Natural Resources

The natural resources collections offer centuries of evidence about how Americans have used the bounty of the American continent and coastal waters. Artifacts related to flood control, dam construction, and irrigation illustrate the nation's attempts to manage the natural world. Oil-drilling, iron-mining, and steel-making artifacts show the connection between natural resources and industrial strength.
Forestry is represented by saws, axes, a smokejumper's suit, and many other objects. Hooks, nets, and other gear from New England fisheries of the late 1800s are among the fishing artifacts, as well as more recent acquisitions from the Pacific Northwest and Chesapeake Bay. Whaling artifacts include harpoons, lances, scrimshaw etchings in whalebone, and several paintings of a whaler's work at sea. The modern environmental movement has contributed buttons and other protest artifacts on issues from scenic rivers to biodiversity.


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Whaler's Fluke Lance
- Description
- The most dangerous act in the dangerous business of whaling was “spading flukes.” The whaleboat drew up close alongside a desperate, unpredictable whale on the water surface, and a crewman used a boat spade or fluke lance to sever the whale’s tail tendons. This effectively immobilized the prey, for the whale couldn’t swim without its tail.
- According to James Temple Brown, who wrote the 1883 catalog of the Smithsonian’s whaling collection, the fluke lance was exceedingly rare and was regarded as “a monstrosity by all the fraternity”. This rare inscribed example was used aboard the starboard whaleboat of the bark Sea Fox.
- Date made
- ca 1880-1889
- authored whaling reference material
- Brown, James Temple
- maker
- Driggs, James D.
- ID Number
- TR.056358
- catalog number
- 056358
- accession number
- 012298
- Data Source
- National Museum of American History
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Sperm Whale Tooth Watch Stand
- Description
- Scrimshaw known to have been made specifically for men is comparatively rare. This unfinished tooth was hollowed out at the back to carry a gentleman’s pocket watch inside, perhaps set on a wardrobe, a bureau or a dressing table overnight.
- Patriotic imagery was very popular on American scrimshaw. At the top is a large eagle in flight clutching arrows and an olive branch; the hole for the watch is framed by a simple scalloped line. The space at the bottom was probably reserved for the owner’s initials or possibly a date, and the two holes were likely drilled for ivory buttons. The piece was unfinished when it was donated in 1875 by J. H. Clark of Newport, R.I.
- date made
- 19th century
- Associated Date
- collected
- ID Number
- DL.024905
- catalog number
- 024905
- accession number
- 4331
- Data Source
- National Museum of American History
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Scrimshaw Ivory Jagging Wheel
- Description
- Pie crimpers or jagging wheels are among the most common scrimshaw items carved by American 19th century whalemen. They were useful, as well as decorative kitchen implements. The fluted wheel was used to cut dough or seal the top of a pie crust to the sides before baking.
- This example’s shaft is in the form of a snake or sea serpent, with a tongue in the shape of a three-tine fork. The fork was used to decorate or poke holes in the upper pie crust to vent the steam created by baking.
- date made
- 19th century
- Associated Date
- 19th century
- ID Number
- DL.388597
- catalog number
- 388597
- accession number
- 182022
- Data Source
- National Museum of American History
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Ambergris
- Description
- Pound for pound, ambergris was the most valuable product produced by the whale. It was—and is—also the rarest and most enigmatic whale product. An opaque, waxy substance from a sperm whale’s intestines, it was found occasionally in the stomachs of whales being processed on whale ships. More commonly, it was found floating on the surface of the world’s oceans or washed up on the shore in pieces that could weigh several hundred pounds. It was used by western cultures as a fixative to prolong the scent of perfumes into the later 20th century.
- But why it is formed—and from which end of a sperm whale it is expelled—remains unknown. Fragments of squid beaks are often found inside the pieces, and some scientists believe that ambergris forms around the sharp, indigestible squid beaks to prevent irritating or cutting a whale’s intestines. Others consider it the cetacean equivalent of human gallstones.
- ID Number
- 1991.0083.01
- catalog number
- 1991.0083.01
- accession number
- 1991.0083
- Data Source
- National Museum of American History
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Scrimshaw Ivory Whale Stamp
- Description
- Carved from the teeth of captured sperm whales, whale stamps were used to record the type of whale and number of barrels of oil they yielded.
- The stamps were inked onto the page of whaleship logbooks or sailors’ journals, with an empty space in the whale’s body for writing in the number of barrels. This example in the form of a sperm whale is decorated with steel pin heads and a turned handle.
- date made
- 1800s
- ID Number
- 1978.0052.06
- accession number
- 1978.0052
- catalog number
- 1978.52.6
- Data Source
- National Museum of American History
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Scrimshaw Tooth
- Description
- Women and ships were the most popular subjects for scrimshaw carved by crewmen on long, slow whaling voyages. In this deeply engraved example, a beautifully coiffed and fashionable young lady, possibly in mourning dress, has pulled a locket from her bodice and is gazing at the image of a smiling young man. The curls of her girlish hairstyle would indicate that she is unmarried, although the traditional ring finger of her left hand is not shown. The mid-19th-century date of this tooth is suggested by the style of the dress.
- Date made
- ca 1840
- maker
- unknown
- ID Number
- TR.374506
- catalog number
- 374506
- accession number
- 136263
- Data Source
- National Museum of American History
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Wood and Ivory Parallel Rule
- Description
- Part of the navigator’s tool kit, parallel rules were used to transfer compass points, course lines and other directional information across large charts without change. This large wooden set has a carved ivory whale inlaid into its surface, with a brass tack for the whale’s eye.
- ID Number
- 1978.0052.08
- accession number
- 1978.0052
- catalog number
- 1978.52.31
- Data Source
- National Museum of American History
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Whaler's Shoulder or Darting Gun
- Description
- By the later 19th century, guns had replaced most hand harpoons and lances, since they were far more efficient and deadly to the prey. They also could be shot from a safer distance from the prey than the hand tools could be wielded. The darting gun was one of the more popular types. Loaded with different darts, this versatile weapon could be used both for harpooning and killing whales.
- This particular gun was displayed at the 1883 International Fisheries Exhibition in London, England. After the display ended, it was donated to the Smithsonian by its inventor, Capt. Eben Pierce of New Bedford, Mass.
- date made
- 1880s
- guns replaced hand tools
- late 19th century
- displayed at the International Fisheries Exhibition
- 1883
- maker
- Pierce, Eben
- ID Number
- TR.316550
- catalog number
- 316550
- accession number
- 66767
- Data Source
- National Museum of American History
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Whalebone Ruler
- Description
- “Straight edges” or rulers were used aboard ships as writing guides on the unlined pages of letters, journals and logbooks. The back side of this long stick is marked in 2-1/4, 4-1/2 and 9-inch sections, indicating another usage, probably by the ship’s cooper to measure the level of liquid (water, wine, beer or whale oil) in his wooden casks.
- date made
- 1800s
- collected
- 1960-07-26
- ID Number
- DL.61.0049
- catalog number
- 61.49
- accession number
- 231930
- catalog number
- 61.0049
- Data Source
- National Museum of American History
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Corset and Whalebone Scrimshaw Busk
- Description
- For much of the nineteenth century, ladies' fashion required very small waists. The most common way to achieve this was to wear a tight laced corset, which could be adjusted according to the specific garment it accompanied. Like this example, many of them were handmade to fit an individual, although they were also available in shops.
- One of the most intimate pieces of scrimshaw a whaleman could produce was a bone or baleen busk, or corset stiffener. These were carved and given to a crewman's loved one, who then inserted it into a matching sleeve on her corset as a unique memento of her beloved's feelings.
- One side of this whalebone busk contains three cityscapes, two of which have busy ports with lots of shipping. The other side has eight vertical pictures, topped by a full frontal portrait of a beautiful young woman. She may represent the recipient of this busk. Below her is a city scene with multiple church steeples over a flag in a precinct. A multi-colored circular geometric pattern is at the center, above a garden scene over a delicate basket of flowers. Next is a three-masted warship, and at the bottom is a large rural villa overlooking a walled garden. Can these pictures be woven into a story?
- date made
- mid-nineteenth century
- mid-1800s
- fashion
- 19th century
- ID Number
- DL.374478
- catalog number
- 374478
- accession number
- 136263
- Data Source
- National Museum of American History
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Polychrome Scrimshaw Whale Tooth
- Description
- Even whalemen with little or no artistic talent could carve highly detailed scenes, through use of the pinprick technique. In this method, a picture was cut from a contemporary magazine and then pasted or dampened to stick to the polished surface of a sperm whale's tooth. A sharp pin was then pushed through the lines of the image, which was then removed. This left lines of dots; when these were connected with engraved lines, they formed a copy of the original picture. Most commonly, lamp black (soot) was then rubbed into the engraved lines to make them stand out from the background of the tooth, although colored pigments like those on this tooth also could be applied for variety. The high fashion of this lady's garments bracket a date just a few years after the end of the Civil War.
- Date made
- 1865 - 1869
- ID Number
- DL.374502
- catalog number
- 374502
- accession number
- 136263
- Data Source
- National Museum of American History
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USS Alaska Scrimshaw Sperm Whale Tooth
- Description
- The wooden screw sloop of war USS Alaska was built in 1868 and spent much of her career in the southern Pacific and Far East representing the American nation in foreign ports. In June 1878, she cleared New York for San Francisco and stopped at several South American ports on the way.
- One of Alaska's port calls from 20-29 September 1878 was to Talcahuano, in the center of Chile's coast and that nation's main naval port. It also was one the principal stops for American whalers in the Pacific seeking fresh supplies and entertainment. This massive sperm whale's tooth was probably purchased there and engraved by one of Alaska's crew to commemorate his visit. While the carver of this tooth is unknown, it may have been one of the officers who kept the official ship's logbooks, because the calligraphy on the covers of the logs for this voyage is exceptionally elaborate and colorful.
- As this tooth indicates, the Talcahuano visit and liberty calls were memorable. Sent ashore on liberty, 54 of Alaska's crew went AWOL (Absent WithOut Leave), and three more were confined to double irons (feet and hand cuffs) for drunk and boisterous behavior or fighting.
- Date made
- 1878
- USS Alaska port call to Chile, Talcahuano
- 1878-09
- ID Number
- DL.374477
- catalog number
- 374477
- accession number
- 136263
- Data Source
- National Museum of American History
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Scrimshaw Panbone
- Description
- This panbone, or section of the back of a sperm whale’s jaw, served as the canvas for a whaleman’s freehand drawing of a busy whale hunt off the coast of the volcanic island of Ternate, one of the Spice Islands in Indonesia and the world’s main source of cloves until the 18th century.
- In the lower left, a woman reaches out for her whaleman, who symbolically stands across the sea with one hand over his heart and a harpoon in the other. In her background is a tranquil domestic scene, probably their home. In the center, a fenced precinct labels the main scene. Above, on the right are the named whalers Margaret of London and Sophia of Nantucket. The remainder of the lively scene portrays seven whaleboats chasing a pod of six whales.
- The artist has managed to convey loneliness between loved ones, great distance from home, an exotic and remote tropical locale, and a busy whale hunt on a single stretch of whalebone.
- Date made
- mid 19th Century
- depicted
- late 18th century
- ID Number
- DL.057605A
- catalog number
- 57605A
- accession number
- 2009.0206
- Data Source
- National Museum of American History
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Sewing Machine Sperm Oil
- Description
- Sperm whale oil is very light and fine, and it has a low freezing point. As a result, it was used to lubricate fine machinery such as clocks, watches, and sewing machines from colonial times into the 20th century.
- Date made
- 1870-1880
- maker
- Donnell Company
- ID Number
- 2007.0084.1
- catalog number
- 2007.0084.1
- accession number
- 2007.0084
- Data Source
- National Museum of American History
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New Bedford Whaleship Crew List
- Description
- Every whaling voyage began with assembling a crew from whatever labor pool was available in a port city at a particular time. In New Bedford in late May 1876, 31 men signed to work aboard the 106-foot bark Bartholomew Gosnold for its next voyage. Less than half were from the United States; the rest were from Portugal, England, Ireland, Germany, France and Scotland. The two Frenchmen and one of the eight Portuguese were listed as blacks; the remaining men were of light or brown complexion. Four each of the crew were in their forties and thirties; 16 were in their twenties, and six were in their teens. Three of these teenagers, all from the New Bedford area, were only 16 years old when they shipped out.
- date made
- 1876-05
- ID Number
- TR.103009.03
- catalog number
- 103009.03
- accession number
- 12006
- Data Source
- National Museum of American History
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Shipbuilder's Half Hull Model, Whaleship Jireh Swift
- Description
- Half hull ship models were carved by shipwrights to a shape negotiated with the future owners of the ship. Once finished, the builder lifted the curved shape of the outer hull off the model and scaled it up to the dimensions of the full-sized ship on the floor of the molding loft. Then the ship’s timbers were cut to fit the lines drawn on the floor and lifted into position in the ship’s framework.
- African American shipwright and former slave John Mashow built the whaler Jireh Swift in 1853 at Dartmouth, Mass. near New Bedford. The vessel measured 122 feet in length and 454 tons. Its first voyage was to the northern Pacific and lasted nearly four years. The ship collected 45 barrels of sperm oil, 2,719 barrels of whale oil and 14,900 lbs of whalebone. Swift’s second voyage, to the same grounds, lasted more than four years and netted much more oil and bone for her owners. Nearly three years into her third voyage, on 22 June 1865 she was captured in the Arctic by the Confederate raider Shenandoah and burned, for a loss of more than $40,000.
- Date made
- 1853
- maker
- Mashow, John
- ID Number
- TR.076323
- catalog number
- 076323
- accession number
- 015358
- Data Source
- National Museum of American History
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Corset and Whalebone Scrimshaw Busk
- Description
- For much of the 19th century, ladies’ fashion required very small waists. The most common way to achieve this was to wear a tightly laced corset, which could be adjusted according to the specific dress it accompanied. Like this example, many corsets were handmade to fit an individual, although they were also available in shops.
- One of the most intimate pieces of scrimshaw a whaleman could produce was a bone or baleen busk, or corset stiffener. These were carved and given to a crewman’s loved one, who then inserted it into a matching sleeve on her corset as a unique memento of her beloved’s feelings.
- Each of these busks has a cityscape etched into one side. The other side of one has eight pictures, topped by a portrait of a beautiful young woman. The other has a plaintive love poem on the back.
- date made
- mid-1800s
- collected
- 1951-06-29
- fashion
- 19th century
- ID Number
- TR.388604
- catalog number
- TR*388604
- accession number
- 182022
- Data Source
- National Museum of American History
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Scrimshaw Panbone Port Scene
- Description
- The absence of much pinpricking in this elaborate panbone picture indicates a highly skilled scrimshaw artist who was able to sketch the fantastic port scene freehand. The presence of palm trees indicates a warm climate, dominated by naval warships in a fortified harbor with its own lighthouse. Military camps dominate the land, and a smaller factory or mill town on the bottom of the scene is defended by a partial stockade.
- The artist has left no clues for the specific location of this beautifully detailed landscape, although the palm trees suggest somewhere in the vicinity of the equator.
- date made
- 19th century
- 1800s
- ID Number
- DL.374479
- catalog number
- 374479
- accession number
- 136263
- Data Source
- National Museum of American History
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