinery means that gloves are a crucial part of a factory worker’s outfit.
- These heavy vinyl gloves were worn by a female fish processor during the summer fishing season in 2007. An estimated 1200 to 1400 pairs of these gloves were being used, cleaned, and reused aboard the Alaska Ocean in 2007.
- In addition to these heavy work gloves, the onboard laundry operation oversaw the distribution of 5,000 pairs of lighter rubber gloves, 800 pairs of cotton gloves, and 1200 pairs of wool gloves. The crew working in the freezer hold, known as the “pain cave,” wore thick, insulated gloves, and lab workers used disposable gloves when conducting tests on products for quality control.
- date made
- 2007
- worn
- 2007
- ID Number
- 2007.0178.16
- catalog number
- 2007.0178.16
- accession number
- 2007.0178
- Data Source
- National Museum of American History
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Scrimshaw Tooth
- Description
- Women and ships were the most popular subjects for scrimshaw carved by crewmen on long, slow whaling voyages. In this deeply engraved example, a beautifully coiffed and fashionable young lady, possibly in mourning dress, has pulled a locket from her bodice and is gazing at the image of a smiling young man. The curls of her girlish hairstyle would indicate that she is unmarried, although the traditional ring finger of her left hand is not shown. The mid-19th-century date of this tooth is suggested by the style of the dress.
- Date made
- ca 1840
- maker
- unknown
- ID Number
- TR.374506
- catalog number
- 374506
- accession number
- 136263
- Data Source
- National Museum of American History
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Factory Processor’s Rain Pants
- Description
- Fish processors aboard trawlers like the Alaska Ocean wear waterproof pants over their coveralls and other clothing to protect themselves from the water and fish slime that are constant companions in the factory. This pair is dark blue, the same as those worn by deck hands. These pants are small and were worn by processor Thelma McFarland in the summer 2007 season.
- date made
- 2007
- used
- 2007
- used
- McFarland, Thelma
- maker
- Helly Hansen
- ID Number
- 2007.0178.21
- catalog number
- 2007.0178.21
- accession number
- 2007.0178
- Data Source
- National Museum of American History
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Corset and Whalebone Scrimshaw Busk
- Description
- For much of the 19th century, ladies’ fashion required very small waists. The most common way to achieve this was to wear a tightly laced corset, which could be adjusted according to the specific dress it accompanied. Like this example, many corsets were handmade to fit an individual, although they were also available in shops.
- One of the most intimate pieces of scrimshaw a whaleman could produce was a bone or baleen busk, or corset stiffener. These were carved and given to a crewman’s loved one, who then inserted it into a matching sleeve on her corset as a unique memento of her beloved’s feelings.
- Each of these busks has a cityscape etched into one side. The other side of one has eight pictures, topped by a portrait of a beautiful young woman. The other has a plaintive love poem on the back.
- date made
- mid-1800s
- collected
- 1951-06-29
- fashion
- 19th century
- ID Number
- TR.388604
- catalog number
- TR*388604
- accession number
- 182022
- Data Source
- National Museum of American History
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Corset and Whalebone Scrimshaw Busk
- Description
- For much of the nineteenth century, ladies' fashion required very small waists. The most common way to achieve this was to wear a tight laced corset, which could be adjusted according to the specific garment it accompanied. Like this example, many of them were handmade to fit an individual, although they were also available in shops.
- One of the most intimate pieces of scrimshaw a whaleman could produce was a bone or baleen busk, or corset stiffener. These were carved and given to a crewman's loved one, who then inserted it into a matching sleeve on her corset as a unique memento of her beloved's feelings.
- One side of this whalebone busk contains three cityscapes, two of which have busy ports with lots of shipping. The other side has eight vertical pictures, topped by a full frontal portrait of a beautiful young woman. She may represent the recipient of this busk. Below her is a city scene with multiple church steeples over a flag in a precinct. A multi-colored circular geometric pattern is at the center, above a garden scene over a delicate basket of flowers. Next is a three-masted warship, and at the bottom is a large rural villa overlooking a walled garden. Can these pictures be woven into a story?
- date made
- mid-nineteenth century
- mid-1800s
- fashion
- 19th century
- ID Number
- DL.374478
- catalog number
- 374478
- accession number
- 136263
- Data Source
- National Museum of American History
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Protective Sleeves
- Description
- These vinyl sleeves are worn from the wrist to just above the elbow by people working in the factory aboard the trawler Alaska Ocean. Worn tucked into work gloves, the sleeves help keep a worker’s forearms dry. The company supplies such sleeves, which are cleaned frequently and reused. An estimated 200 pairs of sleeves were stocked aboard the Alaska Ocean during the 2007 season. The Alaska Ocean operates in the North Pacific and the Bering Sea.
- date made
- 2007
- Associated Date
- 2007
- maker
- Grundens
- ID Number
- 2007.0178.15
- catalog number
- 2007.0178.15
- accession number
- 2007.0178
- Data Source
- National Museum of American History
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Factory Processor’s Boots
- Description
- These non-slip, waterproof boots were worn by Thelma McFarland, a fish processor working aboard the Alaska Ocean factory trawler in the summer of 2007. Manufactured in the USA, these “Xtratuf” boots are made of neoprene, a synthetic rubber.
- Processors work 12-hour shifts and, if the factory is busy, they may work an additional 3 hours, called a kicker shift. For most of this time, the workers are on their feet, standing at processing tables or conveyor belts, or walking from one station to another on grated walkways. These walkways, like the areas around the equipment where processors stand to work, are raised above the floor, allowing the water used in factory operations to run beneath the workers’ feet. Despite being elevated above any water flow, it is still essential for workers to wear non-slip, waterproof boots to keep their feet warm and dry.
- These boots are identical to those worn by deck hands. Most of the specialized clothing worn by workers and crew aboard the Alaska Ocean is provided by the company. Boots, however, are purchased by individuals, and are available in the on-board store. Felt insoles for the boots are available in the laundry and are washed frequently by laundry staff.
- date made
- 2007
- used
- 2007
- used
- McFarland, Thelma
- maker
- Norcross Safety Products, L. L. C.
- ID Number
- 2007.0178.17
- catalog number
- 2007.0178.17
- accession number
- 2007.0178
- Data Source
- National Museum of American History
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Factory Processor’s Bump Hat
- Description
- The factory inside a large trawler like the Alaska Ocean is filled with equipment for filleting, processing, freezing, and packing enormous quantities of fish. Workers are trained in safety procedures and also wear protective headgear and earplugs as they work. While not required to wear certified safety helmets like the fishermen on the weather deck, they wear bump hats molded from high-density polyethylene for protection from minor bumps and bruises.
- This yellow bump hat was worn by Thelma McFarland, a fish processor, who was working her third season aboard the Alaska Ocean in 2007. She wore it over a disposable hairnet, which covered and held her hair in place, a requirement for maintaining sanitary conditions in the factory. There are typically four factory shifts, and the bump hats are color-coded according to each shift—blue for A, yellow for B, green for C, and orange for D shift. The color-coding allows managers to quickly assess the number of workers that will be needed on extra kicker shifts. The lead managers in each area wear red bump hats.
- date made
- 2007
- Associated Date
- 2007
- used
- McFarland, Thelma
- maker
- Bullard
- ID Number
- 2007.0178.13
- catalog number
- 2007.0178.13
- accession number
- 2007.0178
- Data Source
- National Museum of American History
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