Natural Resources

The natural resources collections offer centuries of evidence about how Americans have used the bounty of the American continent and coastal waters. Artifacts related to flood control, dam construction, and irrigation illustrate the nation's attempts to manage the natural world. Oil-drilling, iron-mining, and steel-making artifacts show the connection between natural resources and industrial strength.
Forestry is represented by saws, axes, a smokejumper's suit, and many other objects. Hooks, nets, and other gear from New England fisheries of the late 1800s are among the fishing artifacts, as well as more recent acquisitions from the Pacific Northwest and Chesapeake Bay. Whaling artifacts include harpoons, lances, scrimshaw etchings in whalebone, and several paintings of a whaler's work at sea. The modern environmental movement has contributed buttons and other protest artifacts on issues from scenic rivers to biodiversity.


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Bill, Boob McNutt, and Boob McNutt's Geography
- Description
- Camera-ready pen and ink drawings by Rube Goldberg for his comic series Bill, Boob McNutt, and Boob McNutt's Geography dated June 10, 1934. Goldberg drew for the Bill series between 1931 and 1934, for the Boob McNutt series between 1915 and 1934, and for the Boob McNutt's Geography series in 1934.
- Bill tries to promote his product Thinneroo to overweight baseball players and inadvertently causes the batter's bat to become thinner and to break. Boob McNutt's Jelly Roll Bus Line takes passengers to what he thinks is Washington, D.C. Boob's Geography comic cell gives clues to the identity of a U.S. state.
- Location
- Currently not on view
- Date made
- June 10, 1934
- publisher
- Star Company
- original artist
- Goldberg, Rube
- ID Number
- 2006.0226.41
- catalog number
- 2006.0226.41
- accession number
- 2006.0226
- Data Source
- National Museum of American History
-
Bill
- Description
- Camera-ready pen and ink drawings by Rube Goldberg for his two comic series Bill and Boob McNutt dated June 12, 1932. Goldberg drew for the Bill series between 1931 and 1934, and the Boob McNutt series between 1915 and 1934.
- Bill and girlfriend Sally try to recover stolen jewels with the help of old Captain Jim. Boob and Mike and Ike are thought to have been killed while flying on the damaged dirigible.
- Location
- Currently not on view
- Date made
- June 12, 1932
- original artist
- Goldberg, Rube
- publisher
- Star Company
- ID Number
- GA.23496
- accession number
- 1972.299186
- catalog number
- GA*23496
- Data Source
- National Museum of American History
-
Ship's Medicine Chest
- Description
- Starting in 1790, American merchant ships larger than 150 tons and with more than 10 crew members were required to have medicine chests with contents assembled by an “apothecary of known reputation.” These had to be accompanied by instructions for the administration of each medicine. Most commonly, either the captain or first mate administered pharmaceutical products to any crew in need.
- This example has labels from the ports of Baltimore, Maryland; Mamaroneck, New York, and Halifax, Nova Scotia, indicating it was replenished more than once over its useful life.
- Date made
- 19th Century
- maker
- Gray Telephone Pay Station Co.
- ID Number
- MG.302606.154
- catalog number
- 302606.154
- accession number
- 302606
- Data Source
- National Museum of American History
-
USS Alaska Scrimshaw Sperm Whale Tooth
- Description
- The wooden screw sloop of war USS Alaska was built in 1868 and spent much of her career in the southern Pacific and Far East representing the American nation in foreign ports. In June 1878, she cleared New York for San Francisco and stopped at several South American ports on the way.
- One of Alaska's port calls from 20-29 September 1878 was to Talcahuano, in the center of Chile's coast and that nation's main naval port. It also was one the principal stops for American whalers in the Pacific seeking fresh supplies and entertainment. This massive sperm whale's tooth was probably purchased there and engraved by one of Alaska's crew to commemorate his visit. While the carver of this tooth is unknown, it may have been one of the officers who kept the official ship's logbooks, because the calligraphy on the covers of the logs for this voyage is exceptionally elaborate and colorful.
- As this tooth indicates, the Talcahuano visit and liberty calls were memorable. Sent ashore on liberty, 54 of Alaska's crew went AWOL (Absent WithOut Leave), and three more were confined to double irons (feet and hand cuffs) for drunk and boisterous behavior or fighting.
- Date made
- 1878
- USS Alaska port call to Chile, Talcahuano
- 1878-09
- ID Number
- DL.374477
- catalog number
- 374477
- accession number
- 136263
- Data Source
- National Museum of American History
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Environmental Button
- Description
- The group "Bike for a Better City" encouraged New York commuters and lawmakers to view bicycling as a means for everyday transportation. The organization, founded in 1970 by Barry Fishman and Harriet Green, called for the establishment of special bike lanes to make city biking safer.
- Location
- Currently not on view
- maker
- Fishman, Barry
- ID Number
- 2003.0014.0051
- catalog number
- 2003.0014.0051
- accession number
- 2003.0014
- Data Source
- National Museum of American History
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Campaign speeches are useful, at that
- Description (Brief)
- This pen-and-ink comic art drawing by Rube Goldberg from 1924 features the concept of using “windy” political speeches as free energy.
- Rube Goldberg (1883-1970) was an engineer before he was a comic artist. After receiving an engineering degree, he started his career designing sewers for the City of San Francisco, but then followed his other interest and took a job as a sports cartoonist for the San Francisco Chronicle. After moving to New York in 1907 Goldberg worked for several newspapers, producing a number of short-lived strips and panels—many of which were inspired by his engineering background, including his renowned invention cartoons. In the late 1930s and 1940s he switched his focus to editorial and political cartoons and in 1945 founded the National Cartoonists Society. The Reuben, comic art’s most prestigious award, is named after him.
- Location
- Currently not on view
- date made
- 1924-10-31
- original artist
- Goldberg, Rube
- ID Number
- GA.23492
- catalog number
- 23492
- accession number
- 299186
- Data Source
- National Museum of American History
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Ship's Surgical Kit
- Description (Brief)
- This wooden surgical case with brass fittings has three main compartments, one of which is a tray that lifts out from the lower case. The interior of the case is molded so that each instrument has its own compartment. The entire interior is lined with purple velvet. The exterior of the lid has an oval escutcheon which is marked, "U.S.A./ Hosp. Dept." The set includes 45 instruments, three of which are not original to the set. At least six instruments are missing, including four knives and a bandage scissors.
- During the Civil War the United States Army contracted with several surgical instrument makers, including Herman Hernstein to provide surgical sets for the Union troops.
- As a young boy in Germany Hermann Hernstein was apprenticed to a surgical instrument maker. He came to the United States in 1841 and settled in New York City. Within a few years, he had established his own shop.
- According to Edmonson much of Hernstein’s inventory was imported from Europe.
- Description
- Surgical kits were not required on merchant vessels, but the larger and better-equipped ships often carried them. These were used for everything from pulling teeth to the amputation of limbs, and everything in between. Like the medicine chests, these kits too were often sold with simple pamphlets, with instructions and diagrams on how to use them in emergencies. The captain or first mate most commonly carried out any needed procedures.
- date made
- 1862-1865
- maker
- Hermann Hernstein & Son
- ID Number
- 1977.1103.01
- accession number
- 1977.1103
- catalog number
- 1977.1103.01
- Data Source
- National Museum of American History
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Lithograph of "Cascades of the Columbia"
- Description
- The lithographic firm of Sarony, Major & Knapp (1857–1867) of New York printed this lithograph of “Cascades of the Columbia” originally drawn by John M. Stanley (1814–1872) of Detroit (1834–1840, 1864–1872) and Washington, D.C. (1850–1860). The illustration was printed as Plate XLV in the “General Report” of volume XII of Reports of Explorations and Surveys, to ascertain the most practicable and economical route for a railroad from the Mississippi River to the Pacific Ocean, “Narrative Final Report of Explorations for a Route for a Pacific Railroad, near the Forty–Seventh and Forty–Ninth Parallels of North Latitude, St. Paul to Puget Sound”. The volume was printed in 1860 by Thomas H. Ford in Washington, D.C.
- Location
- Currently not on view
- date of book publication
- 1860
- graphic artist
- Sarony, Major, & Knapp
- original artist
- Stanley, John Mix
- graphic artist
- Sarony, Major, & Knapp
- original artist
- Stanley, John Mix
- author
- Stevens, Isaac Ingalls
- printer
- Ford, Thomas H.
- graphic artist
- Sarony, Major, & Knapp
- publisher
- U.S. War Department
- U.S. Army Corps of Engineers Topographic Command
- ID Number
- GA.24834
- catalog number
- 24834
- accession number
- 1978.0612
- Data Source
- National Museum of American History
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Whale Hoist Patent Model
- Description
- After some species of whales were killed, their carcasses sank. Other species, like the right whale, floated. A whale that sank represented a major loss to the whaleship crews, who had risked their lives to capture the creatures.
- To prevent this sort of loss and maximize a whaleship’s efficiency, Thomas Roys of the whaling port of Southampton, on Long Island, N.Y., patented an apparatus for “Raising Dead Whales From the Bottom of the Sea.” There is little evidence that many American whalers tried the device or that it found widespread use in the industry.
- Date made
- 1862
- patentee
- Roys, Thomas W.
- ID Number
- AG.332326
- catalog number
- 332326
- accession number
- 94380
- patent number
- 35476
- Data Source
- National Museum of American History
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